The Spectator’s love affair with satire
The Spectator has always known when and how to wield the scalpel. A tour through its history reveals how, from the get-go, it mercilessly parodied the world in which it lived. When still six weeks young, The Spectator savaged the morbid obsessions of late-Georgian society. The caricaturist George Cruikshank exposed the press’s fetishisation of a
