Books

Jilly Cooper was utterly unrivalled

Jilly Cooper, the last great Englishwoman of my lifetime – after Queen Elizabeth II and Debo – has died. The lights are going out all over Rutshire. During her life, Jilly shone as an author, a friend and a person – the definition of effervescent. You had to meet her only once to become a founder member of the Jilly Cooper Adoration Society. When she wrote her last book, Tackle!, about a rural football club complete with ‘bitch invasions’ and ghastly Wags, I told her that, in a way, she was the beautiful game, only she gave entertainment to millions not by striking a ball but by putting one word

Second-hand books tell the most surprising stories

It’s relatively common, I find, when opening a newly purchased second-hand book for the first time, for something to fall from its pages. Most likely this will be a branded bookmark or printed stocklisting paper from the dealer who sold it. But it’s not unusual to find something more interesting, something belonging to the book’s previous owner. Apparently the singer Nick Cave donated 2,000 books to an Oxfam in Hove this summer, and new owners of his paperbacks discovered old plane tickets and Post-it notes tucked inside. We serial readers of actual physical books are constantly in need of bookmarks and will grab at anything to hand to use as

The decline of the Booker Prize

‘Prizes are for little boys,’ said Charles Ives, the American composer, ‘and I’m a grown-up.’ It’s a pretty sound rule of thumb. The prizes worth having are usually those which reflect a body of work, not a single achievement. Cary Grant, the greatest leading man in the history of cinema, never won an Academy Award. Neither did Alfred Hitchcock, who made a few half-decent films. They received ‘lifetime awards’ from the red-faced academicians, but those gestures merely endorsed William Goldman’s view that, in Hollywood, nobody knows anything. As Billy Wilder told the producer who asked what he had been up to: ‘You first.’ Nobody takes much notice of the Grammys,

The rise of performative reading

‘To be or not to be’ may be the question but when it comes to eliciting answers, I’ve always preferred Mr Darcy’s epic conversation starter: ‘What think you of books?’ Two hundred years on, it has become harder than ever to find out what anyone actually thinks of books – and not just because our attention spans have been so corroded by dopamine addiction. There are more books published today than ever. TikTok creates relentless literary sensations, and the day after the murder of Charlie Kirk, AI-produced histories were available on Amazon giving ‘the full story’.  If social media is to be believed, everyone is reading so much it’s impossible

Why A Dance to the Music of Time has stood the test of time

Fifty years ago today, a literary masterwork of the 20th century reached its conclusion with the publication of Hearing Secret Harmonies, the final volume in Anthony Powell’s 12-novel sequence A Dance to the Music of Time. Inspired by the painting of the same name by the 17th-century French artist Nicolas Poussin (which you, like Powell, can see at the Wallace Collection), the series began with A Question of Upbringing, published a quarter of a century earlier in 1951. This introduced us to the English narrator of the whole endeavour, Nicholas Jenkins (uncoincidentally he shares the Christian name of the painter, albeit with an Anglicised aitch), who attends a boarding school

Bring back the book launch!

It’s that time of year when the local librairie-papeterie in your French holiday village is full of signs for la rentrée and English newspapers carry ads for gel pens and shoes with Velcro fastenings. I used to love this season as a schoolboy – discovering if I’d made the under-13 football training squad. For the past 40 years, though, September has been for me a different season: the time of the publishers’ launch party. These used to be lavish affairs, held in a hotel or gallery with themed drinks and food, the whole thing fizzing with romantic possibilities. In 2001 we had a memorable do for my American novel On

There’s nothing ironic about civilisation

A recent photograph on a BBC website startled me. It was of hundreds of books thrown out of a former library in Croydon on to the ground.  It startled me because I had taken an almost identical photograph 34 years before – in Liberia. The books in the University of Liberia had been pulled from their shelves and scattered in similar fashion to those in Croydon. Of course, the books in Liberia were at a higher intellectual level. The capital city of Monrovia was in those days cut off from the rest of the country by the forces of Charles Taylor, and the only way to arrive was by the

Loving salute to a book I wouldn’t touch: The Thursday Murder Club reviewed

Richard Osman’s The Thursday Murder Club, which is set in a retirement village and features pensioners solving murders, was a publishing sensation. (There are now four books in the series, with combined sales of more than ten million copies.) I’ve never read it. ‘Cosy crime’, as it’s called, is either your bag or it isn’t. This adaptation, however, feels exactly like the book that I haven’t and would never read. I hope Mr Osman et al. will take this as praise. In other words, the film knows what it is doing, who it is for, and fans will, I’m convinced, be delighted. It’s reminiscent of Enid Blyton’s The Famous Five,

Don’t judge a book by its author

I am entombed, like Edgar Allan Poe’s prematurely buried man, listening through headphones to a contemporary Russian fugue for organ and bagpipes. I had asked for a soothing Schubert prelude, but the radiologist couldn’t lay hands on one. The headphones have no volume control I can locate – only on and off, and off will expose me to the diabolic clang of magnetic resonance. Hell will be an eternity inside an MRI machine, praying for deafness. There is a little sponge ball I can press if I can take it no longer. I give it 17 minutes, then press. Shame overwhelms me. I overhear the radiologists whisper: ‘So it works

How the railways shaped modern culture

Cue track seven of Frank Sinatra’s 1957 album Only the Lonely and you can hear Ol’ Blue Eyes pretending to be a train. It’s not that he’s a railway enthusiast (though Sinatra, like many musicians, was an enthusiastic collector of model trains). No, it’s written into the words and music of Harold Arlen and Johnny Mercer’s song ‘Blues in the Night’: ‘Now the rain’s a-fallin’, hear the train a-callin’ “whoo-ee”.’ And so Sinatra sings it, just as Ella Fitzgerald, Peggy Lee and Louis Armstrong sang it. It’s an American classic, defined by the sounds that permeate the soul of American popular music: the sounds of the railway. Two hundred years

The tragic decline of children’s literature

The other day, leafing through T.H. White’s The Once and Future King, which enchanted me as a child, I was bedazzled all over again. This time, though, it wasn’t the plot and characters that gripped me, but something better: vocabulary. ‘Summulae Logicales’, ‘Organon’, ‘astrolabe’, ‘metheglyn’, ‘snurt’, ‘craye’, ‘varvel’, ‘austringer’, ‘yarak’: all appear, exuding magic, within the first few pages. Ten points if you know what ‘yarak’ means. The Once and Future King (1958) is a masterful retelling of the Arthurian cycle, both comic and tragic, following the young Arthur, known as ‘Wart’, as he grows into the legendary King; and these fascinating words are not pretentious, but appropriate. The ‘Summulae

The harrowing true story behind Barry Lyndon

Stanley Kubrick’s swooningly gorgeous film, Barry Lyndon, has just been re-released in cinemas to mark its 50th anniversary. Much ink has been spilled about its hypnotic beauty, its lavish attention to historical detail, its dreamy, luscious, candlelit photography. Yet William Thackeray’s bitingly satirical novel of the same name is often neglected – as is the true, harrowing story that inspired it. The book Barry Lyndon (first published in 1844) bore its genesis from the story of a real adventurer, Andrew Robinson Bowes, whose cruelty to his wife, the Countess of Strathmore, was notorious. Born Andrew Robinson Stoney, he rose to the rank of a lieutenant before marrying an heiress; after

Why Generation Woke loves romantasy

When the willowy human Feyre meets the faerie Tamlin in A Court of Thorns and Roses (known as ACOTAR by fans), he is a ‘snarling gigantic beast with golden fur’. Drama ensues when Tamlin, with his ‘elf-like horns’ and ‘yellow fangs’, kidnaps Feyre. He keeps her in captivity, then claims her: turning up in her room at night and clamping his teeth down on to her neck against her will. Two hundred pages later, the pair finally have sex and Feyre marvels that while ‘his claws were out’ they are ‘devastatingly gentle on my hips as he slid down between my thighs and feasted on me’. She moans his name

Let straight white men write novels!

About 15 years ago, I tried to interest my literary agent in a state-of-the-nation novel set in 21st-century London. My model was Bonfire of the Vanities, Tom Wolfe’s masterpiece about New York in the 1980s. I’d read Wolfe’s essay in Harper’s magazine called ‘Stalking the Billion-Footed Beast’ in which he urges ambitious young authors to dispense with namby-pamby, post-modernist experimental nonsense and follow in the footsteps of Balzac, Zola and Dickens – write realistic novels documenting every aspect of contemporary society in granular detail. I wrote a 10,000-word proposal summarising the story, which began with a black teenage drug dealer coming to the rescue of a posh teenage girl in

Letters: Why we need libraries

NHS origins Sir: Your leading article ‘Wes or bust’ (5 July) credited Labour with founding the NHS. In fact, the NHS was founded during the second world war by the Labour, Liberal and Conservative coalition. The speech with the famous line ‘free at the point of use’ was in fact made by Winston Churchill. He made it because he was PM and it was his job. For Labour to claim to be the initiator is somewhat disingenuous. Edward Hirst Aston, Sheffield All aboard Sir: Michael Gove is quite right (‘Tracks of my tears’, 5 July): the retirement of the royal train is sad news for those of us who like

Public libraries deserve to shut – they’ve forgotten why they exist

The usual piece about public libraries runs like this. Public libraries are for ‘more than just books’. They are in a desperate plight after years of cuts, or better still ‘Tory cuts’. Librarians, who are heroes, struggle to go on serving their local communities. Libraries are hanging on by a thread, and because of those government cuts can’t be as useful as they once were. The only solution, of course, is more money from central government to local authorities, who, of course, will dash to spend the extra millions on reinstating public libraries and not add it to other things they want to splurge on. It’s tragic, for instance, that

Spare us from ‘experimental’ novels

Some sorts of books and dramas have very strict rules. We like a lot of things to be absolutely predictable. In romantic comedies, a girl chooses between a charmer who turns out to be a rotter and another man she hates at first but then falls for. In the BBC’s long-running Casualty, if a worried patient turns up with his put-upon wife who coughs twice, it’s the wife who’s got an undiagnosed fatal disease. Bertie Wooster falls for a girl that Jeeves doesn’t care for and the valet goes to some lengths to detach his employer. We like these things because they’re safe and a little bit cosy and we

Why I burnt the Quran

My name is Hamit Coskun and I’ve just been convicted of a religiously aggravated public order offence. My ‘crime’? Burning a copy of the Quran outside the Turkish consulate in London. Moments later, I was attacked in full view of the street by a man. I was hospitalised. Then I was arrested. Some may say that book-burning is a poor substitute for reasoned debate. I would counter that it was a symbolic, non-violent form of expression intended to draw attention to the ongoing move from the secularism of my country of birth to a regime which embraces hardline Islam. As I told Westminster Magistrates’ Court, what I did constituted political

The short history of short histories

My friend Ruby recently started a TikTok channel called ‘Too Long Didn’t Read’. With boundless enthusiasm and a colourful wardrobe, she prances around Hampstead Heath, summarising classic novels in 60 seconds. The channel ‘sums up anything ever written so you can talk about it to your mates’. Ruby is not alone in her approach of offering such educational digests. Scan the tables at Hatchards in Piccadilly and you will find endless shortest histories, or – for brevity’s sake – ‘shistories’. Popular formulas include ‘The Shortest History of …’, ‘A Brief History of … or ‘A Little History of …’. New publications include The Shortest History of Scandinavia by Mart Kuldkepp,

The odd couple: Austen and Turner at 250

History is full of odd couples: famous but unrelated people who happen to have been born in the same year. 1809: Charles Darwin and Abraham Lincoln. 1926: Queen Elizabeth II and Marilyn Monroe. Yet few historical pairings are as unlikely as the novelist Jane Austen and the painter J.M.W. Turner, born within a few months of each other in 1775. Usually the only time these two cultural icons encounter one another is in our purses or wallets: Turner depicted as a dashing young Romantic on the £20 note, Austen looking demure and doe-eyed (a heavily airbrushed version of the portrait originally sketched by her sister Cassandra) on the £10 note.