Radio

Thank heavens for radio, and its ability to survive the depredations of new technology (even the botched introduction of DAB). Channel Four’s much-hyped adaptation of William Boyd’s novel, Any Human Heart, is just so lazy, letting the images do all the work, without bothering to create a coherent or dramatic script. A radio dramatisation of

Could there be subtle changes taking place at Radio 4 HQ? Late last Friday night, A Good Read was dropped in favour of a repeat of a half-hour profile of the extraordinary Burmese campaigner Aung San Suu Kyi. Maybe the new Controller of Radio 4, Gwyneth Williams, who has spent much of her BBC career

Two dramas, two very different plots and personnel. One was political, the other intensely personal. Both were new, commissioned for radio, and defiantly worth paying the licence fee for. This was theatre at its riveting and thought-provoking best, and for which we as listeners didn’t have to leave the house or pay the price of

The talk is that we’ve yet to experience the cuts that will have to be implemented to balance the nation’s books, but on the quiet, in suburban backstreets, behind closed doors, along cultural throughways and byways not often visited we know that they’re already happening, big time. The talk is that we’ve yet to experience

It’s one of the most haunting sounds I’ve ever heard — the plangent wail of a female Sufi singer from Afghanistan. It’s one of the most haunting sounds I’ve ever heard — the plangent wail of a female Sufi singer from Afghanistan. Her song, ‘Gar konad saheb-e-man’, which translates as ‘If my eyes meet the

A rare but threatened species, in dire need of a campaign to save it from extinction, could be heard on Saturday night. Stages of Independence, showcasing the work of ten African playwrights, is likely to be one of the last-ever original World Service productions when the threatened cut to its budget goes through. Twenty-six BBC