Tsitsi Dangarembga’s arresting Nervous Conditions appeared in 1988 and was the first novel published in English by a black Zimbabwean woman. She is now in mid-career, prominent among those writers who have emerged since independence, who include Petina Gappah, NoViolet Bulawayo and Tendai Huchu. The reason for this flowering of talent cannot be nailed down,
‘To live and die without knowing the psychedelic experience,’ says the narrator of Threshold, ‘is comparable to never having encountered literature or travelled to another continent.’ Magic mushrooms in Dublin, opioids in Thailand and San Francisco, hallucinogenic cactus in Bolivia and Peru, ketamine in India… he encounters terror, near-death and ecstasy by every means available,
Look up at the sky on a clear night. This is not an astrological game. (Indeed, the experiment’s more impressive if you don’t know one zodiacal pattern from another and rely solely on your wits.) In a matter of seconds you will find patterns among the stars. We can pretty much apprehend up to five
Andrew Lambirth claims that Bryan Robertson was ‘the greatest director the Tate Gallery never had’; but on the evidence of this book, he would have been a disaster — chaotic, hopeless with money and eternally late. What he actually was was the inspired and inspiring director of the Whitechapel Gallery from 1952 to 1969. He
The presiding genius of this original and erudite book is undoubtedly Virginia Woolf, whose essay ‘A Room of One’s Own’ provided the rallying cry, whether consciously or not, for five remarkable women, all drawn at some point in their careers to Bloomsbury’s Mecklenburgh Square. There they found the freedom and independence they craved to explore
Unlike a lot of people in the media, I didn’t personally know Deborah Orr, but I know many who did, and the intensity of their love for her burned very bright after her death in October. They spoke of her wild beauty, her fierce passions and smoky laughter; what great company she was; how every
‘I consist of the shards into which the Republic of Kolyma shattered me,’ Varlam Shalamov once told a fellow gulag survivor. Sentenced to hard labour for Trotskyist activities, Shalamov spent 17 years in the gulag, primarily in Kolyma, located at the edge of the Arctic Circle, eight time zones east of Moscow and ‘one of
In the shadows of the British Enlightenment lurked the Caribbean sugar plantations. Masters routinely raped their slaves, punished minor wrongdoings by forcing one to shit in another’s mouth and even burnt some at the stake while growing the cane destined to sweeten the tea tables of London salons, Oxbridge dons or Hampshire parsons. It’s from
My father served in the Royal Navy during the second world war. He drank over-proof rum and smoked unfiltered cigarettes, both free of charge, while wearing a uniform that enhanced his natural attractions. What more could any teenager want? Of course, there were hazards in store when he set out from Liverpool. Worst of all
A few years ago Will Brooker spent 12 months pretending to be David Bowie. For several weeks he dressed up as Ziggy Stardust (gold bindi, maroon mullet, jumpsuit run up from old curtains), then as Aladdin Sane (blue and red lightning slash daubed across face), then as the Thin White Duke (black waistcoat, black eyeliner,
Book Parts — hardback, 352 pages, with colour plate section and in-text black and white illustrations, 234x156mm, ISBN 9780198812463, published 2019 by Oxford University Press, ‘a department of the University of Oxford’ which ‘furthers the University’s objective of excellence in research, scholarship and education by publishing worldwide’, according to the copyright page — has at
The story of Robert the Bruce runs from the death of Alexander III of Scotland in 1286 to Robert’s own death in 1329, aged 54. His extraordinary achievement was to fend off both rivals at home and formidable English enemies to firmly establish his country’s independence. In 1292, John Balliol had been proclaimed King of
Psychogeography takes many forms: Sebaldian gravitas, Will Self’s provocative flash and dazzle and Iain Sinclair’s jeremiads for lost innocence. Gareth Rees explored east London’s edgelands in his hallucinatory Marshlands. Now, with Car Park Life, he reveals an urban wilderness hiding in plain sight: ‘It is Morrisons in Hastings that lights the fire of my obsession.
Why would you need the scripts for Fleabag? It’s hardly a lost classic. It’s always popping up on BBC iPlayer. So it was with a touch of scepticism that I picked up this volume, subtitled not ‘The Scripts’ but ‘The Scriptures’, in reference to Fleabag’s long, pitiless pursuit of a hot priest in Series 2,
The Hungarian writer László Krasznahorkai, who sounds like a sneeze and reads like a fever, is on a mission to build our collective stamina. His novels have always resisted easy interpretation, with their page-long sentences and catastrophic air, and in his ‘most popular’ book, Satantango, the clanging language and doomy setting worked to great effect.
Bettany Hughes has spent a decade, she tells us, exploring the origins of the goddess Aphrodite, first for a BBC documentary aired in 2017 and now for this book. I think it’s fair to say that if you saw the documentary, the book won’t have much more to offer you. If not it’s an intriguing
A family memoir is a dangerous thing to write: one has to balance between keeping one’s subjects happy and the reader engaged. The Bosnian–American author Aleksandar Hemon, now in his mid-fifties, takes the risk the better to recollect his past. While no two generations can completely avoid the proverbial gap, he ‘never (until fairly recently)
It’s easy to forget that until the late 1980s the notion of an autistic person being able to write a compelling autobiography was dismissed by the psychiatric establishment as highly unlikely. Though the term ‘autism’ was originally derived from the Greek word for self, autos, people with ‘self-ism’ — who were routinely described by non-autistic
It’s a slippery word, ‘other’. Taken in one light, it throws up barriers and insists on divisions. It is fearful and finger-pointing: them, not us. But looked at in another way, it is rangy, open and expansive. It suggests horizons, not walls. That first meaning has done much heavy lifting in discussions of Bernardine Evaristo’s