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Arthur Jeffress: bright young person of the post-war art scene

The name Arthur Jeffress may not conjure many associations for those not familiar with the London post-war art world, but this wayward, flamboyant, controversial connoisseur and patron who left much of his ‘small but subversive’ collection to the Tate and the Southampton Art Gallery after his death in 1961 certainly deserves his footnote in history.

Clean lines and dirty habits: the Modernists of 1930s Hampstead

With its distinctive hilly site and unusually coherent architecture (significantly, most of it domestic rather than civic), Hampstead has always had a singular character. But it is as much a state of mind as an address. Although two of England’s greatest native artists, Keats and Constable, made it their home, over the past three centuries

How Brighton’s gangs became increasingly radicalised

Between October 2013 and January 2014, five teenaged boys from Brighton, three of them brothers from a family called Deghayes, travelled to Syria to join Jabhat al-Nusra, an Islamist militia and one of the main jihadist groups fighting the Syrian army. A dozen more young people from Brighton were also eager to go. Radicalisation had

For Jack Tar, going to sea was the ultimate adventure

Seafaring and the rule of the waves — as the song would have it — was an integral part of Britain’s sense of identity for centuries, a fire in the national imagination arguably first sparked by the exploits of Sir Francis Drake and the defeat of the Spanish Armada, rising to full flame with the