Society

The Princess of Wales has been photographed for the first time since she was hospitalised earlier this year. But while the picture, which shows Catherine in a car driven by her mother Carole Middleton, is splashed across the American celebrity website TMZ, it won’t be appearing in British newspapers. So why is the British press so scrupulous, so abstemious and so responsible – things they could never have been accused of in the Wild West days of the old Fleet Street – when their American cousins still shoot from the hip when it comes to publishing paparazzi pictures of the Royals? The Earl’s words hit home It all goes back to

The SNP seems determined not to stick to the day job of actually running the country. Scotland’s government this week launched a publication called ‘Building a New Scotland: an independent Scotland’s Place in the World’. It set out policies for something that doesn’t exist – an independent Scotland – in areas in which the devolved administration has no responsibility. Angus Robertson, the party’s constitution and external affairs secretary who launched the report, hardly seemed fazed by those facts: he spoke fluently and familiarly about ‘defence, peace and security’ and Scotland’s role as ‘a good global citizen’, even if his party’s plan is unlikely to ever see the light of day.

It’s generally my morning habit to leap out of bed at 5am singing the Queen song ‘Don’t Stop Me Now’, but on those rare mornings when I sleep in, nothing can be guaranteed to finally get me moving at 5.43am as surely as Radio 4’s Prayer For The Day. One of two things will happen; usually, some wet-wipe in a dog-collar will come out with a mouthful of woke platitudes and I’ll be so cross that I can’t keep still a moment longer. On a few occasions, though, I find the person speaking so affecting that it seems wicked to lie in bed for a moment longer when the Lord’s

Why would the producers of a new West End play think it a good idea to put on select performances for all-black audiences, effectively telling white theatregoers they’re not welcome on those nights? The idea of Black Out nights (as they have become known) amounts to segregation by race and skin colour. Yet this is exactly what will take place when Slave Play, written by American playwright Jeremy O Harris, starts its run at the Noël Coward Theatre this summer. Is he suggesting black people can only feel safe with other black people? Two nights – 17 July and 17 September – have been allocated to all-black audiences to watch