For thousands of years, no one knew what lay in the ice around the North Pole. The blanks on the maps fuelled the imaginations of classical writers, who crafted stories of Hyperboreans living in a gaudy paradise, dancing with Apollo and generally misbehaving. As explorers from southern Europe travelled further north — revealing intransigent and
There ought to be more mileage than there is in stories of diplomacy. Publishers long ago got wise to the memoirs of ex-ambassadors, which in a more servile age used to clog up their catalogues just as the ghosted anguish of reality starlets does now. I am a sucker for the autobiographies of politicians, however
Felipe Fernández-Armesto has a grand idea. Felipe Fernández-Armesto has a grand idea. After the formation of separate continents about 150 million years ago, the world’s ‘cultures’ became progressively more ‘sundered’ and its ecosystems more divergent. Then, ‘with extraordinary suddenness’, in 1492 this long-standing pattern ‘went into reverse’: divergence ceased and ‘a new convergent era of
This is a very short book with large type. DeLillo has said that he no longer feels a compulsion to write long, compendious books. In his later years Saul Bellow said something similar. DeLillo, of course, has written very long in the past, notably with the 850-page Underworld (1997), and his story has been America.
When school-children are asked to draw a scientist, says Trevor Nelson, nine out of ten of them draw a mad scientist. My first thought on reading this was: why is there no photograph of Nelson on the dustcover of this book? Might he look particularly bonkers? After seconds of exhaustive research I found a picture
When Wordsworth and Coleridge were in their collaborative youth, walking one evening in 1797 on the Quantock Hills and contemplating something Gothic, Wordsworth suggested to Coleridge that the Ancient Mariner could be haunted by what he had just been reading about in Shelvocke’s Voyage Round the World — the killing of an albatross by a
The characters in Rose Tremain’s deft new novel are almost all remarkably unpleasant. The characters in Rose Tremain’s deft new novel are almost all remarkably unpleasant. Not just wicked or selfish, but strangely pathetic, too. In fact, their nastiness is so ingrained and so unignorable that one begins to suspect a degree of authorial malice.
More than 20 years ago I wrote an admiring article about Dick Francis. I made, if I recall, only one mild criticism: that he sometimes piled a bit too much misfortune on his damaged heroes. There was, for instance, the novel in which the narrator’s wife was in an iron lung and the villains put
