Books

Thursday

Bruce Anderson

Advent is the season for revelling in fine wine

Crime. Fear not: none of us was planning to break the law, with the possible exception of hate speech. Where that is concerned, how would one start? But we were more concerned with crime and literature, and a fascinating perennial question. What is the distinction between crime fiction and novels? In the 1990s, I introduced one of the loveliest girls of the age to the delights of proper wine Crime and Punishment: no problem. So what about The Moonstone? There are very many supposed novels which I would rather read. Moving nearer our own day, we have Dorothy Sayers or P.D. James. More recently, Reginald Hill, Susan Hill and Ian

Thursday

Robin Oakley

My picks for Cheltenham and the Twelve

With farmers outraged, the nation’s biggest employers warning the Budget will bring increased prices and lost jobs and growth out of sight, Rachel Reeves has certainly confirmed that economics is the dismal science. It hasn’t got any easier either finding winners. For the previous two Flat seasons this column’s Twelve To Follow showed profits of £59 and £157 to a £10 level stake. The jumpers last winter rewarded us with a handsome £246. But currently I’m like a US senator unseated at an election. He called in his staff and declared: ‘That was an unmitigated disaster: so get out there and mitigate.’ Soaking wet gallops and soggy tracks didn’t help.

Thursday

D.J. Taylor

What will become of George Orwell’s archives?

The news that a vast cache of material by and concerning George Orwell is about to be cast to the four winds in the wake of a corporate sell-off has stirred predictable fury among Orwell buffs. As in all the best literary rows, the contending roles seemed to be clearly defined from the outset. There were the heroes (Orwell and his many acolytes); there was a principal villain – the publisher Hachette, which had decided to unload its archive, only to find that no single bidder could meet the asking price; there was the agent of their devilry (more about him in a moment); and even some subsidiary baddies, in

Thursday

Mary Wakefield

Why children have stopped reading

It’s only when you read the old stories again, to a child maybe, that you become aware of the extent to which the characters still live inside your mind, bobbing about just below the level of consciousness. I still find myself puzzling over the stories collected by the Brothers Grimm, decades after I first read them. How could Little Red Riding Hood have avoided being eaten? (We read the original, merciless version.) What should Hansel and Gretel have done? Any good book leaves its mark, but the characters from the books you loved as a child embed themselves. They inform the way you think as an adult, which is why

The Spectator

Who is your favourite character in children’s literature?

Rod Liddle Rabbits, always rabbits. I remember at age 13 forcing my poor parents to trudge despondently across hilly downland on the borders between Berkshire and Hampshire, with me jubilantly pointing out stuff like: ‘Look, it’s the combe where Bigwig met the fox!’ and ‘I think this could be the Efrafa warren!’ For a while, Watership Down jostled uneasily with the grown-up stuff I was just beginning to enjoy – Jack Kerouac, James Thurber, Ray Bradbury – but it still held a big claim on me and does today. Better than On the Road, isn’t it? Watership Down also took me back from the awkwardness of puberty to the safety

Jacqueline Wilson

The rise of the competitive book list

I’m a hopeless technophobe. I dislike the stylish laptop I’m using and its subdued pad pad pad. I still long for the clatter and ting of my old typewriter. It was a sturdy soul, utterly obedient, only needing a new ribbon occasionally. It lived for 40 years before being interred in a quiet corner of my attic. I’ve had several computers since and they have all been tricksy. I often fantasise about tracking down another ancient typewriter that could be coaxed back into service. There are still several writers determinedly tapping away. The American novelist Danielle Steel has achieved a billion sales by working on a 1946 typewriter. Jilly Cooper

Thursday

Daisy Dunn

Rushdie on how the best magical realism transcends fantasy

Ask the man in the street to quote a line from one of Salman Rushdie’s novels, and he might struggle. Ask him whether he’s heard the phrase, ‘Naughty but nice’, specifically in the context of cream cakes, and you will probably make his day. It was Salman Rushdie who came up with that slogan in his early career as an adman. Remember the ‘irresistibubble’ tag for Aero chocolate bars? He was responsible for that, too. ‘I feel at bottom that I’m still that boy from Bombay and everything else has been piled on top of that’ If there’s any embarrassment on Rushdie’s part (and why should there be?) that some

Thursday

Alison Kervin

Why I self-publish my books

Trying to publish a book used to be straightforward. You came up with an idea, spent months, if not years, writing it, then sent it off to an agent or publisher who rejected it by return. Life was simpler back then. We all knew where we were. Rejection wasn’t necessarily based on the quality of the work. Literature is a subjective business. Lord of the Flies earned William Golding 20 rejections. James Joyce, Jack Kerouac and Joseph Heller suffered similar fates. Marcel Proust was rejected so many times that he decided to pay for publication himself. The much-repeated industry statistic is between 1 and 2 per cent of manuscripts are

Wednesday

Adrian Dannatt

‘You cannot begin by calling me France’s most famous living artist!’: Sophie Calle interviewed

‘You cannot begin by calling me France’s most famous living artist!’ Thus Sophie Calle objected to the first line of the obituary I wrote for her, commissioned for the enormous exhibition, À toi de faire, ma mignonne (‘Over to you, sweetie’), that currently occupies the whole Musée National Picasso-Paris. But modesty aside, it is a fact that no other French artist alive today is so celebrated, loved, debated, denounced and, indeed, imitated, around the world as Calle. Having long mined her own life for her work, Calle now happily mines her death This year is the 50th anniversary of Picasso’s death and that his most important museum should officially mark

Hannah Tomes Hannah Tomes

Comedy of the blackest kind: Boy Parts, at Soho Theatre, reviewed

There’s something mesmerising about watching a good mimic. And Aimée Kelly, who plays fetish photographer Irina Sturges in Soho Theatre’s Boy Parts, is a very good mimic. Across the 80 minutes of this one-woman performance, she inhabits the bodies of dozens of characters, each a carbon copy of the worst kind of person: oleaginous city bankers; shrill, hysterical twenty-something women; ‘Andrew Tate-core’ men. An unnamed boy ends up as nothing more than a severed head Her sneering representations of these characters instruct us to see them (whether we want to or not) as Irina does: pathetic and deeply undesirable. It’s uncomfortable. Irina is a narcissist which is enforced, immediately, by

Tuesday

Olivia Potts

With John Nichol

35 min listen

John Nichol is a former RAF Tornado navigator who, during the first Gulf War in 1991, was famously shot down, paraded on television and held prisoner by Saddam Hussein. John wrote movingly about his experience in his first book, ‘Tornado Down’, and has gone on to write fifteen more best-selling books. His latest, ‘Eject, Eject’, is out now. He also loves food, is very fond of cooking and often posts pictures on social media of his many and varied culinary creations. Presented by Olivia Potts.Produced by Linden Kemkaran.

Wednesday

Barnaby Rogerson

On the trail of Roman Turkey with Don McCullin

The genesis for our book Journeys across Roman Asia Minor was hatched in the autumn of 1973, when Sir Donald McCullin was a young man. He had been assigned by the Sunday Times to work with the writer Bruce Chatwin on a story that would take them from a murder in Marseille to the Aurès highlands of north-east Algeria. It was an emotionally gruelling journey and they rewarded themselves on the way back by stopping off to look at a solitary Roman ruin. No photographs were taken, but the memory of this place from all those years ago remained embedded in Don’s imagination. Three decades later, that seed bore fruit,

Wednesday

Niamh Martin

New York hotels with a literary twist

‘You really ought to read more books – you know, those things that look like blocks but come apart on one side.’ Perhaps F. Scott Fitzgerald was aiming for a motivational tone – literature was his livelihood, after all. He was also a seminal figure in the writers’ movement that began in 1920s New York and, over the following decades, took root in hotels across the city. Hot on the heels of Spectator Life‘s guide to London’s literary hotels, here are five New York hotels with their own tales to tell. The Algonquin Hotel The Algonquin’s association with the infamous Round Table of the 1920s has provided it with more

Wednesday

Matthew Dennison

Don’t cancel Beatrix Potter

I spoke too soon. Beatrix Potter, I suggested in an afterword to my 2016 biography of the author and illustrator, had escaped the distortions of sexual and racial revisionism that now blight so many eminent and long-dead British writers. But no longer. Last week a specialist in postcolonial literature at a northern university accused Potter of failing to acknowledge her indebtedness to an oral storytelling tradition of enslaved Africans working on American plantations. Welcome, please, a new Potter for the 21st century: exploitative, colonialist, dishonest. Potter’s concealment, claims Dr Emily Zobel Marshall, ‘[feeds] into a damaging and recurring appropriation of Black cultural forms that continues today’. Blimey. Zobel Marshall’s hypothesis

Wednesday

Michael Hann

In praise of goths – the most enduring of pop subcultures

More than 40 years on, every town still has them, wandering the streets with pale skin, more make-up than you can find in Superdrug, swathed in acres of black fabric. Goths, rather unexpectedly, have turned out to be the great survivors among pop subcultures. Others have risen and faded, but the goths – laughed at, ignored, dismissed – have endured, seeing their style and their musical tastes slowly incorporated by everyone else (there’s even a goth version of hip-hop, known as ‘horrorcore’). Goth was a fitting name for the music: overbearing and foreboding; delivering ecstasy through the building and releasing of tension rather than through major chords and primary colours;

Tuesday

Olivia Potts

Alison Roman: ‘My desserts are consistently imperfect’

Alison Roman’s cooking is a counsel of imperfection. She serves dinner late (fine, as long as you have snacks), gets her guests to pitch in on the washing up and won’t make her own ice cream – ‘it simply will never be better than what you can buy, sorry’. ’Her ‘pies leak, cheesecakes crack and pound cakes are pulled from the oven before they’re fully baked. Lopsided and wonky, occasionally almost burned, unevenly frosted, my desserts are consistently imperfect’. In her new book, Sweet Enough, Roman wants to free the home cook from the dessert ties that bind them. ‘My hope for you,’ she tells her reader, ‘is that you

Friday

Alexander Larman

London hotels with a literary twist

There’s something rather wonderful about the idea of settling down for the night in the spot where one of your favourite writers once slept, played or dreamed up a plot. There are a range of hotels across London with a vast array of bookish associations: some have played host to writers both famous and infamous, while others have been commemorated in novels, poems and short stories. Their present-day owners are all too happy to show off their literary heritage, should you ask nicely. Here are six with the most interesting tales to tell. Hazlitt’s There are few London hotels with so existential a literary connection as Hazlitt’s on Frith Street

Wednesday

Alice Dunn

The best coronations in literature

‘In her big, white dress the Queen looks like a balloon that’s about to float up to the roof of Westminster Abbey and bob about up there amongst the gilded arches and roof bosses. To prevent this happening people keep weighing her down with cloaks and robes, orbs and spectres, until she’s so heavy that bishops and archbishops have to help propel her around.’ This is the coronation of Elizabeth II in 1953 as described by one-year-old Ruby Lennox in Kate Atkinson’s Behind the Scenes at the Museum. These observations might seem preternaturally advanced from a narrator not yet old enough to walk and talk, but that is consistent for

Tuesday

John Sturgis

Read all about it: 12 of the best novels about journalism

A recently published novel, Becky by Sarah May, is the latest in a long tradition of fiction based on journalism – and a good excuse to think again about the great books from that sub-genre. May’s is a curious hybrid of the life story of News UK CEO Rebekah Brooks and a repurposing of Vanity Fair. George Cochrane, reviewing it for The Spectator, called Becky ‘a good novel dwarfed by a great one’.  He was referring to the Thackeray, but he might just as easily have been talking about another classic English novel: Evelyn Waugh’s Scoop. That comic masterpiece from 1938 is the book against which all other fictional evocations of journalists and journalism are judged

Wednesday

Sadie Nicholas

Why adults should read children’s books

During a recent family trip to South Africa, there was one book from my holiday reading pile that I simply couldn’t put down. It had everything: suspense, mystery, humour, fantasy, plot twists, heroes, villains and, ultimately, a happy ending. It also contained talking animals, unicorns and fauns. Because this wasn’t the latest bestselling crime or psychological thriller – my usual genres of choice. It was The Lion, The Witch and The Wardrobe, the children’s story by C.S. Lewis that I’d first read almost 40 years earlier. Given that I have a nine-year-old son who adores books, you might imagine that my motivation for re-reading it was to do so aloud to