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Any avid gin drinker will know that botanicals are all the rage at the moment. From juniper to orange peel to lavender, the ingredients list on the backs of bottles are getting more elaborate by the day, and seemingly more exotic. But what may come as a surprise is the growing number of distillers who are sourcing all of their ingredients in Britain. Tom Warner was one of the first distillers to incorporate homegrown botanicals into gin – a craze that has now taken off across the market. As green-fingered geniuses unveil their glorious gardens at this year’s Chelsea Flower Show, the farmer and distiller will pour them a quintessential G & T, and he’ll be

For those disappointed by the humorless and deeply earnest treatment of the contemporary campus experience in the 2020 TV adaptation of Sally Rooney’s Normal People, the new Netflix series The Chair will be a welcome tonic. Over its punchy six half-hour episodes, the show, co-created by the actress Amanda Peet and produced by her husband David Benioff, deals with the iniquities of contemporary university life. Its setting is Pembroke, a fictitious minor Ivy League campus somewhere in New England. The action is mainly seen from the perspective of the English department chair Ji-Yoon Kim, a Korean-American academic who fears that her promotion has been brought about through ‘diversity issues’, rather

British teenager Emma Raducanu’s straight set victory (6-1, 6-2) at the US Open last night was exciting. Exciting for all the reasons we love to watch tennis; the thrill of the underdog triumph, the inevitable comparisons with other, prodigal, teenage stars like Becker, and of course, the very fact of her Britishness. In this, our Brexit era, Raducanu took her best to the world stage and outperformed all expectations. Virginia Wade, the last British woman to win the title at Flushing Meadows in 1968 and grand dowager of the British women’s game, rose to her feet in the stands applauding the guts of the 18-year old as she won 12

After the usual slow summer, the West End will return to action this autumn – as several more theatres reopen their doors. Here’s our pick of shows to book ahead for: The Shark is Broken Ambassadors Theatre, 9 October – 15 January A smash hit at the Edinburgh Festival back in 2019, The Shark is Broken goes behind the scenes during the filming of Stephen Spielberg’s Jaws, revealing how the timeless blockbuster nearly never got made in the first place. Based on first-hand accounts from those who were there at the time, the play is also written by Ian Shaw – whose late father, Robert, starred in the film as

Daniel Craig’s fifth and final outing as Bond may not have as many pulses racing due to No Time to Die’s frequently cancelled release dates (the first trailer was back in December 2019), but fans are still keen to see the return of the iconic British spy. Indeed, recent events have conspired to make 007 more relevant than in previous years, with shiny-pated Amazon boss Jeff Bezos emulating both villains Blofeld (who took over the entertainment assets of billionaire Willard Whyte in Diamonds are Forever) and Hugo Drax (Moonraker) with his recent acquisition of 007 studio MGM and brief space flight. Until No Time to Die is released, the jury

You’re never going to see Venice quite like this again. Usually swarming with tourists – not to mention the enormous cruise ships that dock in its waters ­– the city has been given a serious breather by the coronavirus pandemic. Those lengthy queues to get into its most famous hotspots have disappeared; the picturesque back streets lie empty and a dramatic fall in water traffic has seen the sediment in its 150 canals settle, allowing their vibrant colour to return. La Serenissima – much to many of the locals’ relief – has become serene once more. Where to stay Belmond Hotel Cipriani In a city where five-star luxury errs towards

The pandemic has sparked an entrepreneurial revolution as the business sector has adapted to consumers’ rapidly changing needs, with nearly half a million businesses launched in the UK between March and December last year. This national surge of entrepreneurs — enabled by ongoing technological development, together with a national shortage in practical skills — begs one to question whether the traditional university route will best prepare our young people for their future careers. There will undoubtedly always be an important place for traditional university degrees but a blinkered focus on this as the only viable option for further education will, I believe, disadvantage career and earning potential in the future.