Book Reviews

Our reviews of the latest in literature

Books of the Year I — chosen by our regular reviewers

Anna Aslanyan A decade after Londoners, we have another wonderful work of oral history from Craig Taylor. New Yorkers: A City and its People in Our Time (John Murray, £16.99) is a collection of monologues that makes you feel as if you are there, listening to these people. A nurse, an activist, a nanny, a car thief, a personal injury lawyer, a lice consultant, a philanthropic foundation officer, a meditation teacher and dozens of others tell their stories of a place that ‘meant more of everything’ to them and to their interlocutor. Even before finishing the book, I began imagining what Taylor’s next destination might be. I also kept wondering

Far from being our dullest king, George V was full of surprises

‘Victorian’ stuck, and ‘Edwardian’ too. But ‘Georgian’, as an adjective associated with the next monarch in line, never caught on. It was already assigned, of course, but George V very strikingly didn’t embody his time in the way that his father and grandmother did. The adjective only really succeeded in one specific instance: as the name of a school of poets. The anthologies Harold Monro published between 1911 and 1922 under the title ‘Georgian Poetry’ created a lasting school of poets — like the King, well-made, efficient, reticent and given to outbursts of intense romantic emotion. George V is not much associated with poetry; but his character is more complex

Rationality is like a muscle that needs constant flexing

In the 1964 film My Fair Lady after Colonel Pickering has secured the help of an old friend to pull strings at the Home Office (plus ça change) in the hope of finding the absconded Eliza Doolittle, Professor Higgins snaps: Why is thinking something women never do? And why is logic never even tried? Straightening up their hair is all they ever do. Why don’t they straighten up the mess that’s     inside? Today the sex and gender wars are more nuanced than that, at least in public, but the charge of stupidity and unthinkingness has found many other targets: anti-vaxxers, Brexiteers, conspiracy theorists, climate- change activists on the M25,

Laura Freeman

The art of seizing the moment in photographic portraiture

A Tatler photographer once told me that the secret to taking a good photo was the three Ts: tum, tits, teeth. Suck it in, push ’em out, show your pearly whites. Leaving aside David LaChapelle’s portrait of Pamela Anderson, there’s a shortage of Ts in Phillip Prodger’s Face Time. This looks likea coffee-table book but doesn’t bark like a coffee-table book. On first flick through, I found the pictures desultory, even depressing. I was expecting more of a Condé Nast vibe. Glossy and glossier. On second approach, taking text and pictures together, it became a more interesting beast. Prodger is a former head of photography at the National Portrait Gallery

The slippery stuff of slime: should we loathe it so much?

As humans, we are supposed to have an aversion to slime. It should repel us. Objects and organisms that might be harmful trigger feelings of disgust which keep us away. And, according to the biologist Susanne Wedlich, the common denominator of ‘wide-ranging microbial threats, covering sickness, sex, death and putrefaction’ is their sliminess. It is easy to test this theory. Google ‘slime moulds’ and note your first response. They are gross. But these organisms are worth sticking with. Japanese researchers once conducted an experiment using a slime mould and a map of the country. They put the mould on top of Tokyo and dropped food on to the city’s surrounding

The nearest thing to Paul McCartney’s autobiography: his guide to the Beatles’ songbook

Whatever your favourite theory of creativity, Paul McCartney has a cheery thumbs-up to offer. You think the secret is putting in the hours? ‘We played nearly 300 times in Hamburg between 1960 and 1962.’ Or could it be a wide range of cultural inputs to assimilate and remix? The Arty Beatle hoovered up Shakespeare, Dryden, not just Desmond but Thomas Dekker, Berio and Cage and rock’n’roll and light jazz, and sublimated them all. In one of the great missed opportunities, when it came to arranging ‘Yesterday’, his first thought was Delia Derbyshire. Some people credit childhood trauma: McCartney recalls how his father Jim would weep alone in a neighbouring room

Defying the tech giants: The Every, by Dave Eggers, reviewed

Those for whom Dave Eggers’s name evokes only his much praised memoir A Heartbreaking Work of Staggering Genius (2000) may be surprised at just how much straight fiction he has written. ‘Those for whom’, here, is code for me. I confess it, the pros and cons of transparency being one of the themes of the book under review. In addition to McSweeney’s, his influential literary magazine, and other book-length nonfiction (his 2009 Hurricane Katrina book Zeitoun is exceptional), Eggers has published 13 lengthy novels. Here’s one of them: The Circle (2013), a blockbuster satire on the burgeoning power of internet companies such as Facebook, Amazon, Apple and Google. We follow

Sam Leith

Armando Iannucci: Pandemonium

25 min listen

My guest on this week’s Book Club podcast is Armando Iannucci – the satirist behind Alan Partridge, The Thick of It, Veep and The Death of Stalin. What many of his fans might not know is that he’s also a devoted scholar of Milton – whose influence is to be found in his first published poem Pandemonium: Some Verses on the Current Predicament. Armando tells me what hurt him into verse, identifies the moment that led him to abandon an English Literature PhD for a career in comedy – and explains why there’s as much sadness as savagery in his mock-epic description of the Covid epidemic.

Yours disgusted, H.G. Wells: the young writer finds marriage insufferable

The Young H.G. Wells is a biography that takes biology seriously. This is partly because H.G. Wells was a biologist before he became a writer of science fiction (his first publication was A Text Book on Biology, which he illustrated himself), but also because Claire Tomalin is alert to the life of the body as well as the mind. In her hands, Wells’s youth was less about his rise from the lower classes to become the wealthy socialist who predicted the aeroplane, the tank and the atomic bomb than about the rise of his weight. There is never a point in these pages when we are not told what numbers

The Great God Pan is all things to all men

Pan’s name is thought to derive from ‘paean’, the ancient Greek verb meaning ‘to pasture’. His half-man, half-goat form reflected his role in protecting flocks of goats and those who herded them among the wild hills of Arcadia. Panic was his superpower, freaking out mortals in the woods with distorted sounds, even neutralising hostile armies. This might seem like an adequate portfolio of godly aspects, but, as Paul Robichaud demonstrates in Pan: The Great God’s Modern Return, it didn’t take long for things to get more complicated. The Homeric ‘Hymn to Pan’ had a slightly different story, which was that the strange goat-child, rejected by its earthly nurse, got taken

Homage to the greatest 18th-century poet you’ve never heard of

If you were to glance only briefly at the title of the Irish poet Doireann Ní Ghríofa’s prose debut you might be forgiven for assuming that A Ghost in the Throat was a story about demonic possession — and you wouldn’t be entirely wrong. Demonic? No. Possession? Certainly. This spectral, arresting and at times disorientating autofiction is, most simply, the story of an author and her muse. But it isn’t just a story. Its fusion of historical biography, memoir and literary criticism makes it an intoxicating experiment in genre while also a heady and sensitive read. And that seems to be Ní Ghríofa’s modus operandi. As she sets out on

What motivates Peter Thiel apart from the desire for more wealth?

If you’ve only heard one thing about Peter Thiel (and many have heard nothing at all) it is that he is a believer in the power of young blood. The tech multibillionaire and founding investor of the surveillance company Palantir is a public advocate of parabiosis, an experimental field of biology investigating whether transfusions of blood from young people to older ones can stall or even reverse ageing. Rumours that Thiel himself has received such transfusions have persisted for years. When asked about them directly in a rare interview, he replied simply: ‘I’m not a vampire.’ Max Chafkin’s The Contrarian makes for deeply uncomfortable reading. This meticulous biography of big

Henry VIII’s windfall from the monasteries was shockingly short-term

In 1536 there were 850 monastic houses in England and Wales; just four years later they were all gone. The romantic remains of many of them still grace our landscape, Shakespeare’s ‘bare ruin’d choirs’ receiving more visitors today than the living communities did half a millennium ago. Now these visitors are primarily tourists and heritage lovers; then they were pilgrims, travellers, businessmen and, of course, those who toiled spiritually as servants of the Church, some more conscientiously than others. Monasteries were huge physically, commercially and spiritually; ‘they were never only scenery,’ declares James Clark in his new book: ‘Their profile defined not only a locality but sometimes a whole region.’

Can the fiasco of the Dieppe Raid really be excused?

In my mother’s final days we had a long conversation about the second world war. I asked if she’d ever thought we might lose. ‘No,’ she snapped. ‘I knew we were too clever for them.’ The chief of the imperial general staff, Sir Alan Brooke, had been less sanguine. On 31 March 1942 he confided to his diary: ‘During the last fortnight I have had, for the first time since the war started, a growing conviction that we are going to lose.’ His concern, besides the army not fighting very well — witness Hong Kong and Singapore — was that Britain’s new allies, the Soviet Union and the United States,

Even the greatest tennis players need to be adored

Louis MacNeice once wrote that if you want to know what chasing the Grail is like, ask Lancelot not Galahad. Because failure helps you see — the successful types are too busy succeeding. Two recent books on tennis put this theory to the test. The Master, by Christopher Clarey, long-time tennis correspondent for the NY Times, is about Roger Federer’s greatness. Clarey played for Williams College, where he ‘struggled and choked enough to understand just how difficult it can be to hit the shots that virtuosos like Federer make look routine’. Billie Jean King’s most recent autobiography, All In, is the second. She tells the story from Galahad’s point of

Celebrating Tony Wilson, the founder of Factory Records

To many people Tony Wilson was a bigmouth Mancunian, brash music impresario and jobbing television presenter. But to the generation that came of age in the late 20th century he was a guide to the future. We have him to thank for ushering in the strangest, most revelatory pop music to the cultural mainstream. Wilson was among the first to spot the significance of catalytic bands such as the Sex Pistols, Joy Division and Happy Mondays and to champion them through his countless media projects. Factory, the scrappy record label he co-founded in 1978, produced some of the biggest-selling records of the 1980s, with a spirit of ‘subversion through inefficiency’.

Love in a cold climate: Snow Country, by Sebastian Faulks, reviewed

In the months before the outbreak of the first world war, Anton Heideck arrives in Vienna. Family life offered him the prospect of a job in his father’s meat factory, but he goes to the big city to start a career as a writer. What he finds is Delphine. They fall in love, move into a flat, then a house in the countryside outside Vienna; but when war breaks out the fragility of their happiness is brutally exposed. Snow Country moves from this doomed love to post-war Vienna, and to Lena, the daughter of an alcoholic part-time call girl. Lena eventually goes to Vienna, where she comes close to following

It’s time female fraudsters received their due

If you’re after jewel thieves, bank robbers and gold smugglers, look no further than Caitlin Davies’s Queens of the Underworld. It opens in 1960 and tells the tale of Zoe Progl, a professional crook who once stole £250,000-worth of furs in a single heist. Eventually sent to Holloway Prison for 20 years, Progl subsequently pulled off the most successful jailbreak in 75 years when she scaled the 25ft wall to freedom. Davies describes how her interest in this case led her to talk to Progl’s daughter after her mother’s death and, realising there was barely any public knowledge about this notorious, successful and imaginative criminal, thought that Progl was one