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Don’t Look Back

No, let’s not look at the old photographs any more: our hair was so full and shiny then, and anyway we can’t tell all those babies apart now. And who was the woman in the lace blouse sitting on our sofa, with that basilisk stare? I don’t remember ever seeing her before. Let’s put the

Not Mister Jones!

My father was always arguing and falling out with people in the neighbourhood, but when he clashed with Mister Jones, our friendly, cheerful greengrocer, I remember my brother shouting in dismay, ‘Oh not Mister Jones as well!’

Symbolism and a man called U: more avant-garde fiction from Tom McCarthy

In a 2008 essay Zadie Smith held up Tom McCarthy’s austere debut Remainder as a bold exemplar of avant-garde fiction, comparing it favourably to Joseph O’Neill’s lush Netherland, which she deprecated as incarnating the worst delusions of realism. Funny how rapidly Smith’s distinction has disintegrated: McCarthy’s latest, Satin Island, bears an uncanny similarity to O’Neill’s

Why the cheating cuckoo may finally be getting its comeuppance

In recent years there has been a fashion for so-called ‘new nature writing’, where the works are invariably heavy with emotion, while the descriptions of place and wildlife often serve as a hazy green backcloth against which the author depicts the main subject —their own personalities. It comes as something of a shock, therefore, to