Simon Winchester has found an excellent subject. While invisible, wind makes itself apparent through its effect on other things. This may mean flying detritus, scudding clouds and the rustle of foliage; or it may mean the ways in which it irresistibly alters and directs larger movements in society and culture. Much of the history of
Religious conversions do not, for the most part, make for good anecdotes. An exception can be found in Patricia Lockwood’s memoir Priestdaddy, which describes the author’s father Greg’s road to Damascus experience in a nuclear submarine off the coast of Norway, where he watched The Exorcist 72 times: That eerie, pea-soup light was pouring down,
Philip Hensher I have a theory that Mick Herron’s Slow Horses novels are an ingenious variation on Shakespeare’s Henry IV plays. If, in a future episode, River Cartwright ascends to his kingdom renouncing Jackson Lamb, and if Catherine tells us of Jackson/Falstaff’s death offstage, don’t be surprised. In any case, Clown Town (Baskerville, £22) is
Antony Beevor In Captives and Companions (Allen Lane, £35), Justin Marozzi has brought together a scholarly yet vivid history of slavery in the Islamic world in all its varied forms. Everything is covered, from the former slaves recruited by the Prophet, who achieved immense influence, to agricultural slavery, military conscription with Mamluks and Janissaries, the
The Delft painter Johannes Vermeer, now probably the most beloved artist of the Dutch Golden Age, had an unusual career. His reputation in his lifetime was small. For some reason he painted almost exclusively for the van Ruijvens, so only those who knew the family would have been able to view much of the work.
Thomas Pynchon is so well known for being out of the public eye that he often seems to be hiding in plain sight, much like Edgar Allan Poe’s ‘purloined letter’. He is famous for avoiding the camera and the few extant photos of him – especially one from his high school yearbook – are paraded
Irreverent, outspoken and unfailingly opinionated, with knowledge as broad as his vocabulary, Robin Holloway is exactly the person you’d want to sit next to at a concert. The warmest of interval chardonnays would spontaneously chill and fizz at his exhilarating put-downs; the music would be brighter, clearer and more compelling for his idiosyncratic analysis. But
This is a treasure house of a book, filled with curiosities and evidence of a rare breadth of patient investigation. Anyone who has read one of Graham Robb’s books, from his early biographies of classic French writers, through a wonderfully amusing study of 19th-century homosexuals, to a series of historical and geographical studies of France
Edward FitzGerald had a good story about rowing across Lake Windermere at the end of May 1835 with his old friend Alfred Tennyson. As they rested on their oars and gazed into the clear, still water, Tennyson recited some lines from his work in progress, ‘Morte d’Arthur’, describing how the Lady of the Lake fashioned
Slavery was – and importantly continues to be – a moral abomination. Its existence in the 21st century is a disgrace. Whole communities such as the Uighurs are subject to forced labour; two years ago it was estimated that 5.8 million people were living in slavery in China. And slavery is a problem much closer
‘If Eve had had a spade in paradise, we should not have had all that sad business with the apple,’ claims the narrator of the novel Elizabeth and her German Garden (1898). The author, Mary Annette Beauchamp, eventually adopted the pen name Elizabeth von Arnim, merging her identity with the fictional character she had created.
In October 2018, Andrew Hussey, the convivial and courageous observer and analyst of the political and social travails of modern France, was cycling back to his office after lunch through the rather staid and un-bohemian environs of the Boulevard Raspail on the Left Bank in Paris. To the ‘middle-aged man who already has a heart
Stephen Greenblatt tells the story of being approached in the 1990s by a screenwriter who wanted to make a Shakespeare -biopic. Greenblatt repeatedly told him to forget Shakespeare and look instead at his predecessor Christopher Marlowe. The screenwriter knew what he was about and ignored Greenblatt’s advice – the result was Shakespeare in Love. The
Few among Muriel Spark’s circle of friends would have disputed the judgment of Storm Jameson when recommending Spark to the publisher Blanche Knopf in 1963: ‘I warn you, or remind you, that you are taking on a tartar. She has worn out two Macmillan directors already.’ Even tartars are forgiven, however, when they exhibit a
In 1944, T.S. Eliot is 56 years old. He seems older: ‘I am getting to be a wambling old codger.’ He is war-worn: ‘I have taken, when in London, to sleeping in my teeth.’ As a fire-watcher sharing shifts, his sleep is hampered by understandable pudeur: ‘I haven’t got enough phlegm to undress completely, and
On 22 June this year, seven B2 Stealth bombers flew on a 37-hour round trip from bases in the US to drop 14 30,000lb bombs on two nuclear facilities in Iran. A third was attacked with cruise missiles fired from a submarine, possibly in the Persian Gulf. Few can say with any certainty how much
Plutarch says that Julius Caesar dined with friends the day before he was assassinated. When conversation turned to considering the best way to die, Caesar looked up from the papers he was signing (being in company never stopped him working) and said, without hesitation: ‘Unexpectedly.’ Thanks partly to Shakespeare, Caesar’s has a claim to be
This is a brave and learned book. I would recommend it to anyone interested in the history of Africa; who has taken sides in the recent quarrel about ‘Rhodes Must Fall’, in Oxford or other parts of the world; or who wants to entrench themselves in contrary positions in our apparent ‘culture wars’. It is
Sometime after the Long Parliament met in November 1640, a seamstress living in London called Katherine Chidley decided that she didn’t much like the way that a man was telling her how to do her Puritanism. So, taking advantage of the recent collapse in traditional censorship controls, she published a pamphlet, The Justification of the
Ettore Majorana vanished in March 1938. According to Frank Close in Destroyer of Worlds, the 31-year-old Sicilian physicist ‘probably understood more nuclear physics theory than anyone in the world’, and was hailed by Enrico Fermi as a ‘magician’, in the elevated company of Newton and Galileo. Majorana was also an ardent fascist; yet he was
