Book Reviews

Our reviews of the latest in literature

Thursday

D.J. Taylor

From teenage delinquent to man of letters: James Campbell’s remarkable career

The great age of the Scottish autodidact must have ended a century ago, but it had a prodigious impact while it lasted. To read John Gross’s The Rise and Fall of the Man of Letters (1969) is to be plunged headfirst into a world of kenspeckle lads studying Nietzsche behind the crankshaft and miners quoting Burns to each other as they were winched up from the Lanarkshire coal face. If James Campbell (born 1951) isn’t quite a figure to rank with James Thompson the Younger (1834-82) or the Rev. George Gilfillan (1813-78), to name a couple of Gross’s exemplars, then he is certainly their spiritual heir – a man whose

Jay Elwes

The deep roots of global inequality

Thomas Piketty, the French economist who shot to fame for writing a colossal work of economics that many people bought but few actually read, recently received some advice. ‘What you write is interesting,’ a friend told him, ‘but couldn’t you make it a little shorter?’ Piketty has answered the call for brevity with a book which by his standards is the equivalent of a Post-it note. It’s certainly ‘brief”– but is it a ‘history of equality’? Alas, no. What we have instead is an eye-wateringly left-wing manifesto for dismantling economic inequality, both domestically and internationally. ‘Inequality is first of all a social, historical and political construction,’ Piketty writes, and the

David Profumo

A glimmer of hope for the blue planet

You might think – with its feeding frenzies, vertiginous seamounts, perilous weather and deep history of the monstrous – that the ocean was a wild enough place as it is; but according to the environmentalist Charles Clover it has systematically been ‘de-wilded’ by decades of commercial overfishing, and our seas are now in urgent need of healing. I believe him. When it comes to conservation, fish hold less appeal than terrestrial fauna: they are perceived as cold-blooded, mostly invisible, lacking in charisma, and often delicious – plus, for centuries, there existed the comfortable delusion that their stocks were inexhaustible (even a proof positive of divine benevolence). Now, thanks to ruinously

Wednesday

Sam Leith Sam Leith

China Miéville: A Spectre, Haunting: On The Communist Manifesto

49 min listen

In this week’s Book Club podcast, I’m joined by the writer China Miéville to talk about his new book A Spectre, Haunting: On The Communist Manifesto. China makes the case for why this 1848 document deserves our attention in the 21st century, why even its critics would benefit from reading it more closely and sympathetically, and why – in his view – the gamble of a revolutionary abolition of capitalism is not only possible, but well worth taking.

Jay Elwes

The trouble with Thomas Piketty

Thomas Piketty, the French economist who shot to fame for writing a colossal work of economics that many people bought but few actually read, recently received some advice. ‘What you write is interesting,’ a friend told him, ‘but couldn’t you make it a little shorter?’ Piketty has answered the call for brevity with a book which by his standards is the equivalent of a Post-it note. It’s certainly ‘brief’ – but is it a ‘history of equality’? Alas, no. What we have instead is an eye-wateringly left-wing manifesto for dismantling economic inequality, both domestically and internationally. ‘Inequality is first of all a social, historical and political construction,’ Piketty writes, and the

Thursday

Angus Colwell

Spectator Out Loud: Robert Hardman, Meirion Thomas and Sarah Ditum

23 min listen

On this week’s episode, Robert Hardman reads his cover article on the quiet radicalism of Queen Elizabeth II (00:50); J. Meirion Thomas reads his article on the ‘total triage’ system that is leaving patients unable to see their GPs; and Sarah Ditum reads her review of Sandra Newman’s new novel, The Men. Presented by Angus Colwell. Produced by Angus Colwell and Cindy Yu.

Wednesday

Sam Leith Sam Leith

Daniel Kahneman and Olivier Sibony: Noise

39 min listen

My guests in this week’s Book Club podcast are Daniel Kahneman and Olivier Sibony, co-authors (with Cass R Sunstein) of Noise: A Flaw In Human Judgment. Augmenting the work on psychological bias that won Prof Kahneman a Nobel Prize, this investigation exposes a more invisible and often more impactful way in which human judgments go awry: the random-seeming variability which statisticians call noise. They tell me how it affects everything from business to academic life and the judicial system; and how we can detect it and minimise it. The answers to those questions, it turns out, are very hard for human beings (especially French ones) to accept…

Andrew Lambirth

Alive with innovation: British art between the world wars

When I mentioned the subject of this book to someone reasonably well-informed about 20th-century British art, the response was: ‘Isn’t that all portrait and still-life paintings?’ Well, perhaps if you’re looking exclusively at the contents of the Royal Academy Summer Exhibitions – and even there landscape was another popular choice. But actually the period was alive with innovation – with abstraction and surrealism infiltrating and balancing out a new kind of realism. Art was a melting pot of competing attitudes, drawing equally on native traditions and stimulating foreign influences, principally Cézanne and Picasso. In her enjoyable new book Frances Spalding identifies ‘a recurrent tension… between a precarious stasis on the

Mark Cocker

The catastrophe that allowed mammals to reign supreme

Humans are so comfortable with their self-declared dominance over the rest of life, appointing themselves titular head of an entire geological age in the ‘Anthropocene’, that we forget how we are party to a much wider evolutionary alliance: the mammals. Steve Brusatte announces that mammals reign supreme upon this planet. One thinks especially of their place as climax predators in almost all regions – the lions, tigers, wolves and bears for example – or the sheer weight of numbers of the megafauna in the African savanna, the herds of wildebeest, antelopes and zebras. Mammals are more widely spread over the planetary surface than all higher organisms, with the possible exception

Annabel Barber

Where does brave, stubborn Hungary stand today?

‘Deplorable,’ wrote the historian Denis Sinor in 1958 about the state of Hungarian historiography in English. ‘Not only are the interpretations out of date but the facts themselves are all too often erroneous, and a proper name which is not misspelt is received with a sigh of relief by the reader who knows Hungarian.’ That was only two years after the revolution of 1956, when Hungary was on the world’s lips. Today, when the government of Viktor Orbán and the country’s position on Russia and Ukraine makes it equally talked about, this book – from an author born in Budapest in 1956 – is well timed, and its subtitle ‘Between

Sarah Ditum

A flawed utopia: The Men, by Sandra Newman, reviewed

The problem for feminism is men. Not, specifically, in the sense that men are the source of women’s problems, although the statistics do tend to point in that direction. Feminism’s men problem is that, despite all this, women like men. Love men. One of the lessons of second-wave experiments in separatism is that the idealised man-free existence is always fighting against the gravity of affection. Sandra Newman’s novel The Men takes that quandary and does something clever with it. She imagines a world in which all the men and all the boys and all the trans women and all the male non-binaries and all the Y-chromosome-carrying foetuses are mysteriously spirited

Stuart Evers

A twist on the American classic: The Sidekick, by Benjamin Markovits, reviewed

On the cover of The Sidekick, just below a broken basketball hoop, a quote from Jonathan Lethem suggests Benjamin Markovits is a ‘classic American voice’. Open the book and the first sentence – ‘I was a big slow fat kid but one thing I could do was shoot free throws’ – confirms the kind of American classicism we can expect: Salinger-conversational, Updike-melancholic, Roth-confessional. Male and white, in short. A decade ago, when The Sidekick is largely set, this would be hardly worth mentioning, but for a new novel to stand on such patriarchal shoulders now feels curiously old-fashioned. And while Markovits strives for something more contemporary, it is that voice

Alex Peake-Tomkinson

Too close to home: Nonfiction, by Julie Myerson, reviewed

Julie Myerson has, somewhat confusingly, written a novel called Nonfiction. The confusion of course is the point, because this is her squarest attempt so far at auto-biographical fiction. The French author Serge Doubrovsky is widely credited with writing the first ‘autofiction’ when he published Fils in 1977. Autobiographical novels have proliferated ever since, notably by Karl Ove Knausgaard, Rachel Cusk and Edward St Aubyn. Hari Kunzru, when asked to discuss similarities between himself and his protagonist in Red Pill (2020), said: ‘It was just the simplest solution to a set of problems to give him the furniture of my biography.’ Myerson’s narrator is a novelist whose father dies by suicide

Alexandra Coghlan

Musings on harmony, melody and rhythm

Every Good Boy Does Fine – a banal phrase that also just happens to be the key to limitless wonder. You may have learned it, like Tom Stoppard, as Every Good Boy Deserves Favour, or perhaps as the rather more tension-fraught Every Good Boy Deserves Food (whose sinister implication haunted more of my childhood than I ever confessed to my parents). Whichever it is, this mnemonic for the notes that fall on the lines of the stave in the treble clef is where music begins for most of us: the key that turns hieroglyphs into sound and, eventually, meaning. So it was for Jeremy Denk. But, unlike the rest of

Richard Overy

‘It was all a fairy tale’: Lina Heydrich’s description of the Holocaust

There have been many biographies of Reinhard Heydrich, the cold, cynical head of the SS in the Third Reich, but none quite like this one. Nancy Dougherty, an American film critic and biographer, died in 2013 before finishing a very large manuscript. The book was put into shape by Christopher Lehmann-Haupt, an old friend of hers, who died in 2018. It now sees the light of day years after the research and writing was carried out, but it is a fine posthumous monument to both author and editor. What makes this biography different is not the life of Reinhard but his wife Lina. Dougherty spent three long sessions in the

John Maier

After Aberfan, clairvoyants had a field day

In the wake of catastrophe, however random or unpredictable, one of the first things people can be relied upon to do is look around for somebody to blame. There isn’t always an obvious candidate, of course, but disaster makes us resourceful, and often the casting process is simply a matter of laying hands on someone who happens to be fairly near by and looks like a good enough fit for the role. Assigning responsibility is an extremely effective therapy, after all, restoring a feeling of control over the capricious environment. Someone should have known, we insist. Someone ought to have seen this coming. John Barker, the central figure of The

Philip Hensher

Is T.S. Eliot’s great aura fading?

For much of his life T.S. Eliot was surrounded by an aura of greatness: people accepted it, and behaved accordingly. That kind of consensus is not helpful for a writer or his works, as Eliot himself clearly saw, observing that nobody had ever written anything significant after winning the Nobel Prize for Literature – true at the time and mostly true since. His work is now in the position of Hamlet when he wrote a famous essay on the play: that the universal agreement of its greatness had hidden an understanding of its failures, its strangeness and what it couldn’t do. We take the greatness of Eliot’s poetry pretty much

Thursday

Andrew Taylor

Why are crime writers so weird?

What a weird lot crime writers are. I don’t come to this conclusion lightly, since I’m a crime writer myself, but on the evidence of this magisterial but wickedly entertaining book the conclusion is inescapable. As you turn the pages, the evidence mounts up. One crime writer has been considered a serious candidate for sainthood and another has been convicted of murder. Wilkie Collins simultaneously maintained two mistresses and their children but never bothered to marry either. Mary Roberts Rinehart, an early 20th-century queen of American suspense fiction, narrowly escaped being murdered by her chef because she wouldn’t promote him to butler. Agatha Christie famously engineered her own disappearance, and

Andy Miller

What happens to rockers who don’t die young?

What do the following individuals have in common: a political activist from Suffolk; a chartered psychologist from Oxfordshire, who enjoys playing golf at weekends; a funeral celebrant from Liverpool; the Birmingham-based chairperson of the Ladder Association Training Committee (‘When it’s right to use a ladder, use the ladder, and get trained to use it safely’); a pop star from LA? The answer is that all of them were pop stars, with the obvious exception of the pop star from LA who still is one. But even Robbie Williams used to be bigger. In Exit Stage Left Nick Duerden sketches the afterlives of two dozen former or current musicians – ‘afterlife’

Lara Feigel

A child’s eye view: Fight Night, by Miriam Toews, reviewed

Writing from a child’s point of view is a daredevil act that Miriam Toews raises the stakes on in her latest novel. The nine-year-old narrator is meant to have written the words that appear on the page. But then there is something inherently risky about Toews’s whole undertaking as a novelist. She has made her name in fiction that grapples with the restrictive Mennonite community in which she was raised – keeping faith with it and betraying it simultaneously. Her masterly Women Talking confronted the community head on, depicting the secret meetings of a group of women deciding how to respond to pervasive sexual violence. Now we move outside the