Book Reviews

Our reviews of the latest in literature

Norman knows best

For a man whose appearances at London’s concert halls and opera houses are rarer than golden eagles above Highgate, Norman Lebrecht has a lot to say about the state of orchestral music. His first book on the subject, The Maestro Myth, had the merit of revealing certain facts (the huge salaries of conductors, for instance) that may have surprised the people who buy tickets. When the Music Stops, which considered the parlous state of the classical recording industry, was so-so. Now comes a third (and surely final) one, and very thin it is. Lebrecht, rightly, has never regarded popularity as a badge of honour. This has advantages for a journalist;

Just right for a desert island

It would be difficult to write a boring book about Michael Foot. As well as being eloquent, imaginative and idealistic he possessed the priceless quality, from the point of view of the biographer at any rate, of intemperance. He did nothing by halves. ‘No attempt is made at impartiality,’ he announced defiantly in the preface to his first book. ‘Impartial historians are as insufferable as the people who profess no politics.’ He was as committed in his politics as in his history; his career consisted of a series of crusades, tilting sometimes at windmills, sometimes at real dragons, but always conducted with courage and panache. One of his heroes was

A Frenchman for all seasons

From soon after his death in 1838, Prince de Talleyrand, First Minister, Foreign Minister, President de Conseil and Grand Chambellan under a succession of French governments, became the subject of innumerable biographies. They have continued to pour out, year after year, though few of them have been as enjoyable as Duff Cooper’s Talleyrand in 1932, or as comprehensive as Michel Poniatowski’s five volumes in the 1980s. Some writers, like Sainte-Beuve, painted a man so venal and corrupt that lies came to him more naturally than the truth, but most sought hard to discover inner principles behind the cynical and secretive facade. For Robin Harris, boldly tackling Talleyrand’s life again, the

Is he or isn’t he?

Reginald Hill’s many readers may not trust the title, Super- intendent Andy Dalziel seeming to belong, like Captain Grimes, among the immortals. Can the author really have brought him to his version of the Reichenbach Falls, and, if so, will the Fat Man no’, like Holmes, come back again? Certainly it seems that he is dead, blown up by a terrorist bomb in the first chapter, and, if not quite dead, then dying, despite the certainty of DCI Pascoe’s seven-year-old daughter Rosie that ‘Uncle Andy’ can’t do such a thing. While we wait to find out we are given quite a lot of his subconscious visions and out-of-body experiences; quite the

No provincial laggard

Inigo Jones is well-known as the first true English Classical architect, and his stature has been established by a series of books and exhibitions over the last 40 years. English historians, however, have tended to treat Jones as an isolated, even old-fashioned, disciple of Palladio, ‘catching up’ with the Italian Renaissance, at a time when mainstream Europe had moved on to the Baroque. The purpose of this book is to prove this accepted view wrong. Giles Worsley’s aim is to demonstrate that Jones was a distinguished figure in a European-wide classical architectural movement of the early 17th century. A detailed examination of Jones’s own work is put in the continental

Struggling to survive the future

Jim Crace’s latest novel, The Pesthouse, is set in a future America which, following an unnamed catastrophe, has endured a massive regression. There are no machines any more, no electricity or shops, no books and therefore no knowledge of history. In case this seems like an Arcadian idyll, there are also gangs of robbers skulking around, and regular outbreaks of plague. You might call the place faintly medieval, but it is worse because systems of trade are collapsing, not expanding. Unsurprisingly, then, many are trying to flee. The novel begins in Ferrytown, a village whose river must be crossed by those heading for the ocean. One night there is a

The Last Days of Hitler revisited

Hugh Trevor-Roper’s study of Hitler’s death was published by Macmillan 60 years ago this month. It won the Oxford historian an international reputation and remains one of the most powerful and readable accounts of the Nazi regime. It has never been out of print, yet this enduring quality is surprising. Trevor-Roper’s book was not the product of calculated research but resulted from an official enquiry. It was instant history, written very quickly a year after the events it describes, when many sources were not yet available. Nevertheless, the author constructed not only one of the most vivid portraits of Hitler but developed an analysis of his regime later confirmed by

The true and the credible

Some 20 years ago A. N. Wilson published a novel entitled Gentlemen in England. It was savagely reviewed in The Spectator by the late Lord Lambton. He complained that two characters were portraits of old friends of his, whom, for the purpose of the review, he called Mr F and Mr Q. (Alastair Forbes and Peter Quennell, one guessed, without much difficulty.) Quoting a snatch of dialogue, he declared that Mr F (or it may have been Mr Q) would never have said such a thing, and therefore the whole edifice fell flat. This prompted me to write a letter pointing out that since Mr Wilson had written a novel

Sick heart river

Love can drive a man to his grandeur. H. M. Stanley, greatest of all of Africa’s explorers — let us agree with this fine biographer, Tim Jeal, on Stanley’s pre-eminence — was driven by the reverse: love denied, love rebuffed. And with Stanley, that deprivation was a good deal more complex. ‘This poor body of mine has suffered terribly,’ he was reflecting in his diary in June 1877, closing upon the final desperate stretch of his descent of the Congo river, having solved one of the last big geographical conundrums of central Africa: it has been degraded, pained, wearied and sickened and has well nigh sunk under the task imposed

Guilt and defiance

It will be news to nobody that England (or ‘the Crown’) and Ireland had been in a state of mutual incomprehension since the time of the first Elizabeth. There had been much cruelty. Sean O’Casey spoke for his countrymen: ‘The English government of Ireland had often been soft-headed but never soft-handed.’ So, when Ireland, a newly made Free State, declared its neutrality at the beginning of the second world war, the explosion of anger on the one hand, and the grim defiance on the other, were to be predicted. What was not to be foreseen, however, were the tangled effects — political, cultural, moral, psychological — of this neutrality on

Brutal, bankrupt Burma

Thant Myint-U has a special perspective on the history of modern Burma because his family played a role, albeit a passive one, in one of the most dramatic and well-remembered events in its history. The military-socialist dictator, Ne Win, who seized power in an almost bloodless coup in 1962, overthrowing the elected prime minister, U Nu, ran a regime that was characterised by a distrust of educated or distinguished people. Ne Win himself conceived an intense jealousy of Thant Myint-U’s grandfather, U Thant, who, as Secretary General of the United Nations, was the most famous Burmese in the world. When U Thant died in 1974, Ne Win decreed that he

The human commodity

Have two words ever said so much? President Bush’s unforgettable greeting to the British Prime Minister at the G8 summit in St Petersburg last summer epitomised how the ‘special relationship’ between Britain and America had descended into one of complete servility. Can anyone imagine Winston Churchill, Margaret Thatcher or even John Major being addressed in such a condescending way? Geoffrey Wheatcroft can’t, and in his masterly 150-page polemic describes how under Blair’s calamitous premiership, Britain has ceased to be an independent nation. It’s a depressing story of corruption, personal vanity and mendacity unequalled in our country’s political history. Blair, the self-proclaimed ‘pretty straight guy’, has presided over ten years of

Thriving in adversity

This book takes up the story, told so memorably in his Clouds of Glory, of Bryan Magee’s early years in working-class Hoxton. In the first chapter, the now nine-year-old Magee, always precocious in his search for knowledge, is learning about the facts of life from one of his chums. Soon after, separated from his family as a wartime evacuee, he is learning the facts of provincial life first in a remote Sussex village where only two people own cars, and then in Market Harborough where a high percentage of the inhabitants have never travelled farther than to Leicester. At the age of 11, the already intellectually robust, ambitious youth wins

James Delingpole

All’s fair in love and war

Weevils, sodomy and flogging or Baker rifles, jangling bits and ragged squares? For most authors dealing with the Napoleonic era, it’s an either/or. C. S. Forester and Patrick O’Brian do the Royal Navy, Bernard Cornwell does the land battles. But there’s one greedy-guts out there who wants to have his cake and eat it. Step forward Allan Mallinson, creator of both cavalry officer Matthew Hervey and sea Captain Sir Laughton Peto. Not that we’re complaining, obviously. It’s true that it can be irritating when a book’s narrative hops between the separate adventures of two distinct characters, but in the case of Mallinson’s latest, Man of War, it works splendidly. It

Venus in tears

Saartjie Baartman, who performed under the name of ‘the Hottentot Venus’, became one of the most famous theatrical attractions of Georgian London. Exhibited like an animal for the entertainment of a paying crowd (‘two bob a head’), she was routinely obliged to suffer sharp prods in the buttocks from her curious audience who ‘wished to ascertain that all was nattral’. Tears would roll silently down her heart-shaped face. The deathly sighs she emitted on stage became as great a wonder as her Venusian form. Saartjie was born in the Eastern Cape in South Africa in 1789. Her Afrikaans name translates into Little Sarah, an apt choice for a girl who

The house that coal built

I opened this book expecting to  find the sort of volume a considerate host would place in your country- house bedroom. It is a bit more than that. Taking the decline of the Earls of Fitzwilliam and their enormous house Wentworth Woodhouse, outside Rother- ham, as her theme, Caroline Bailey evokes the social revolution that occurred in 20th- century Britain. The almost inconceivable riches of the Fitzwilliam family — coming- of-age parties were celebrated with entertainment for tens of thousands of people — are contrasted to the squalor in which local miners lived. The Fitzwilliams were not bad employers. It was unfortunate that a visit by George V and Queen

Bouncy castles in Spain

Hugh Thomas is widely known as the author of scholarly blockbusters 1,000 pages long. He now excels in what he calls an intermezzo, a learned and lively book of 192 pages, full of good things including splendid pen portraits of worthies: of Choiseul, the easygoing foreign minister of France; of King Charles III of Spain, rising at dawn to spend the day shooting game and going to bed early after a frugal dinner. It concerns the visit to Spain in 1764 of Pierre Augustin Caron, later to be known, the result of assiduous social climbing, as de Beaumarchais. Beaumarchais’ father was a famous Parisian watchmaker in an age when possession

An ever-present absence

It is a curious phenomenon of the modern novel that so many writers entrust their narrative voice to a character that in real life they would go a long way to avoid. In the right sort of hands, of course, it can be brilliantly effective, but imagine a Jane Austen novel narrated by Miss Bates or Jane Eyre told by Mrs Fairfax and one can see some of the problems that Margaret Forster sets herself when she refracts her story of tragedy and obsessive grief through the person of Louise Roscoe. Louise teaches in a primary school. She is married to Don, an advertising executive. Over is her diary, written