Book Reviews

Our reviews of the latest in literature

Dickens’s London is more elusive than the artful dodger himself

Is Dickens’s London a place, or a state of mind, or a bit of both? I used to ask myself the question all the time when I was literary editor of this periodical and our office in Doughty Street was a few doors down from the Dickens Museum, at no. 48, the house where he lived in the early days of his fame and where his beloved sister-in-law Mary Hogarth died. The deputy lit ed, Clare Asquith, and I used to walk in those days before computers to the press, which was in Saffron Hill, Clerkenwell, the scene of Fagin’s lair. We’d pass Bleeding Heart Yard, where so much of

An exposé of drug smuggling and terrorism reads like a first-rate thriller

The crucial moment in this vivid exposé of the murky world of transnational crime comes in 2015. Mustafa Badreddine, one of two Lebanese Shia cousins who for three decades had led the deadliest Iranian-linked terrorist network in the Middle East, was finally indicted by a UN special tribunal investigating the assassination of the Lebanese prime minister Rafic Hariri a decade earlier. After an extraordinary career of mayhem, Badreddine had spent the previous three years leading an elite Hezbollah militia shoring up President Bashar al-Assad’s regime. But the tide had turned, and in July 2015 Qasem Soleimani, the commander of the Iranian Quds force in Syria, secretly flew to Moscow to

Complicated and slightly creepy: the Bogart-Bacall romance

Whenever an actor and an actress begin an affair on the soundstage they like to believe they are the new Burton and Taylor. Actually they’ll be lucky to resemble Christopher Timothy and Carol Drinkwater, who had a fling on that vet programme – and now here are Humphrey Bogart and Lauren Bacall to live up to as well. Of their love story, William J. Mann avers: ‘It was wonderful; it was passionate; it was complicated.’ Also, it was creepy. Bacall was 19, Bogart 45. There was a ‘significant power differential between them’ when they met in 1944 during the filming of To Have and Have Not. Mann is probably pointing

Sam Leith

Celia Brayfield: Writing Black Beauty

45 min listen

My guest on this week’s Book Club podcast is the journalist and author Celia Brayfield whose new book Writing Black Beauty: Anna Sewell and the story of animal rights, takes us back to the 19th century. Celia describes how Anna Sewell’s writing of the Black Beauty book ultimately led to the kinder treatment of horses, and we both recall fondly the popular TV adaptation with its soaringly emotive theme tune.

Our academics are attacking the whole concept of knowledge

The first problem about decolonisation is the word itself. Colonisation is the process of establishing control over a foreign territory and its indigenous inhabitants, by settlement, conquest or political manipulation. But decolonisation? It has come to mean much more than the reversal of that process. Today, it refers to an altogether wider agenda, whose central objective is to discredit or downgrade the cultural achievements of the West. Objective truth and empirical investigation are mere western constructs. They are optional ideas which need have no weight beyond the western societies which invented them. But the West has imposed them on the rest of the world by a process akin to the

Violence in Silicon Valley: The Wolf Hunt, by Ayelet Gundar-Goshen, reviewed

‘I believe it’s the writer’s job to force the reader to look where they usually avoid looking,’ Ayelet Gundar-Goshen has said. The Wolf Hunt, her fourth novel translated from the Hebrew by Sondra Silverston, shines a light on racial tensions in America. Israeli-born Lilach and Mikhael Shuster live in Silicon Valley with their 16-year-old son Adam. Like many men in the community, Mikhael works in tech, although rather than developing apps his company makes weapons. Having given up an academic career to follow her husband, Lilach works as a cultural coordinator at a retirement home. ‘Most of the women here coordinated something,’ she observes wryly. When a man with a

A trip down Ronnie Lane: from child busker to international star

Thirty years ago, I worked for a while in a shop in Soho selling vintage newspapers and magazines. The holy grail for some customers might be the 1955 Playboy featuring Bettie Page or the 1976 Daily Mirror with the Sex Pistols’ ‘Filth & the Fury’ headline. But those of a born-again Mod persuasion were usually looking for 1960s publications with the Small Faces on the cover – preferably the August 1966 copy of the teenage music and fashion bible Rave, showing Ronnie Lane and Steve Marriott from that most style-conscious of bands, complete with a double-page poster of the group inside. Now, nearly six decades after their formation, there is,

Russia’s long history of smears, sabotage and barefaced lies

Russian politicians often refer to something called the Dulles Plan. This document purports to capture the future CIA chief Allen Dulles explaining, in 1948, the US strategy to destroy the moral foundations of the USSR and bring about ‘the death of the most intractable people on Earth… the definitive, irreversible dying out of its self-consciousness’. If this sounds like a fictional villain’s expository monologue then that’s because it is. The text was taken from an antagonist’s speech in a 1971 novel, Eternal Call, which itself recalled a much earlier Russian forgery, the anti-Semitic Protocols of the Elders of Zion. The ‘plan’ was written and disseminated in 1993 in an attempt

The illiterate poet who produced the world’s greatest epic

Odysseus is tossed on the sea when he notices a rock and clings to it. ‘As when an octopus is drawn out of its lair and bits of pebble get stuck in its suckers,’ says Homer, ‘so his skin was stripped from his brave hands by the rock.’ There is such elegant tricksiness in that simile. Homer still sits at the apex of western literature thanks to the beauty and influence of his verse. Robin Lane Fox has been teaching the epics for 50 years and studying them for many more. His lifelong fascination with the texts has bred a sort of feverish passion in him that makes him declare

How the barbarians of the steppes shaped civilisation

It’s boom time for nomad history. It started some eight years ago, when Bloomsbury published a study of central Asia from an Oxford academic. This might have been a fringe book, but the author’s breadth of knowledge and analysis was exceptional, the narrative was gripping, the cover was beautiful and the publisher had high hopes, in spite of my quibbling review. Their punt paid off. Peter Frankopan’s The Silk Roads has sold more than two million copies and counting. It has also helped renew interest in central Asia, which had mostly been the preserve of travel writers and niche historians, including the great René Grousset. At the siege of Zhongdu,

Is there any defence against the tidal wave of online disinformation?

Whether you’re left, right or just somewhere vaguely in between, wherever you’re coming from you may well have a sense that things are somehow not quite right, that the country is headed in the wrong direction, that our various problems and crises seem to be multiplying. You may well have concluded that this is because our institutions have been taken over by an out-of-touch elite who run the government, the judiciary, the media and goodness knows what else, and that the only way to discover the real truth is to do your own research, which involves scrolling through the internet because you no longer trust the ‘mainstream media’. Pizzagate, in

At home in the multiverse: Bridge, by Lauren Beukes, reviewed

Lauren Beukes is a writer who puts cerebral propositions into breakneck thrillers: structural misogyny in The Shining Girls; the flipside of patriarchy in Afterland. In Bridge, she investigates the depressive’s favourite hypotheticals – could have, should have, would have, might have. The protagonist is Bridget, whose mother, Jo, has recently died from brain cancer. Jo was a scientist, interested in rather eccentric ideas, and has bequeathed Bridget a problematic legacy. It seems as if Jo had found a way, using harmonics, visual stimuli and an odd, worm-like thing (think fungus or parasite or the nematode in a tequila bottle) to access other realities. Through trial and error, Bridget manages to

The sleepless lives of great writers

To sleep or not to sleep – that is the question the French writer Marie Darrieussecq asks in her latest book, which explores the insomnia that has haunted her for 20 years since the birth of her first child. From that date, she writes, it ‘has attached itself to me like a small ghost’. Darrieussecq is best known for her surreal novel Pig Tales (1996), but Sleepless is an account of her search for a cure to insomnia and the solace she finds in discovering writers such as Franz Kafka (‘the patron saint of insomnia’), Marcel Proust, Georges Perec, Sylvia Plath, Susan Sontag, Fyodor Dostoevsky, Mahmoud Darwish, Haruki Murakami, Aimé

Life is a game of cards: Burning Angel and Other Stories, by Lawrence Osborne, reviewed

This compelling and unnerving collection of stories is Lawrence Osborne’s first, coming in the wake of recent critically acclaimed novels – including The Forgiven, adapted into a film – and earlier works of memoir, essays and travelogue. Born in England, currently residing in Bangkok, Osborne has earned comparisons with Graham Greene for his portraits of flawed white characters in foreign settings, and Patricia Highsmith, thanks to the menacing noir atmosphere. These nine stories, written over the past decade, do not disappoint. Osborne removes his protagonists – English or American, on the young side of middle age – from their native environments and transplants them into exotic, perilous locations. Divorced from

A thoroughly modern 18th-century heroine: The Future Future, by Adam Thirlwell, reviewed

Adam Thirlwell’s latest novel begins in revolutionary France and chronicles the travails of its embattled celebrity heroine, Celine, who is being subjected to a campaign of malicious gossip about her sex life. She resolves to cultivate a coterie of influential writers to wrest back control of the narrative – cue earnest meditations on power, misogyny and the ability of the written word to shape reality. Meanwhile, she finds solace in female company, reflecting: In a society made of words and images and circulating and recirculating, all devoted to disinformation, it was very difficult to find any personal safety, and one minuscule form might just be this intense form of friendship

George Orwell’s unacknowledged debt to his wife Eileen

Anna Funder, the author of Stasiland, is a premier-league writer who can roll fiction, reportage, criticism and memoir into glinting prose, her sentences like handheld treasures you keep turning over, admiring their graceful contours and crafted precision. Lately she’s published little. In fact Wifedom is a book wrenched from the swirl of domestic duties that drown out women’s voices – the lifeline, in this case, being a chance find at a moment of ‘peak overload’ when she stumbles on a rare edition of George Orwell’s collected non-fiction. Eileen’s fingerprints are all over Animal Farm, a book that displays a psychological acuity Orwell lacked Diving into his essay ‘Why I Write’,

The socialist thinker who imagined ‘transforming her body and soul into potatoes’ to feed the poor

May you live in interesting times. The jury is still out on whether that sentiment is a blessing or a curse. There can be no doubt, though, that the heroines of Wolfram Eilenberger’s new book lived in interesting times and then some. Ayn Rand fled the Russian Revolution; Hannah Arendt fled the Nazis; Simone Weil took part in the French general strike of 1933 and fought for the Republicans in the Spanish Civil War; Simone de Beauvoir went to bed with Jean-Paul Sartre. Eilenberger calls his foursome The Visionaries. It’s an odd title, but then so was the one he gave his previous book, The Time of the Magicians. There

Sam Leith

The faked passports which saved countless lives in the second world war

In the summer of 1942, the Polish poet Władysław Szlengel made a detour into light verse with ‘The Passports’: ‘I would like to have a Uruguayan passport/ Oh, what a beautiful land it is/ How nice it must feel to be the subject/ Of the land called Uruguay…’ Successive quatrains hymned the joys of Paraguayan, Costa Rican, Bolivian and Honduran citizenship before the final stanza declared that it was only with one of these citizenships that ‘one can live peacefully in Warsaw’.  The joke was serious. Szlengel was a Jewish man living in the Warsaw ghetto; and as Roger Moorhouse’s absorbing new book describes, Latin American passports were, or could