First, a note about naming. The artist here presented as Jan Gossaert (c.1478–1532) was formerly known as Jan Mabuse, so designated after the Walloon town he came from — Maubeuge in Hainaut. First, a note about naming. The artist here presented as Jan Gossaert (c.1478–1532) was formerly known as Jan Mabuse, so designated after the
Over the past month I’ve strolled through Berlin’s Alte Nationalgalerie to examine Edouard Manet’s ‘In the Conservatory’ in close detail. Over the past month I’ve strolled through Berlin’s Alte Nationalgalerie to examine Edouard Manet’s ‘In the Conservatory’ in close detail. I’ve taken a look at what’s on offer on the stands of international art dealers
According to Athenaeus of Naucratis, the 2nd-century AD author of The Sophists’ Banquet, the ancient Sybarites kept the capital of their city-state in southern Italy supplied with wine through a network of ‘vinoducts’ that reached far out into the surrounding countryside. According to Athenaeus of Naucratis, the 2nd-century AD author of The Sophists’ Banquet, the
An encounter with the paintings by the established Berlin-based Swede Peter Frie comes as a breath of fresh and insightful air to the British contemporary art scene. The dozen or so works (large-scale oil landscapes and a few still-lives) are displayed in stunning contemporary settings: a glass gallery and an adjacent artists’ house at Roche
There’s nothing safe or cosy — and, indeed, there shouldn’t be anything safe or cosy —about being an artist. There’s nothing safe or cosy — and, indeed, there shouldn’t be anything safe or cosy —about being an artist. Being an artist means living on the edge, going outside your comfort zone, being challenged. Artists put
Another vast exhibition at Tate Britain, but one which will no doubt prove popular with the public. Watercolour is a national pastime, and the English tend to wax proprietorial about it. As a painting medium it appeals greatly to amateurs because it’s nearly always possible to do something passable in watercolour which couldn’t be achieved
Drawings are often valued as an artist’s first thoughts, the most direct and intimate expression of his or her response to a subject. Drawings are often valued as an artist’s first thoughts, the most direct and intimate expression of his or her response to a subject. Looking at a drawing, you feel you can see
There is a saying that art in restaurants is like to food in museums. You know the feeling: the attendant monstrosity on the wall peers over your shoulder, wrecking your appetite. But times are changing. Independent galleries have faded under recent financial strain, and the upward pressure on shop rents continues. Denied their premises, dealers
Alberto Della Ragione (1892–1973) was a naval engineer from Genoa with a passion for music, poetry and the visual arts; he also had the collecting bug. Alberto Della Ragione (1892–1973) was a naval engineer from Genoa with a passion for music, poetry and the visual arts; he also had the collecting bug. Towards the end
Although I stopped watching TV some years ago, films are a continuing solace and pleasure. Among the Christmas treats was a previously unseen Jack Nicholson movie, entitled The Bucket List. The plot revolves around two very different Americans, Nicholson and Morgan Freeman, both of whom are suffering from cancer and are given a mere matter
Although he was the leading portrait painter of Regency England, Thomas Lawrence (1769–1830) has somehow slipped beneath the catch-net of modern public recognition. Although he was the leading portrait painter of Regency England, Thomas Lawrence (1769–1830) has somehow slipped beneath the catch-net of modern public recognition. He was the son of a Bristol innkeeper, who
The trend of fewer temporary exhibitions in our museums is becoming established, as the cost of mounting blockbusters escalates beyond even the generous reach of sponsorship. This is in sharp contrast to the commercial galleries, which still put on as many as 10 or 15 different shows a year in the hope of tempting clients
The so-called Glasgow Boys had no manifesto, common background or style, apart from working in and around the city of Glasgow and sharing a belief in the importance of painting from direct observation and experience. They acknowledged the influence of the naturalism practised by the Barbizon and Hague schools in the later 19th century, and
The historic centre of Bruges has 16 museums, enough to cater for every touristic taste. There’s a Diamond Museum, a Lace Centre, a Choco-Story (the narrative element distinguishes it from the 50 chocolate shops) and a Friet Museum — or ‘Belgian Fries Museum’, for English-speakers under the misapprehension that fries are French. But the main
The Prince, according to Machiavelli, ‘should appear, to see him, to hear him, all compassion, all good faith, all integrity, all piety’ — which might be translated into Basic Blairish as ‘should appear a pretty straight kind of guy’ — but, as the Florentine Father of Spin emphasised, it was a great deal more important
As I pointed out last week, one of the chief attractions of the Treasures from Budapest show at the Royal Academy is the inclusion of two rooms of Old Master drawings. For those of us who find large exhibitions overwhelming, there is a refreshingly modest display of French drawings (admission free) at the Wallace Collection,
Harry Becker (1865–1928) is one of those artists too often dismissed as being of regional interest only, who feature but rarely in the art chronicles of the period. Harry Becker (1865–1928) is one of those artists too often dismissed as being of regional interest only, who feature but rarely in the art chronicles of the
The greatest myth to affect Paul Gauguin (1848–1903) is the one of his own life: the romantic bohemian who escaped to the South Seas. The greatest myth to affect Paul Gauguin (1848–1903) is the one of his own life: the romantic bohemian who escaped to the South Seas. This has spawned numerous popular interpretations from
Sometimes an exhibition does what it says on the tin. The Pre-Raphaelites and Italy, the Ashmolean’s first major show post-revamp, is such an exhibition. Sometimes an exhibition does what it says on the tin. The Pre-Raphaelites and Italy, the Ashmolean’s first major show post-revamp, is such an exhibition. This fidelity is simultaneously its strength and
In the first retrospective of his work for nearly 40 years, Peter Lanyon (1918–64) is given the kind of recognition long his due. In the first retrospective of his work for nearly 40 years, Peter Lanyon (1918–64) is given the kind of recognition long his due. A major figure in the St Ives group, his
