In a recent book review, the historian Norman Stone wrote: ‘Maybe the second world war can now be left to novelists.’ Perhaps he was thinking of Allan Massie’s 1989 masterpiece A Question of Loyalties, an utterly convincing portrayal of a man making all the wrong choices for the noblest reasons in Vichy France. It’s such
The last time I cried was September 1989. That was my first week at public school. The reason I cried was that my allocated room-mate, a malevolent pixie named Toby Cox who later became one of my closest friends, had informed me that he ‘knew a lot of people’ at Harrow and he was going
weeding alongside beans in the same rush as them 6 a.m. scrabbling at the earth beans synchronised in rows soft fanatical irresponsible beans behind my back breaking out of their mass grave at first, just a rolled up flag then a bayonet a pair of gloved hands then a shocked corpse hurrying up in prayer
The front cover of this book describes the Hermitage as ‘the Greatest Museum in the World’. That sobriquet must go to the Louvre. The Hermitage is perhaps the second greatest, one which its current director Mikhail Piotrovsky calls an ‘encyclopaedic’ museum, housing ‘the culture of humanity, which is represented in all its variety…’ Not quite.
Up the stairs with flying feet, You would burst upon us, cheering Wellington’s funereal street. Fresh as paint, though you’d been ’railing Up from Scotland all the night, Or had just returned from scaling Some appalling Dolomite… Pundit, publicist and jurist: Statistician and divine; Mystic, mountaineer and purist In the high financial line; Prince of
I don’t like boxing. If I ever get into a boxing ring, I’ll be in the corner with the governor of California, Edmund ‘Pat’ Brown, who in 1963 called for ‘the abolition of this barbaric spectacle’ because another man had just been beaten to death in the ring. That man was Davey Moore, who had
It is fair to say that Jeanette Winterson is not Shakespeare, though I cannot imagine why any authors would accept these commissions to retell the plays — Margaret Atwood is lined up for The Tempest, Howard Jacobson for The Merchant of Venice — since the only certainty is that the texts will not be as
Patrick deWitt is a Canadian writer whose second novel, a picaresque and darkly comic western called The Sisters Brothers, was much praised and shortlisted for the Man Booker prize in 2011. For the follow-up, deWitt has produced a picaresque and darkly comic middle-European fairy tale called Undermajordomo Minor. Instead of brothers named Sisters, it features
Marcus Tullius Cicero was the ancient master of the ‘save’ key. He composed more letters, speeches and philosophy books than most writers of any epoch; but more important than any particular work was that so much survived to define his time. He had a secretary, Tiro, who can reasonably be given the credit for researching,
Forecasts have been fundamental to mankind’s journey from a small tribe on the African savannah to a species that can sling objects across the solar system with extreme precision. In physics we have developed models that are extremely accurate across vastly different scales from the sub-atomic to the visible universe. In politics we have bumbled
Reacquaintance with Germany is long overdue for most English people. Before 1914 it was at least as familiar as France and Italy. Tim Blanning, former professor of Modern European History at Cambridge, has already written brilliantly about Germany in books such as The Culture of Power and The Triumph of Music. His latest is a
‘You understand, Lenú, what happens to people: we have too much stuff inside and it swells us, breaks us.’ The line comes from the third of Elena Ferrante’s Neapolitan novels, but it offers a fair summary of a sequence that concludes in this fourth volume. Set in Italy between the 1950s and the present, and
I have never written much about the one-acre shaw of native trees I planted in 1994, even though it is the delight of my heart, especially when the wild cherries flame in autumn. That’s because I am well aware that en masse tree-planting is a niche activity, open only to the fortunate few. But no
Is it true that, having lost an empire, we reinvented ourselves as an island of entertainers? Do we channel the same rigour and vigour into film and music and literature as once went into conquering continents? Is there a residual colonialist bias in our arts, seen, for instance, in our cinematic penchant for creating patriotic
A dead parent, the interrogation of a literary inheritance, and over everything, a bird: Max Porter is apparently unafraid to step into massive shoes. Not just the colossal ones belonging to Ted Hughes, whose ‘Crow’ poems are the jumping-off point for this free-verse novella about a bereaved Hughes scholar visited by Hughes’s corvine manifestation, but
Amory Clay, photographer and photo-journalist, was born in 1908, only two years after Logan Mountstuart, writer, poseur and ‘scribivelard’. Amory died in 1983; Logan in 1991. Though shaped by the same era, their accounts of their lives are tonally worlds apart. Logan is flamboyant, self-regarding, lyrical, self-pitying; Amory plainer, braver, yet less self-revealing. Both, of
Woody Allen (born Allan Stewart Konigsberg), the prolific, Oscar-winning auteur, New Orleans-style jazz clarinettist, doyen of New York delicatessen society, moralistic nihilist and icon of nebbishes everywhere, will be 80 on 1 December. He says he hopes to sleep through the occasion, but he is already completing next year’s film, his 47th, and preparing a
I have people to see is what I said. I did not say they are all in my head. I am committed; did not say to whom, did not say to my own self in my room. I have places to be where I must go. You want to make arrangements? Sorry, no.
If you love dogs and or live with one — I declare an interest on both counts — there is enough here about what the authors too often call ‘doggies’ to keep you interested. But what I liked about this book, despite its trickle of cute language, is that the title exactly tells the story.
David Jones (1895–1974) was a remarkable figure: artist and poet, he was a great original in both disciplines. His was an art of ‘gathering things in’ that engaged imaginatively with history and myth, with his Welsh heritage and the Christian religion. But art also comes out of conflict, and the tension between the two sides