Anna Funder, the author of Stasiland, is a premier-league writer who can roll fiction, reportage, criticism and memoir into glinting prose, her sentences like handheld treasures you keep turning over, admiring their graceful contours and crafted precision. Lately she’s published little. In fact Wifedom is a book wrenched from the swirl of domestic duties that
Adam Thirlwell’s latest novel begins in revolutionary France and chronicles the travails of its embattled celebrity heroine, Celine, who is being subjected to a campaign of malicious gossip about her sex life. She resolves to cultivate a coterie of influential writers to wrest back control of the narrative – cue earnest meditations on power, misogyny
This compelling and unnerving collection of stories is Lawrence Osborne’s first, coming in the wake of recent critically acclaimed novels – including The Forgiven, adapted into a film – and earlier works of memoir, essays and travelogue. Born in England, currently residing in Bangkok, Osborne has earned comparisons with Graham Greene for his portraits of
The Dowager Countess of Deloraine, who was governess to the children of George II at Hampton Court and other royal homes, was a notorious bore – so much so that her ‘every word’ made one ‘sick’, according to the courtier Lord Hervey. When she naively asked him why everyone was avoiding her, he replied with
To sleep or not to sleep – that is the question the French writer Marie Darrieussecq asks in her latest book, which explores the insomnia that has haunted her for 20 years since the birth of her first child. From that date, she writes, it ‘has attached itself to me like a small ghost’. Darrieussecq
Lauren Beukes is a writer who puts cerebral propositions into breakneck thrillers: structural misogyny in The Shining Girls; the flipside of patriarchy in Afterland. In Bridge, she investigates the depressive’s favourite hypotheticals – could have, should have, would have, might have. The protagonist is Bridget, whose mother, Jo, has recently died from brain cancer. Jo
Whether you’re left, right or just somewhere vaguely in between, wherever you’re coming from you may well have a sense that things are somehow not quite right, that the country is headed in the wrong direction, that our various problems and crises seem to be multiplying. You may well have concluded that this is because
It’s boom time for nomad history. It started some eight years ago, when Bloomsbury published a study of central Asia from an Oxford academic. This might have been a fringe book, but the author’s breadth of knowledge and analysis was exceptional, the narrative was gripping, the cover was beautiful and the publisher had high hopes,
Odysseus is tossed on the sea when he notices a rock and clings to it. ‘As when an octopus is drawn out of its lair and bits of pebble get stuck in its suckers,’ says Homer, ‘so his skin was stripped from his brave hands by the rock.’ There is such elegant tricksiness in that
Jo Ann Beard has said that one of the stories in this collection, although she does not specify which, took her more than 20 years to write and that there was a gap of eight months – during which she was working on the piece five days a week – between two of its sentences.
Russian politicians often refer to something called the Dulles Plan. This document purports to capture the future CIA chief Allen Dulles explaining, in 1948, the US strategy to destroy the moral foundations of the USSR and bring about ‘the death of the most intractable people on Earth… the definitive, irreversible dying out of its self-consciousness’.
Thirty years ago, I worked for a while in a shop in Soho selling vintage newspapers and magazines. The holy grail for some customers might be the 1955 Playboy featuring Bettie Page or the 1976 Daily Mirror with the Sex Pistols’ ‘Filth & the Fury’ headline. But those of a born-again Mod persuasion were usually
‘I believe it’s the writer’s job to force the reader to look where they usually avoid looking,’ Ayelet Gundar-Goshen has said. The Wolf Hunt, her fourth novel translated from the Hebrew by Sondra Silverston, shines a light on racial tensions in America. Israeli-born Lilach and Mikhael Shuster live in Silicon Valley with their 16-year-old son
The first problem about decolonisation is the word itself. Colonisation is the process of establishing control over a foreign territory and its indigenous inhabitants, by settlement, conquest or political manipulation. But decolonisation? It has come to mean much more than the reversal of that process. Today, it refers to an altogether wider agenda, whose central
