Extensive research went into the writing of this piece. First, I lay on the sofa watching Disney’s Cinderella. Then, Beauty and the Beast. Then, because I’m assiduous about these things, Frozen. The singalong version. I wish I could tell you that the sofa was a rococo number with ormolu mounts and a pink satin seat,
Grade: A– In which Josh Tillman reimagines the whole back catalogue of 20th-century American pop music (except for rock), tilting heavily in favour of the 1930s-1950s. Lush strings, polite jazz and sometimes cocktail piano, big band stuff etc., plus the expected Tillman mordant humour and some unexpected sweetness and sincerity. There’s the country torch of
Trump is said to be a gift for bad satirists and a problem for good ones. He dominates Mike Bartlett’s new play, The 47th, which predicts that the 2024 presidential election will be a run-off between Trump and Kamala Harris. Bertie Carvel’s Orangeman is a subtle and highly amusing spoof that never descends into exaggeration
Chivalry – written by and starring Sarah Solemani and Steve Coogan – is a comedy drama about post-#MeToo Hollywood life. It’s perhaps not surprising, then, that the show’s chief characteristic so far has been nervousness. Somewhere inside it, you feel, lurks an impulse to really let rip. But if so, Thursday’s first two episodes successfully
Richard Batterham died last September at the age of 85. He had worked in his pottery in the village of Durweston near Blandford Forum in Dorset for 60 years continuously. It was, in its own way, an heroic life. Batterham took an astonishingly pure, austere approach to his work. Quite simply, he undertook every part
The Unbearable Weight of Massive Talent stars Nicolas Cage playing a version of Nicolas Cage, in a parody of Nicolas Cage and the many, many films of Nicolas Cage. This couldn’t, you will have already surmised, be more Nicolas Cage, and if you are wondering how much Nicolas Cage is too much Nicolas Cage you
Ordinarily, if a podcast purports to be revelatory, you can assume it is anything but. There’s a glut of programmes at the moment featuring interviewer and interviewee locked in passionate heart-to-hearts in which a few, carefully selected beans are spilled to no real consequence or effect. The Last Bohemians makes no claim to shatter the
