It all started in 1971, when a group of physically and artistically talented youngsters decided to create a dance company and call it Pilobolus, after a fungus. Not unlike this barnyard micro-organism, which ‘propels its spores with extraordinary speed and accuracy’, the company was soon propelled to international success. But it was not an easy
Roberto Rossellini shot his neorealist landmark Rome, Open City while the war still raged and rubble littered the freshly liberated capital. Based on real experiences from the ten-month German occupation, the film follows ordinary Romans, some active dissenters, some just trying to get by, as the Nazis and the Italian fascist authorities mount a search
Every year, tens of thousands of visitors flock to the Mark Twain House in Hartford, Connecticut, in order to see where he lived and wrote. Many famous writers’ homes are preserved for visitors, some of whom are devoted readers (and some who know they are supposed to read his or her books). Twain, we can
If Margaret Thatcher is remembered by many more as a caricature than as her actual self, then blame Spitting Image. The show, which ran from 1984 to 1996, portrayed her variously as a cross-dresser, a fascist and a bully but, to her credit, she never complained. Or, if she did, there’s no record of it.
Artists make good critics, but do critics make good artists? It’s hard to tell, when most are too chicken to try. For over 20 years, Spectator critic Andrew Lambirth has been making collages. He caught the habit from the British Surrealist Eileen Agar in the late 1980s and kept it private, until forced to go
A tip: go see Martin Creed’s retrospective at the Hayward in the company of a child. I didn’t, but I tagged on to a merry gaggle of five-year-olds being guided round by their mums. I watched as they pointed at the enormous rotating beam with a neon sign that reads ‘MOTHER’. ‘Jump up and touch
Discoveries: Art, Science and Exploration at Two Temple Place (until 27 April) is like a giant cabinet of curiosities. Maps, gizmos and memorabilia are spread across two floors of this glorious high-Victorian building on the Embankment. There are drawings from doomed polar expeditions, bones and teeth of fish from the Woodwardian Collection (see above), early
It appears that J.S. Bach’s music is to theatre-dance what whipped cream is to chocolate. Masterworks such as Trisha Brown’s MO, George Balanchine’s Concerto Barocco and a plethora of less-known, though equally acclaimed compositions owe a great deal to the giant of baroque music. Wayne McGregor is the most recent addition to this illustrious roster
In recent years contemporary art and regeneration have gone hand in hand. Works such as Antony Gormley’s ‘Angel of the North’ have been visible and celebrated examples of regeneration. So when, last year, Southwark Council decided to sell Elephant and Castle’s seemingly unloved Heygate Estate (above) to Lend Lease for development into new homes, it
The Works on Paper annual fair runs from 6 to 9 February at the Science Museum. Its name is a bit of a giveaway: all art must be on paper. There is a huge range of work on display: early, modern and contemporary watercolours, prints, posters and photographs — from the late-15th century to the
People will go to extraordinary lengths to get into a nightclub. Nowadays you must wear something tight, and look slinky. But, as Club to Catwalk: London Fashion in the 1980s at the V&A shows (until 16 February), a handful of Eighties doormen were into something a bit more deviant. The combination of a new London
Georgians Revealed: Life, Style and the Making of Modern Britain at the British Library (until 11 March) would have you believe that the religious life was not a feature of Georgian Britain. God is an invisible force in this exhibition and the viewer has to know a fair amount about the period’s history to see
Alec Cobbe is a designer, painter, musician, picture restorer and collector, and has recently donated drawings, photographs and other archives to the V&A, where some of this collection is now on display. Cobbe was born in Dublin and aged four moved to the family house Newbridge, an 18th-century, 50-room country villa designed by James Gibbs,
If, like me, you are allergic to pantomime (‘Oh, no you’re not!’; ‘Oh, yes I am!’) then help is at hand: the Gruffalo is in town and strutting his stuff, to the delight of legions of tiny fans, at the Lyric, Shaftesbury Avenue until 12 January. Julia Donaldson and Axel Scheffler’s much-loved verse fable tells
One of the big differences between Frank Lloyd Wright and me is that, when he was nine, his mother gave him a set of wooden building bricks. When I was the same age, I wanted Lego for Christmas, but my own mother thought it a mere toy, a puerile gift. So she put away childish
I have a new party piece. I can explain, with a degree of clarity and precision, how the Hadron Collider at Cern works and what it is looking for. I can’t claim credit for this feat of exposition myself; as any science teacher who had the misfortune to encounter me at school would testify. I
If you were in a bathtub for 25 years, don’t you think you’d get a little bit psychotic? Well, yes, probably. But this is how captive killer whales live. Tilikum is no different from many of these. A 31-year-old orca who was scooped out of the North Atlantic in 1983, aged two, he has spent
Stuttgart Ballet’s rapid ascent to fame is at the core of one of the most interesting chapters of ballet history. Between 1961 and 1973, the year of his untimely death, the South African Royal Ballet-trained choreographer John Cranko turned what had been a fairly standard ballet ensemble into a unique dance phenomenon. Although Stuttgart is
Catalyst: Contemporary Art and War at the Imperial War Museum North (until 23 February) is alone worth a trip to Manchester. The exhibition shows how artists living in the age of mass media have explored conflict in the age of mass destruction. The most successful works are not those that ‘make a statement’ but those
There was a time when the term ‘world première’ was not as fashionable as it is these days. Great works simply ‘premièred’, and their artistic status was not diminished by the fact that the opening had not been advertised as a globally significant event. Which is what ‘world première’ implies, even though it is seldom
