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Thursday

Sameer Rahim

The robot as carer: Klara and the Sun, by Kazuo Ishiguro, reviewed

The world of Kazuo Ishiguro’s new novel — let’s call it Ishville — is instantly recognisable. Our narrator, Klara, is arranging traumatic memories into comprehensible order. She is a robot, an Artificial Friend or AF, purchased as a companion for an ill teenager named Josie. Klara’s speaking voice, in a C3PO-ish way, is endearingly off-kilter: ‘I was instructed to ensure against hanky-panky.’ ‘I’m sorry. It’s my error. I don’t understand yet the rules about forgiveness.’ There is no backstory explaining when the robots were invented, and no metaphors except the one shining in the title. When Klara has been bought, she wonders what emotions she might experience if she ever

Sunday

Andy Owen

The terrifying development of AI warfare

The Chauvet-Pont-d’Arc Cave in France contains some of the earliest known Palaeolithic cave paintings, including those of lions, bears, and hyenas. Thought to be the earliest expressions of human fear, it is hard for us to compute today how frightened man once was to live alongside creatures who viewed us as prey. This primal fear is buried deep within us. It explains our fascination with rare stories of humans being eaten by sharks, crocodiles and big cats. The fear isn’t just about our mortality, but the very thought of us as prey to an unfeeling predator, who doesn’t recognise us as individual thinking humans. In science fiction, this deep-rooted fear

Thursday

John Phipps

Boldly going where hundreds have gone before: Brave New Planet podcast reviewed

Since technology is developing at such light-speed pace, why does it feel so strangely slow? There is a sense that driverless cars, green energy and of course certain vaccines are, for all their breakneck pace, still taking for ever to arrive. Watching the future emerge is like watching slow-motion footage of a high-speed train. We know it’s going quickly — but can we not just fast-forward? Perhaps it’s merely our heightened expectations, our diminished boredom thresholds. Some of our most distinguished thinkers and entrepreneurs have warned that an all-powerful artificial intelligence, badly calibrated, might represent the greatest threat to the long-term survival of humanity. That they’ve been warning this for

Thursday

Laura Gascoigne

A high-end car-boot sale of the unconscious: Colnaghi’s Dreamsongs reviewed

In 1772 the 15-year-old Mozart wrote a one-act opera set, like The Magic Flute, in a dream world. Il sogno di Scipione was based on an account in Cicero’s Republic of a dream experienced by the Roman general Scipio Aemilianus while serving in North Africa in 148 BC. In the dream the younger Scipio is visited by his adoptive grandfather Scipio Africanus, who foretells his destruction of Carthage, dishes out advice on dealing with populist politics and shows him ‘the stars such as we have never seen them from this earth’. Scipio’s is a recurring dream: it inspired Dante’s vision of Heaven and Hell and it returns to haunt us

Thursday

Jay Elwes

Much-hyped technological innovation isn’t necessarily progress

Modern advances in communication technology, computer power and medical science can sometimes be so startling as to seem almost like magic. It’s easy to get excited about it all — but what happens if we get too excited? What happens if we lean too heavily on technology, convinced that it can solve all our problems? What happens if we begin to see technology in an unrealistic, hyped-up way? These are the questions at the heart of Gemma Milne’s book. The answer — somewhat unsurprisingly — is that over-excitement is a bad thing. Hype can damage scientific progress and in some cases send it into reverse. Whether it’s in the development