Bacchanalia is the new restaurant from Richard Caring – I sense he would like me to call it a ‘landmark’ or ‘super-restaurant’, so I won’t – in the old Porsche showroom on the corner of Mount Street and Berkeley Square, and all nightingales have fled. Caring, who has doused Britain with his metal Ivys, is
Mriya lives at the end of Old Brompton Road where South Kensington turns into Earl’s Court and, as if by some alchemy, becomes interesting. It is a Ukrainian restaurant, but something more touching too: a memorial and a retreat. It opened in August, in the sixth month of Putin’s war. Twelve of its 15 staff
The rude fingers of Battersea are repointed, and barely rude at all. The power station by Giles Gilbert Scott and J. Theo Halliday is no longer a wasteland to contemplate as you sit on the Waterloo to Shepperton night train. It has become a small town with shopping centre, restaurants and a pier on the
Chessington World of Adventures sits in a bowl near the A3. I went in the 1970s when it was a zoo, home to some unhappy orangutans who lived in a cage which made me scream. Being a lonely sort of child, I hugged concrete dinosaurs in the rain. Now it is owned by Merlin Entertainments
The Piazza is not a piazza – a realisation which is always irritating – but a restaurant in the eaves of the Royal Opera House, now restyled and open to those without tickets to the opera or ballet. If it were honest, Piazza would name itself Attic or Eaves, but the Garden, as idiotscall it,
Labour is 30 points ahead, and in honour of this I review the Impeccable Pig in Sedgefield (Cedd’s field), a medieval market town and pit village south of Durham. It is Tony Blair’s former constituency and Camelot, but nothing lasts for ever. Blairism had pleasingly flimsy beginnings. Sedgefield had yet to choose a Labour parliamentary
Bardo St James’s Restaurant – a name which reads like a map – is a vast new Italian restaurant in one of the pale imperial palaces off Trafalgar Square, near Pall Mall and The Phantom of the Opera, which goes on because snobbery and sado-masochism are among the many things that never die. You might
Electric Diner is from the Soho House group, which has done terrible things to private clubs, luckless farmhouses, domestic interior design and even its own restaurants. The Ned, its City hotel with ten restaurants, is genuinely insane, like Thorpe Park for people who are scared of roller-coasters; and no restaurant for adults should sell fishfinger
Cakeism is offering the voters everything they desire, knowing you will never give it to them because you live in a haunted mirror in which the only thing that matters is your survival. This duplicity is important to understand, because the road from Cicero to Caesar is so short it may lack potholes. Cake is
In 2014, Nuno Mendes, a chef from Lisbon by way of Wolfgang Puck’s kitchens and his own Viajante in Bethnal Green, opened a restaurant at the Chiltern Firehouse hotel. This is a redbrick Edwardian castle in Marylebone, which used to be a fire station, but no longer is. This restaurant was skilful: both blessed and
Sometimes this column has a guest reviewer: a dining companion. It was Liz Truss in late summer 2011, for the now long closed Bistro du Vin in Dean Street: a Hotel du Vin without a hotel, and so bereft. It had a bookshelf on which all the books were painted neon, and they flew out
When the Tory party set itself on fire last week a restaurateur told me: ‘Don’t worry, Tanya, we’ll still be here when it’s over.’ She was wrapping a scotch egg as she said it, and it’s very true. There is a soothing continuity to restaurants: no matter what fresh hell, people need to eat. I
The George, Fitzrovia, was Saki’s local, and a pub for men talking about cars when Great Portland Street was called Motor Row. I imagine them sucking down gin and weeping for early Jaguars; a ghostly Max de Winter rising to leave for Manderley; Mr Rolls and Mr Royce squabbling over ale. Felix Mendelssohn and Dylan
Ave Mario looks like Clown Town, a soft-play centre in Finchley with a ball pit so large you could drown in it and lie undiscovered for years. Apart from the crucifixes on the walls, of course, which are specific to Avo Maria. (I have yet to find a soft-play centre that looks like St Peter’s.)
I went to a garden party at Buckingham Palace once. It is coloured in my memory like childhood. There are good Canalettos and fitted carpets inside because that is self-confidence. In the garden the Queen stood with diplomats, safe from confessions, tears and requests for football tickets. (People do this. They write to her for
I should know better than to visit restaurants assembled as if from disparate bricks, like thrift-shop Duplo: but the ever-credulous person sees the world anew each day. I thought Arcade, a glass restaurant on New Oxford Street, which somehow manages to be worse than old Oxford Street, might have some of the drama of the
Amid the bronze cladding of Soho, with its pop-up, suck-down restaurants – the Cadbury’s Creme Egg Café was a nadir – Maison Bertaux hangs on, the oldest French patisserie in the UK, and 151 this year. It was founded by Monsieur Bertaux, a Communard fleeing France with a book of recipes. Their loss, our gain.
I am never bored with Harrods, only disgusted, and it is disgust of the most animated and exciting kind. It is Nabokov’s fish-tank of a department store, but with lampshades, not hebephilia. Its wares have surpassed its beginnings, which were haberdashery. Charles Harrod’s first shop was at 228 Borough High Street when George IV, who
Last week Chris Corbin and Jeremy King lost control of the restaurant group they founded: Corbin & King, which made the Wolseley, the Delaunay and Brasserie Zédel under Piccadilly Circus where, if they were lucky, tourists would tumble as if into a fairy pool. Corbin and King understand that a superb restaurant looks after its
Blacklock is the fourth restaurant of that name – there are others in Soho, Shoreditch and the City of London. It sits in a former royal coach-makers in an alley near the Garrick Club under signage that says ‘Chop’. We descend to a cavern. The walls are exposed brick, the floors are dark wood, and
