Book Reviews

Our reviews of the latest in literature

Tuesday

Jude Cook

Unholy row: The Choice, by Michael Arditti, reviewed

Michael Arditti’s 13th novel The Choice is full of tough moral conundrums. The central dilemma facing Clarissa Phipps, the rector of St Peter’s Church in Tapley, Cheshire, is particularly knotty. Should she remove the church’s panels depicting a troublingly sensuous Eden, painted by the degenerate artist Seward Wemlock in the 1980s, or leave them to stand? Can, in short, an artist’s life ever be disassociated from their work? This is a hot potato, one with which Arditti grapples using endless reserves of theological nuance. By juxtaposing Clarissa’s choice with others she has to make in her life (and the original choices made by Adam and Eve in eating the forbidden

Andrew Rosenheim

A gruesome discovery: Death Under a Little Sky, by Stig Abell, reviewed

The journalist Stig Abell has such a versatile CV – moving from the Sun to editorship of the TLS and then to his present morning slot on Times Radio – that it’s no surprise he has dipped a toe into the crime-writing waters where so many semi-celebrities increasingly swim. What may be surprising, given the rigours of the genre, is how well he’s done it. Death Under a Little Sky sits on the cusp of cosy crime. Jake Jackson is a police detective in London whose life changes when an oddball uncle dies, leaving him a large house deep in a nameless part of England, complete with acreage and a

Juliet Nicolson

Polly Toynbee searches in vain for one working-class ancestor

Polly Toynbee’s fascinating, multi-generational memoir comes with a caveat to a Spectator reviewer. While her book is written with ‘self-conscious awareness’, Toynbee predicts, with a cautionary wag of the finger, that it will be reviewed in publications where ‘introspection is inconvenient’. Not a page goes by without a reference to the iniquities of class, accent, snobbery or patriarchal dominance Of course, introspection drives her narrative. Toynbee, a self-confessed ‘silver-spooner’, was born into a family of towering academic and literary influencers who, while enjoying connections and lifestyles as posh as they come, almost consistently resisted and campaigned against conservative elitism and privilege. As with all families, these ‘crusty old relations’ contain

David Abulafia

Our future life on Earth depends on the state of the ocean

When we observe the ocean we rarely peek beneath its surface. As Helen Czerski shows in her lively and engrossing account of the physics of ocean spaces, we would not see much anyway. Sounds travel well in water, and blue whales talk to one another across thousands of miles; but light soon disappears, apart from the glow emitted by luminous fish. Historians of the oceans (myself included) have looked at how, when and why people have crossed the surface of these spaces, uninhabitable except in the security of a boat or on islands, such as those in Polynesia with which Czerski begins her book. But we need to dive deeper.

Paul Kildea

Haunted by Old Russia: Rachmaninoff’s lonely final years

Ask a roomful of concert pianists to pick their graveyard moment in Rachmaninoff’s Piano Concerto No. 3 (1909) and they’ll almost certainly point to five or so pages halfway through the last movement where an ant nest of piano notes infests a sparse orchestral threnody. When an elderly Vladimir Horowitz performed this passage – lank, dyed pageboy hair framing his Bela Lugosi face, hands darting over and under each other like butterflies – he looked more like a weaver at his loom than a virtuoso at his instrument. There are flickers of concentration, but the overall impression is one of extreme insouciance. ‘I am a Russian composer, and the land

Thursday

Anne de Courcy

A canter through Britain’s racecourses

Although it could hardly be less woke, the racing world is an excellent example of the diversity and inclusiveness we are all constantly urged to practise. Racecourses attract people of all classes, ages, creeds and economic status, some drawn by the spectacle, others by a love of horses or betting, and many just by the prospect of a good day out. Nicholas Clee, a committed racegoer, clearly enjoys the latter, and has hit on the idea of taking us round the racecourses of Britain and Ireland. There are 59 in Britain and 26 in Ireland, most of which he has visited several times. En route we pick up stories of

Tuesday

David Honigmann

The villains of Silicon Valley

Historians joke that some parts of the world – Crete and the Balkans, for instance– produce more history than they can consume locally. The California town of Palo Alto produces more economics than it can consume, and therefore more politics, and therefore more culture. But this comes at a price. Malcolm Harris, a thirtysomething Marxist writer who grew up there, begins his book by citing the alarming rate at which his high-school classmates committed suicide, and argues that Palo Alto is haunted by the historical crimes on which it is built. He then itemises them across two centuries of history, tracing their influence from Stanford University and Silicon Valley out

Nick Duerden

Laughing in the face of cancer

A much cited statistic of the modern era reminds us time and again that at some point in our lives one in two of us will get cancer. So routinely is this doled out that its repetition must surely have dulled the threat somewhat – until, of course, we become the one in the two. When chemotherapy leads to virulent mouth ulcers, Patterson reaches for onomatopoeia: ‘Aieeoo’ In 2019, this statistic took on new emphasis for Sylvia Patterson. Then a 54-year-old pop music journalist clinging on for dear life in an industry going the way of the dodo, she discovered a curious leakage around her right nipple. Doctors confirmed Google’s

Cindy Yu Cindy Yu

Caught between conflicting desires – for liberty and belonging

A friend recently moved back to the UK after living in China for ten years. Being English, he was always going to be an outsider in China, but what surprises him now is how foreign he feels in England too. He asked me whether this feeling ever ended. I told him that I suspect people like us will never fully belong anywhere again. The novelist and filmmaker Xiaolu Guo articulates this sense of alienation exquisitely, knowing exactly what it’s like: ‘Part of me is always in exile.’ She left China in her late twenties when she was already a published author. In Radical, she tries to come to terms with

Chloë Ashby

Should we judge a work by the character of its creator?

‘Most of my heroes are monsters, unfortunately,’ Joni Mitchell once said, ‘and they are men.’ The singer-songwriter was able to detach the maker from the made. Should we do the same? Is it ethical? Even possible? These are the questions Claire Dederer deftly considers in Monsters, which puzzles through the problem of what we ought to do about great art by bad men. Ideally, nothing. Early on in her quest, Dederer longs for someone to invent an online calculator: The user would enter the name of an artist, whereupon the calculator would assess the heinousness of the crime versus the greatness of the art and spit out a verdict: you

Oliver Soden

A purring cat is not always contented

Large cats cannot miaow. (Lions and tigers, I mean, not moggies who have overindulged on Whiskers Meaty Selection in Gravy.) The largest feline ever to have lived was a sabre-toothed cat in South America, which weighed nearly half a tonne. Female house cats can copulate up to 20 times a day when in the mood. Male cats have a bone in their penis. Cats are green-red colour blind. There are probably more than half a billion cats alive in the world at this moment. These are gleanings merely from the footnotes of Jonathan Losos’s The Age of Cats, which is portly with information. The book, surveying cats’ evolutionary history, behavioural

Michael Arditti

Literary charades: The Writing School, by Miranda France, reviewed

A recent YouGov survey found that 60 per cent of Britons dream of being writers, compared with 31 per cent who dream of being film stars. Although the chances of success, or even subsistence, are equally remote in both professions, aspirant authors flock to the country’s ever-proliferating creative writing courses. Miranda France’s splendid third book, blending fact and fiction, is set on one such course: a week-long residency in a rural retreat house, which bears more than a passing resemblance to the Arvon Foundation at which France has taught. The unnamed narrator, a Spanish translator and travel writer with two novels to her name, leads an eclectic group of 12

William Leith

Was this footballer killed for scoring against the Nazis?

Vienna, April 1938. To mark the Anschluss, the annexation of Austria by the Third Reich, the German football team plays a match against the Austrian team, which will cease to exist when the match is over. The Austrians are much better, but can’t seem to score – aha, the match has been fixed by the Nazis. And then, in the 70th minute, Austria’s best player, Matthias Sindelar, can’t take the pretence any more and puts the ball in the German net. At the end of the match, to underline his feelings, he performs a victory dance in front of the Nazi dignitaries. This might sound like fiction but it really

Graham Boynton

From she-devil to heroine – Winnie Mandela’s surprising metamorphosis

Apartheid South Africa created many heroes and villains, and in the heat of battle for the soul of that country it was sometimes difficult to tell which was which. For decades, Nelson Mandela represented righteous liberation for a society enchained by the grim political philosophy of apartheid. Throughout most of this time, his wife Winnie embodied fearless defiance and radical resistance to the system, a charismatic beauty who howled with rage: according to Lord Hain, ‘a quasi-revolutionary to Mandela’s reformism’. A complex Shakespearian tale unfolds of two charismatic figures thrown together by apartheid Today, as South Africa lurches from one crisis to the next, the legacy of the Mandelas is

Declan Ryan

Andrew Motion pays tribute to his poetic mentors

Andrew Motion has previously published a memoir of childhood, In the Blood (2006), but this new book focuses on his becoming a poet, his search for mentors and subsequent writing life. Motion, a country boy, has a Words-worthian bent, and talks about the pull of evocative recollections, already hardening when he entered adulthood, as ‘equivalent to the songs of the Sirens’, explicitly ‘spots of time’. He is, as one might expect, good on poetry’s general appeal – ‘ it prizes compression and distillation in a world of deliquescence’ – and perceptive on the root cause of its lure for him. The appeal of ‘falling in love with a dead man’

Philip Hensher

Why are we so squeamish about describing women’s everyday experiences?

The way that language is shaped by the facts of biological sex is a rich subject. (The way that biological sex is framed, and sometimes refuses to be shaped, by language is perhaps one for another day.) Some languages have evolved forms which are distinctly those of male or female users. Japanese has speech patterns described as male or female, such as (male) the informal use of da instead of desu. There are scripts used exclusively among women, such as the syllabic Nüshu in Hunan, China. Many languages have gendered grammatical forms in ways that are not just metaphorical. Nouns such as ‘boy’ and ‘girl’ are masculine and feminine in

Tuesday

Susie Mesure

Life’s survivors: The Angel of Rome and Other Stories, by Jess Walter, reviewed

Anyone who has read Jess Walter’s Beautiful Ruins will want to turn straight to ‘The Angel of Rome’, the title story in this second collection by the versatile American author. Like the novel that elevated Walter from an underrated writer of police procedurals and thrillers to one capable of bestsellers, ‘The Angel of Rome’ is set in Italy and features a filmset and glamorous actors. Both are also partly based on real life. In Beautiful Ruins, Walter plays with what happened during the filming of the 1963 epic Cleopatra. Here he bases the story on an episode in the life of Edoardo Ballerini, an actor who read Beautiful Ruins. Walter,

David Profumo

A magpie proves a troublesome pet

With his swashbuckling gait, ominous associations and garrulous demeanour, the magpie is the dandified razor boy of our avifauna and provokes ambivalent feelings (the ‘pie’ part signifies many a mixture). His pilfering reputation has inspired work from Rossini to the prog-rock band Marillion, and in lab tests he’s one of the few creatures brainy enough to recognise his own image in a mirror – even some Marillion fans can’t do that. But it’s hard to see how this corvid could be truly lovable. The artist and poet Frieda Hughes, however, fell for a little foundling Pica pica back in May 2007 when she was refurbishing her ramshackle new home. He

Mathew Lyons

Britain’s churches need us to survive – but do we still need them?

In the summer of 1992, Gloria Davey came upon a ruined church near Swaffham in Norfolk. It had no roof, no windows and no door. Satanists were using it for their rites; a grave had been opened, giving up its bones. Gloria’s husband Bob felt obliged to act. He disrupted their rituals, and when they threatened to kill him, he called in the local Territorial Army. They didn’t bother him again. Bob Davey was 73 when Gloria found the late 11th-century church of St Mary, in Houghton on the Hill; he died, aged 91, having visited it every day thereafter. He and a small group of friends built a mile-long

John Maier

Friendships and rivalries in the golden age of Oxford philosophy

Though it is startling to think of it now, analytic philosophy was once considered a promising subject for satire on mainstream television. When Beyond the Fringe was broadcast in 1964, the viewing public could apparently be relied upon to recognise the archetype of the post-Wittgensteinian linguistic philosopher being impersonated by Jonathan Miller and Alan Bennett. The discursive style on display was anguished, effete and reflexively pedantic; the setting, a kind of implied common room (the only atmosphere this particular creature was able to breathe); the repartee hopelessly clogged with qualifications and smug little obiter dicta and minutely alert to exquisite verbal distinctions of doubtful relevance to the point in hand.