Around 25 years ago it became clear that there existed only two groups that could still be bullied by journalists without fear of public backlash. These were the upper classes and husbands. Female ramblings about how annoying men are began, and continue, to go down well and strike a chord of recognition among wearied women.
The Siberian-born novelist Andreï Makine has, as we say in the book world, a shedload of French literary bling. He’s the only writer to win the Prix Goncourt and the Prix Médicis for a single novel (Le Testament Français) which is, in pop cultural terms, like winning The Great British Bake Off and Strictly on
Roy Strong first encountered the portraiture of Elizabeth I and her court while a schoolboy in post-war Edmonton. In the early 1950s, as a second Elizabethan age beckoned, the teenaged Strong unexpectedly found himself face to face with the ‘Ermine’ and ‘Rainbow’ portraits of the Virgin Queen on a day trip to nearby Hatfield House.
Elif Shafak once described Istanbul as a set of matryoshka dolls: a place where anything was possible. As with much of her previous work, that city plays a significant and shape-shifting role in this her 11th novel, where the Bosphorus, ‘waking from its turquoise sleep, yawned with force’ one November morning in 1990. It is
The bearded figure clad in white robes and wandering barefoot through the streets of Jerusalem is not, in fact, the messiah. But neither is he a very naughty boy. Rather, he is a middle-aged man from Texas in need of a shower who, like the German across the street claiming to be Saint Paul, is
Towards the end of Live a Little, one of its two main characters says: ‘I’m past the age of waiting for something to go wrong. It already has.’ And we know what has, because some 200 pages earlier we have seen the man as a young boy, just before the second world war, pulling his
The 16-year-old hero of David Nicholls’s fifth novel is ostensibly Everyboy. It is June 1997, the last day at dreary Merton Grange and, having flunked his exams, Charlie Lewis attends the leaving disco — all dry ice, vomit and snogging, laced with Cointreau and disinfectant. An infinity looms of bloated summer days, with only a
‘Annual reshuffles are crazy,’ remarked one of the prime minister’s most trusted advisers in July 1999 as I hovered outside the cabinet room, waiting to be anointed as the lowest form of ministerial life in John Prescott’s vast department — environment, transport and the regions. He went on: There is massive in-built insecurity. Ministers, who
Rowan Hisayo Buchanan has achieved that rare feat, in her second novel Starling Days, of writing a convincing novel about depression which manages, miraculously, not to be in itself depressing. Her success is partly due to the fact that her protagonist, Mina, is not flattened by her despair and remains alive enough to become fascinated
France was to blame. Yes, France was most definitely to blame. He was never like this at home. So thinks an English boy, Cromwell, as he lies on a beach at Biarritz, contrasting the green fields of Scotland and Eton with the state he is now in, perpetually waiting and haunted by the ‘constant premonition
In Nicole Flattery’s Show Them a Good Time (Bloomsbury, £14.99), her female protagonists grapple with abusive relationships, degree courses, difficult bosses, unemployment programmes and a lascivious professor. The stories are tragicomic and deliciously odd. The author writes sentences that make you laugh, and then immediately want to reread to savour a striking image: a woman’s
Red Dog is an ambitious hybrid of a book. It was published in South Africa to wide acclaim in 2014 and has been expertly translated by Michiel Heyns, who has retained the cadence and some of the vocabulary of the original Afrikaans — the mongrel tongue that evolved in the Dutch East India Company’s Cape
Harper Lee’s To Kill a Mockingbird remains one of the most beloved American novels of all time. Famously, Lee never completed another book, once declaring she’d ‘said what I wanted to say and I will not say it again’. But a journalist who went to Lee’s home in Monroeville, Alabama in 2015 learned of another
I was shocked some years ago to discover, as I scratched bites on my ankles on holiday on Maui, that mosquitoes are not native to Hawaii. They first arrived in the 1820s, in barrels of water from a visiting ship. Of course, the climate was perfect for them, and they settled in very happily. But
It’s an increasingly common lament that computers have ruined everything, and a longing for the days before Google and Twitter, when everything was somehow more organic and authentic, is on the rise. As someone who can remember writing early reviews on an electric typewriter and then going to the library to fax them to a
Cedric Morris is often referred to as an artist-plantsman, and while as a breeder of plants, most particularly of irises, he has always been highly regarded in horticultural circles, his reputation as a painter has been subject to regular fluctuations. Last year, two excellent and complementary London exhibitions — Cedric Morris: Artist Plantsman at the
Andrew Ridker’s The Altruists (Viking, £20) is a Jewish family saga of academic parents and grown-up offspring. From this rather careworn material he manages to wring a spry comedy of parental failure and romantic misadventure. Arthur Alter is a terrible father, an ‘emotional cheapskate’ who attempts to bring his estranged children Ethan and Maggie together
In the spring of 1998, Rolling Stones fans in Germany were disappointed to hear that the band had been forced to cancel a string of gigs. Keith Richards, the ne plus ultra of rock’s wild men, had damaged a rib in a tumble from a ladder while trying to retrieve a book from one of
Wallace Stevens called it ‘the necessary angel’. Ted Hughes thought it ‘the most essential bit of machinery we have if we are going to live the lives of human beings’. Coleridge described its role a little more vigorously: ‘The living Power and prime Agent of all human perception… a repetition in the finite mind of
It was high time we had a proper look at the four beautiful, original Olivier sisters. Hitherto, with one exception, they have been seen in glimpses, playing marginal parts on the Bloomsbury stage after about 1910. The exception was the youngest, Noel, who all her life and since has been stuck with her invidious role