Book Reviews

Our reviews of the latest in literature

Don’t listen to Johann Hari to help your attention span

In 1887, Friedrich Nietzsche made a complaint about the modern world, writing in The Gay Science: Even now one is ashamed of resting, and prolonged reflection almost gives one a bad conscience. One thinks with a watch in one’s hand, even as one eats one’s midday meal while reading the latest news on the stock market; one lives as if one always ‘might miss out on something’. Johann Hari’s Stolen Focus rehearses this complaint. We fill our lives with distractions, he says, and have no time to think. He adds a few new problems, though they’re also pretty familiar: we are constantly on our phones; social media is bad for

Abstract and concrete: the beauty of brutalism

Nothing divides the British like modernist architecture. Traditionalists are suspicious of its utopian ambitions and dismiss it as ugly; proponents romanticise it, yearn for the civic principles that built it and gloss over its failings; the young see period charm in flat roofs and straight lines, while the old associate them with deprivation; the wealthy mostly avoid it — and many people have no choice but to live in it. Nearly 100 years after Le Corbusier set out his five points of modern architecture the British are still arguing about its merits, partly because we still live with so much of it: housing, offices and civic and industrial buildings. Two

Stalin the intellectual: the dictator cast in a new light

The link between mass-murdering dictators and the gentle occupation of reading and writing books is a curious one, but it definitely exists. Mao was a much- praised practitioner of traditional Chinese poetry; Hitler was widely if haphazardly read, dictated Mein Kampf and was a fan of Karl May’s Wild West stories; and Stalin, as Geoffrey Roberts shows, took books at least as seriously as the purging of foes, real and imagined. Though we may wonder whether Enver Hoxha and Kim Il-sung really wrote the dense works of Marxist-Leninist theory with which they’re credited, there is no doubt that Stalin found the time while running the Soviet Union and fighting the

Both epic and intimate: The Love Songs of W.E. Du Bois, by Honorée Fanonne Jeffers, reviewed

To write a first novel of 800 pages is either supremely confident or crazy. Honorée Fanonne Jeffers, a professor of English at the University of Oklahoma and the author of five poetry collections, now gives us The Love Songs of W.E.B. Du Bois, a multigenerational saga set over two centuries. It opens in the 18th, with a young black American in search of the Seminole tribe in Florida. Instead, he finds another Native American community in an area of Georgia fabulously named The-Place-in-the-Middle-of-the-Tall-Trees. He calls himself Coromantee, and is embraced by the Creeks. This part of the novel is narrated like a chorus by the collective voice of the community.

Is it an exaggeration to talk of a ‘gender war’?

According to Nina Power’s forceful and rather unusual What Do Men Want?, we in the West are currently engaged in a ‘battle over sex’. And while that has been going on, ‘another war is being waged. This one is against men, the whole damn lot of them!’ To back up this ‘war on men’ idea, Power cites, among other examples, I Hate Men, a book by the French writer Pauline Harmange in which she damns men as ‘violent, selfish, lazy and cowardly… men beat, rape and murder us’. Power’s argument is that the all-out assault on men has gone too far. The mistake, she says, is in ‘treating people as

Parallel lives: Violets, by Alex Hyde, reviewed

When Violet wakes up in Birmingham Women’s Hospital at the start of Alex Hyde’s debut novel her first thought is of what has happened to the enamel pail of blood, because she hates the idea of someone else emptying it: ‘Was that what it meant, lifeblood? Placental, uterine. She had seen the blood drop out of her into the pail. It came with the force of an ending.’ A messy business, miscarriage. Across the country in Wales, another Violet is dealing with a different sort of mess. ‘No, still nothing. Violet pulled up her knickers and swilled out the pan. Every time she would check. Every slight feeling of wet.’

Is Julian Assange on a hiding to nothing?

A question looms throughout this book: is it better to die rather than experience the wrath of a publicly shamed America? The story begins in 2018 when Nils Melzer, a UN Special Rapporteur on torture, received an email: ‘Julian Assange is seeking your protection.’ Melzer’s office receives approximately 50 requests for help each week, and he was initially dismissive of this one. He believed the founder of WikiLeaks was ‘hiding out in an embassy somewhere because of rape allegations’. A few months later, Assange’s lawyers made contact again. This time Melzer read the documents forwarded to him and changed his mind: ‘I began to wake up to my own prejudice.’

All hell breaks loose when our senses go haywire

Jesus is a Malteser. You might say I’m a liar or accuse me of the most egregious heresy, but the fact remains that Jesus is a Malteser. This is because I have a neurological quirk known as synaesthesia, commonly described as a fusing of the senses. Its most common manifestation prompts people to see colour when they hear music. But my version is the rare lexical-gustatory kind, which means that I can taste words; and so Jesus is a Malteser, Sam is tinned tuna and Donald is a rubber duck bobbing around in vinegar. This could seem nightmarish: life as a constant assault of rubber ducks and whiffy fish —

A modern Medea: Iron Curtain, by Vesna Goldsworthy, reviewed

Vesna Goldsworthy’s finely wrought third novel explodes into life early on with a shocking scene in which Misha — the boyfriend of our protagonist, Milena Urbanska — returns from a short, tough spell of military service, initiates a game of Russian roulette (‘the only Russian thing I could face right now’) and blows his brains out. It is 1981. Misha and Milena are children of the political elite in an unnamed capital city in the Eastern Bloc. As such, they are afforded privileges their compatriots lack: palatial homes, preferential treatment, western luxuries as seemingly innocuous as cans of Bitter Lemon from Italy and imported tampons, instead of ‘the scratchy home-produced

Sam Leith

Philip Oltermann: The Stasi Poetry Circle

39 min listen

My guest in this week’s Book Club podcast is Philip Oltermann, whose new book The Stasi Poetry Circle: The Creative Writing Class that Tried to Win the Cold War, unearths one of the most unexpected corners of East German history. At the height of the Cold War, members of the GDR’s notorious secret police got together regularly to workshop their poems. Was this a surveillance exercise, a training module for propagandists – or something stranger than either? And were their poems any good? Philip tells me about why poetry was such a big deal in the Eastern Bloc, how – had Petrarch but known – the sonnet was the perfect

The women who challenged a stale, male philosophy

Metaphysical Animals tells of the friendship of four stellar figures in 20th-century philosophy — Mary Midgley, Iris Murdoch, Elizabeth Anscombe and Philippa Foot — who attempted to bring British philosophy ‘back to life’. Fuelled by burning curiosity — not to mention chain-smoking, tea, wine, terrible cooking and many love affairs (sometimes with each other) — they tackled an ancient philosophical question: are humans a kind of animal or not? Dazzled as we are these days by technological possibility, their question only gains in urgency. This splendidly entertaining book, fizzing with character and incident, constitutes an extended joyful reply in the affirmative. Others would disagree. Humans are rational and animals aren’t,

Sam Leith

Pre-crime has arrived in China

The idea of ‘pre-crime’ was popularised by Philip K. Dick’s story ‘The Minority Report’ and the 2002 Steven Spielberg film based on it. Here was a vision of a shudderingly paranoiac technological dystopia in which you could be arrested for something you haven’t even done yet. Not so science-fictional as all that. ‘Pre-criminal’ is the phrase — apparently one in official currency — that’s used of the protagonist of the story with which Darren Byler begins his chilling short book. Vera Zhou was a student of Byler’s at the University of Washington. A member of the Chinese Muslim Hui population, she was walking through a crowded street in her home

A guide to the apothecary’s garden

On 23 May 1804, two months before his daughter’s wedding, John Coakley Lettsom threw open his estate in Camberwell. Some 800 guests made their way to Grove Hill, with its panoramic views across the Thames to London. A leading doctor and noted philanthropist, a prolific author on matters medical, social and moral, Lettsom was famously convivial. But if any of his guests had been expecting music, dancing and cards, they were in for a disappointment. Lettsom was a Quaker — though not of the strictest variety — and the evening’s entertainment centred on ‘rational pleasure’. Guests were invited to view the shells, corals and minerals on display in his museum,

Scaling the heights: a woman’s experience of mountain climbing

In her memoir Time on Rock, Anna Fleming charts her progress from ‘terrified novice’ to ‘competent leader’ as she scales rocky vertical routes with names such as the ‘Inaccessible Pinnacle’ and the ‘Savage Slit’. There is poetry in the vocabulary of climbing, with its gritstone, gabbro and basalt and its slopers, arêtes, underclings, heel hooks and, my personal favourite, the thrutch — a kind of hip wiggle that can get a climber out of a tight squeeze. ‘There is nothing elegant in a thrutch,’ we are told. One element of the book that distinguishes it from most climbing literature is its female perspective. Fleming initially compares herself unfavourably with her

Rod Liddle

The BBC is trapped in its own smug bubble

An incalculable number of trees have been hewn down recently in order to provide paper for people writing lengthy, largely admiring books about the BBC. There have been at least five since Charlotte Higgins’s eloquent but slightly eccentric study This New Noise in 2018, including The War Against the BBC by Patrick Barwise and Peter York and The BBC: Myth of a Public Service by Tom Mills. I suppose it would be both cruel and facile to suggest that ending the licence fee might turn out to be the UK’s greatest contribution to reducing global warming. David Hendy’s offering is subtitled ‘A People’s History’, but I have no idea what

What did the Russians make of Francis Bacon?

The KGB might not have known much about modern art, but they knew what they liked. For instance, at what came to be called the ‘Bulldozer show’ of 15 September 1974, the Soviet secret service instructed a small militia of off-duty policemen to besiege an unofficial exhibition being staged by a group of underground artists in a field on the outskirts of Moscow. As James Birch recalls, KGB goons ‘attacked the show, using bulldozers and water cannons. Artists and onlookers were beaten up, some paintings were set on fire, other works were thrown into tipper lorries where mud was piled on top by diggers’. Surviving artworks were ‘driven off to

Smugglers’ gold: Winchelsea, by Alex Preston, reviewed

The atmospheric medieval town of Rye on the south coast still celebrates being a former haunt of smugglers, and on foggy nights it’s not hard to imagine stealthy figures in the shadows rolling barrels of illicit rum down its cobbled streets. Alex Preston has relocated to nearby Winchelsea, making it the setting for this maritime yarn. But any residual glamour attaching to these tax-averse citizens of Sussex is largely dispelled in a tale with as many moral qualms as thrilling exploits. Goody Brown recounts the cross-dressing adventures of her youth as the sole female member of the infamous Hawkhurst gang in the 1740s. Rescued from the sea as a baby

Dystopian horror: They, by Kay Dick, reviewed

Her name has faded, but the British author and editor Kay Dick once cut a striking figure. She lived in Hampstead with the novelist Kathleen Farrell for more than 20 years, among a mid-20th-century literary set that included Stevie Smith and Ivy Compton-Burnett. Her most acclaimed novel was The Shelf, the story of a lesbian affair which drew heavily on her own life and circle. In 1977, she published They, a dystopian horror quite unlike her other work. It won the South-East Arts Literature Prize but soon went out of print, where it remained until a literary agent chanced on it in a charity shop. Reissued with an introduction by