Book review

A matter of life and death

Hmm. Of the 30-plus characters in this novel, not one is both black and British. Odd, since it’s set in 2007-8, in south London. An early passage shows us a Polish builder listening to a ‘crowd of black kids’ on the Northern Line: ‘You never—’ ‘He never—’ ‘Batty man—’ And that’s it: six words in 650 pages. Capital, a metropolitan panorama that takes in the dawn of what we call ‘the current climate’, is wonderful — warm, funny, smart — but you do feel John Lanchester might be afraid to fall flat on his face with a fuddy-duddy faux pas. So no black Britons or (equally weirdly) teenagers of any

The end of the affair?

Of those caught up in the 1963 Profumo affair, the only winner seems to have been that blithe spirit Mandy Rice-Davies. Everyone else lost. Profumo’s family bore the brunt, of course, especially his son David, archetype of the boy sent crying home from school, who wrote a brilliant book about it, Bringing the House Down (2006). Harold Macmillan and the Conservative party were driven from office. Yevgeny Ivanov was recalled to Russia. Stephen Ward was hounded to death. And poor Christine Keeler… In that mesmerising scene in the film Scandal (1989), where Mandy (played by Bridget Fonda) and Christine (Joanne Whalley-Kilmer, as she then was) are getting dressed, to the

Charming, cold-eyed cosmopolitan

At last a diary as penetrating on Berlin as the Goncourt brothers’ on Paris has been translated into English. The author, Count Harry Kessler, resembled a character from Sybille Bedford’s masterpiece, A Legacy. Born in Paris in 1868, he was educated in England, France and Germany. His father was a Hamburg banker; his mother was an Irish-Scottish beauty called Alice Blosse Lynch, admired by the Emperor Wilhelm I. At once German and European, Kessler rotated, as freely as some do today, between London, Paris and Berlin. After a year in the army, and a voyage round the world, Kessler devoted himself to the arts. Exhibitions and parties, and  long descriptions

Bookends: Down on the farm

Can we please have an inquiry into why already talented people are allowed to go off and be brilliant at something else too? As a quarter of Blur, Alex James (above), spent a decade creating critically acclaimed yet commercially successful pop anthems, thereby earning himself access to more drink, drugs and Doris than you could shake a Fender Precision bass at. Fair enough, say the rest of us (through gritted teeth). What isn’t on is the fact that it now seems James, having retired to a farm in the Cotswolds, can also write like a god. This won’t come as a total surprise to readers of The Spectator, where the

Man of mysteries

It was always William Wilkie Collins’s good luck — though in later life something of a humiliation — that he was dragged along on Dickens’s coat-tails — not least in this bicentennial ‘year of Dickens’. In December, the BBC will be showing a dramatisation of The Moonstone. T. S. Eliot (no less) called that tale of theft, somnambulism, Scotland Yard, opium and wily Indian thugs ‘the first and best of detective novels’. That, one imagines, would have elicited a snort of contradiction from the author of Bleak House, but the compliment is not far off the mark. Andrew Lycett is currently at work on a full-length biography and, in the

Fatal impact theory 

As schools are for education, so universities are for higher education. In a civilised society, children should leave school literate, numerate and with some knowledge of science, history and culture. But society also needs an elite educated to a higher level. Universities are for the preparation of the next generation of doctors, United Nations interpreters, lawyers, structural engineers, archaeologists, nuclear-weapon designers, literary critics, astronomers, economists and so forth. That’s the short answer. The long answer would require a great deal more than is found in Stefan Collini’s brisk and very witty book. It would need to range far and wide both historically and geographically, to tell us about the centrality

Resounding successes

The British Library’s ‘Spoken Word’ series, drawing heavily on the BBC archives, has already shown quite a range — from Tennyson’s famously crackly reading of ‘Charge of the Light Brigade’ to Scott Fitzgerald declaiming a speech from Othello. Now, it moves on to the short story and, despite the curious decision to include two tales apiece from Somerset Maugham and Algernon Blackwood (none of them especially overwhelming), once again nobody is likely to complain about a lack of variety. The three discs are kicked off by Maugham’s chatty reading of ‘Salvatore’, a story in praise of a lithe young Italian fisherman. According to the final lines, this is a plucky

Portraits of an age

By a fine coincidence, two legendary icons of British art were being feted in London on the same evening last month, and both are primarily famous, to the public at least, for their depiction of the Queen. At the National Portrait Gallery, the director Sandy Nairne hosted a dinner to celebrate the portrait oeuvre of Lucian Freud, while the Victoria and Albert Museum opened its major exhibition of Cecil Beaton’s lifetime lensing of Elizabeth II. In the 1950s these two artists were the epitome of London society. Beaton, by way of his groomed exquisite taste and laconic manner, was the epicene idol of sophisticated drawing rooms; the nascent Freud, 30-odd,

His dark materials

Like the dyslexic Faustus who sold his soul to Santa, the life of John Dee was a black comedy of errors. His vain and vulgar efforts to harness the occult for material ends often rendered him ridiculous. But there is a darker tale in Dee’s work for the Tudor state: a story of dodgy dossiers, fear-mongering and greed. During the Tudor period no clear distinction was made between science and magic. John Dee’s study at Cambridge of arithmetic, geometry and astronomy enabled him to become a navigational consultant, who worked with England’s greatest explorers. But it also helped him measure the rays of celestial virtue that emanated from the stars

Tragedy of Antigone

Sofka Zinovieff’s absorbing first novel has two narrative voices. Maud is the English widow of Nikitas, whose death in a mysterious accident leads her to contact Antigone, the mother-in-law she has never met. A former Communist freedom fighter, Antigone was forced to leave Greece for the Soviet Union following the Greek civil war. She gave birth to Nikitas, her only child, in prison, and handed him over to her family when he was three years old, severing all further contact. Maud was the third wife of the dominant, swaggering Nikitas. She remained passive throughout their marriage; now, liberated by his death, she starts asking the questions to which she ought

The view from the top

Halfway through this book, the veil lifted, and I thought: ‘I see! I see what he’s trying to do!’ Pickering gets his characters, and moves them along, and then, after 150 pages, he manages to convey a really powerful sensation of something; you might call it amorality, or nihilism, or the sense of the pointlessness of it all. For the first 12 chapters, you are walking uphill, and then you get the view. For the hero, there is horror, and a Graham Greene-like sense of things not being what they seem. Before this moment, it’s a strange set up. I suppose it’s meant to be. Malone, our Greene-ish hero, is

Man with a mission | 3 March 2012

He was a Persian aristocrat who struggled to make his country a democracy. Given to mood swings and sulks worthy of Achilles, Mohammed Mossadegh was born in June 1882 just a month before Britain bombarded and occupied Egypt. His formidable mother, Najm al-Saltaneh, belonged to the family of Qajar Shahs who ruled Iran from 1794 to 1925 and instilled in him a strong noblesse oblige that matured into genuine dedication to democratic and constitutional government. During his childhood, the country barely governed itself, yielding important decisions to the Russian and British empires that held it in joint subjugation. Mossadegh’s father, Mira Hedayatullah Vazir-Daftar, had been a minister of finance and

A choice of recent thrillers

Sam Bourne’s new thriller, Pantheon (HarperCollins, £12.99), is set just after Dunkirk in the darkest days of the second world war. James Zennor, an experimental psychologist, returns to his family’s Oxford home to discover that his biologist wife has disappeared, taking with her their two-year-old son. Zennor, scarred in body and mind by his experiences in the Spanish Civil War, fears that she may have fled from his ungovernable rages. Or was she acting under coercion? He pursues her to neutral America where uncomfortable truths gradually emerge in another university city. This novel is something of a departure for Bourne. Zennor’s emotional fragility lends an extra dimension to a powerful

Bookends: Wasp without a sting

‘It may be hard to accept that a chaste teenage girl can end up in bed with the President of the United States on her fourth day in the White House.’ In 1962, 19-year-old Mimi Beardsley (pictured above) landed ‘the plummiest of summer jobs’, an internship in the White House press office. On day four, she was invited for a lunchtime swim in the presidential swimming pool. John F. Kennedy was, not surprisingly, ‘taller, thinner, more handsome in person than he looked in photographs’. The affair lasted 18 months and involved a lot of waiting around in hotel rooms, like most affairs. Amazingly, no one found out until 2003, when

The family plot

Sam Leith explores the effect that certain writers’ relatives have had on their published works This book’s sort-of preface is a lecture on aunts and absent mothers in Jane Austen — an odd diversion, given that nowhere else in its pages are aunts, or female writers for that matter, given much of an outing. Colm Tóibín sets out his stall early doors: he’s a formalist. Noting the difficulty critics have had getting to grips with Mansfield Park’s great couch-potato Lady Bertram — is she a goodie or a baddie? — he rebukes them high-mindedly: The novel is not a moral fable or a tale from the Bible, or an exploration

Seeing red

With each passing year it becomes clearer that the cure for global warming is worse than the disease. While wind power and biofuels devastate ecosystems and economies, temperatures and sea levels rise ever more slowly, just as the greenhouse theory— minus feedbacks — predicts. As James Delingpole acutely observes, the true believers are left with a version of Pascal’s wager embodying a ‘dismally feeble grasp of cost-benefit analysis’: that, however unlikely it is, the potential cost of global warming is so high that anything is justified. Not only does this argument apply to the cure as well as the disease; it also applies to every small risk of something big

More sinned against than sinning

When I saw the title of this book, then read that it only covered the period 1600-1800 I hoped this would be a riot of comedy, something along the lines of the most wonderful sentence in the English language. This is in Havelock Ellis’s Psychology of Sex and concerns a discovery made by the doctor Realdus Columbus: in 1593, a century after his namesake discovered the New World, this great man claimed to have discovered the clitoris.   But no, there is no comedy, apart from the doings of one Frances, Lady Purbeck, who in 1635, with the son of the Earl of Suffolk, lived happily and ‘adulterously’ in what

A deafening silence

One morning in 2007, the music critic Nick Coleman woke up to find that he was profoundly deaf in one ear. ‘The silence did not descend silently, however. It made a small sound. You might compare it to the sound of a kitten dropping on to a pillow.’ Within an hour this pffff had developed a pulse, and over the next few days it evolved into an unceasing clamour of clanks, zizzes and whistles. By now Coleman was in hospital and doctors were scratching their heads, as they usually do with tinnitus. I can remember the eyes of my doctor glazing over with boredom when I told him about my