We owe Giverny to the generosity of Americans Whoever coined the famous aphorism ‘When good Americans die, they go to Paris’ didn’t tell the full story. For American plein-air painters, Paris was never more than limbo. Heaven, they eventually discovered, was Giverny, presided over by the Impressionist deity Monet. It was 1887 when the first
What makes an appropriate encore? And when should they be performed? Michael Henderson on the art of finishing well After a recital at Wigmore Hall earlier this year András Schiff performed an encore, as pianists often do. Normally a Bach prelude or a Schubert impromptu will round the evening off. It is part of the
Jane Feaver goes behind the scenes with Kneehigh, a theatre company with an international reach that remains resolutely close to its Cornish roots These days, when Mike Shepherd appears on stage in Cornwall he is greeted as a local hero, the boy in the playground everyone most wants to play with. Some 30 years ago
With the passing of Cy Twombly — who has died of cancer aged 83 — a beacon light of rare civilisation has gone out in the Western world. With the passing of Cy Twombly — who has died of cancer aged 83 — a beacon light of rare civilisation has gone out in the Western
William Cook discovers that the clue to Nicholas Parsons’s enduring success lies in his ability to laugh at himself When I was a kid, watching Sale of the Century on my grandma’s colour telly, Nicholas Parsons used to seem like the smartest man in show business. Meeting him half a lifetime later, in a rooftop
Niru Ratnam tackles the thorny question of what constitutes British — or should that be English? — art In the past few months there have been two large-scale exhibitions showcasing British art. The first was the British Art Show at the Hayward Gallery; the second Modern British Sculpture at the Royal Academy. On show at
How should we measure the value of a work of art? Let’s take, for example, Michelangelo’s statue of David in the Accademia in Florence. How should we measure the value of a work of art? Let’s take, for example, Michelangelo’s statue of David in the Accademia in Florence. The 17ft marble figure attracts a huge
Michael Tanner says that the Wigmore Hall, celebrating its 110th birthday, combines Edwardian grandeur with contemporary appeal The Wigmore Hall is so expert in advertising itself with taste and discretion that it manages to give the impression, simultaneously, of belonging to a previous era and thus having all the charm of the Edwardian age at
With 3D images astounding half the population and leaving the other half feeling distinctly seasick, it was only a matter of time before another of our senses got the same treatment. Sure enough, 3D sound reproduction is finally with us; but while you might expect Professor Edgar Choueiri, its inventor, to be an audio engineer
James Hamilton says that regional art galleries are as evocative as local landscape It is always a cause for celebration when a new art gallery opens. There is something about the existence of its galleries that indicates a nation’s state of health. Lively galleries demonstrate that a nation is not so caught in the imperative
I met a Distinguished Old Rock Critic at a party recently, and was delighted to find that the obvious acronym didn’t apply. I met a Distinguished Old Rock Critic at a party recently, and was delighted to find that the obvious acronym didn’t apply. We chewed on this and that: CDs vs downloads, the blackboard-scraping
The J.B. Priestley flame is kept alive today by his son Tom, who resides in the same Notting Hill flat he has lived in for more than 50 years. His father — novelist, dramatist, scribe, broadcaster, socialist (who died in 1984) — was glad that Tom, now 79, hadn’t chosen the same life. ‘The only
Laura Gascoigne on how the Venice Biennale is searching for its place in art history Picture one of the world’s largest private yachts moored at the quayside of the Riva dei Sette Martiri, protected by a metal perimeter fence and a security detail. Now imagine two battered sea freight containers dumped in the shape of
From high in the sky over Cappadocia Susan Moore looks down at part of the largest contemporary land art project in the world There are few artists whose work is best seen by hot-air balloon. There are even fewer whose works can only be photographed in their entirety by satellite. To describe the Australian Andrew
Michael Henderson considers the perennial appeal of Bob Dylan Bob Dylan turns 70 next week, and from Duluth to Derby they will blow out the candles. The Minnesotan troubadour, who rolled into New York the year Kennedy became president, will pay no attention. As he wrote in one of his better songs, ‘Me, I’m still
‘I’ve refused to become a prisoner of “Piss Christ”,’ said the photographer Andres Serrano, referring to his 1987 photograph of a crucifix submerged in a glass filled with urine. ‘I’ve refused to become a prisoner of “Piss Christ”,’ said the photographer Andres Serrano, referring to his 1987 photograph of a crucifix submerged in a glass
Andrew Lambirth on the special relationship between the artists Zoran Music and Ida Barbarigo that is explored in an exhibition that shows their work together for the first time in more than half a century At the Estorick Collection, a modest north London townhouse, there is until 12 June a most engaging exhibition devoted to
Michael Henderson talks to Alfred Brendel about his favourite films ‘I belong to no tribe,’ says Alfred Brendel, taking tea at his home in Hampstead, surrounded by some of the books that constitute his vast library. ‘I follow no creed, subscribe to no ideology, and I despise nationalism. I have lived in many places but
John Major is half way through a book about the rise and fall of the music hall. His father, Tom, was a song-and-dance man who formed a double act with his wife, Kitty. John’s brother Terry was a trapeze artist, and the former prime minister must have come close to going into the family trade.
Hieronymus Bosch had a distinctive view of our debased humanity, most distinctly expressed in his paintings of Christ’s Passion, says Michael Prodger Carl Jung described the painter Hieronymus Bosch as ‘the master of the monstrous…the discoverer of the unconscious’. He was, however, only half right. While it is true that Bosch has no peers as