Peter Parker

Was there some Freudian symbolism in Lucian’s botanical paintings?

Giovanni Aloi searches for meaning in pictures of plants well past their best, and the pains Freud took to detail every dead leaf

issue 07 September 2019

In early paintings such as ‘Man with a Thistle’ (1946), ‘Still-life with Green Lemon’ (1946) and ‘Self-portrait with Hyacinth Pot’ (1947–8) Lucian Freud portrayed himself alongside striking plant forms, giving equal weight to the vegetable and the human. Similarly, his first wife, Kitty, was depicted in portraits from the same period more or less obscured by a fig leaf held in front of her face, or apparently threatened by the leafy branch of a plant thrusting into the picture plane.

Throughout Freud’s career, people would continue (sometimes equally...

GIF Image

Disagree with half of it, enjoy reading all of it

TRY A MONTH FREE
Our magazine articles are for subscribers only. Try a month of Britain’s best writing, absolutely free.

Comments

Join the debate, free for a month

Be part of the conversation with other Spectator readers by getting your first month free.

Already a subscriber? Log in