Channel 4

Jaw-dropping confessions of a very un-PC Plod

There can’t have been many people who watched Confessions of a Copper (Channel 4, Wednesday) with a growing sense of pride. Among those who did, though, will presumably have been the creators of Life on Mars and Ashes to Ashes — because, in its frequently hair-raising way, the programme confirmed how well they did their research into old-school policing. Of the seven ex-officers interviewed, the most old-school of the lot was probably Ken German (sample quote: ‘We all have a view on political correctness: it’s bollocks’), who began by explaining in full the admission procedure that he’d gone through to join the force — he was told to bend over

How the Rich Get Richer – my Channel 4 documentary

(Update: you can now watch the documentary online here) Inequality is rising up the political agenda right now, but the debate usually descends into clichés about wealth, bankers and tax. On Monday, I try to look at the subject more broadly in a Dispatches documentary for Channel 4 entitled How the Rich Get Richer (clip above). I write about it in the Sunday Telegraph today. Inequality UK, a documentary presented by Fraser Nelson from Fraser Nelson on Vimeo. First, the problem is not (as Ed Miliband would have you believe) rich people paying zero tax. For the documentary, I submitted a Freedom of Information request asking after the top 0.01

24 Hours in Police Custody: a C4 programme that finally tells the truth about ‘honour crimes’

Settling down to watch 24 Hours in Police Custody, the new Channel 4 programme brought to us by the team behind the excellent 24 Hours in A&E, I was expecting some proper gripping telly. What I did not envisage was to be further educated about the level of plonkery that some men are capable of. And I don’t just mean the criminals. The custody sergeant this week was checking in a 60-year old man who was under arrest for an alleged assault and kidnap. The case was called ‘honour-based violence’, which usually refer to crimes against women and girls perpetrated by religious maniacs. There are countless such cases in the UK: revenge attacks on women who refuse to

Sinister types wanted to play Nigel Farage in Channel 4 docu-drama

Channel 4 has commissioned a docu-drama that will imagine what life will be like for poor and oppressed ordinary British people under the first few months of a Ukip government. As you can imagine with Channel 4, this will undoubtedly be an exercise in the very quintessence of impartiality and fair-mindedness. They plan to run it just before the 2015 general election. Bookies are already taking bets on who will play Nigel Farage – Michael Sheen is one of the favourites. However my guess is that Bruno Ganz, so mesmerising as Adolf Hitler in ‘Downfall’, will get the nod. Especially if he keeps the moustache. A spokesbore for the channel said: ‘This

James Delingpole falls in love with Grayson Perry – and almost comes round to Chris Huhne

I love Grayson Perry. You might almost call him the anti-Russell Brand: a genuinely talented artist who also has some very interesting stuff to say — as he’s demonstrating yet again in his highly entertaining new series Who Are You? (C4, Wednesdays). It ought to be ghastly and it ought to be pretentious: a trendy ceramicist known at least as much for his transvestism as for his wackily decorated, hugely fashionable pots meets up with people from diverse backgrounds so that he can explore the theme of identity and then exhibit creations inspired by them at the National Portrait Gallery. When I tell you that one of those people is

Hooray for Homeland – Carrie’s back blasting America’s enemies to pieces with drones

One of the more welcome and surprising things about television at the moment is that Homeland (Channel 4, Sunday) is good again. As I’m not the only person to have pointed out, the first series was great. After that, though, the show suffered badly from the diminishing returns which so often afflict a deserved American hit that’s obliged for financial reasons to just keep on going — usually by serving up increasingly minor variations on a theme. (Exhibit A: Lost; exhibit B: most of mid-period 24.) Fortunately now that Damian Lewis’s Brody is dead, Homeland no longer has to think up any more ways to make us wonder which side

Marriage and foreplay Sharia-style

Needless to say, it’s not uncommon to hear single British women in their thirties and forties saying that all the good men are married. But in The Men with Many Wives (Channel 4, Wednesday) this came with a twist: it turned out to be precisely the reason why you should marry them too. Polygamy may be illegal in Britain, but it’s permitted under the Sharia law that many Muslims here apparently live by — and, as several of the programme’s participants told us, there’s no better guide to whether a man is husband material than the fact that he’s a husband already. Take Nabilah, who came to Britain from Malaysia

Paxo to Channel 4

Poor Jon Snow. The veteran presenter has some serious competition from the latest BBC defection to Channel 4; it’s the big one. After months of speculation about his future, and a dire sojourn into stand up comedy, Jeremy Paxman has joined the channel to front their general election coverage, but there is a full ego damage limitation operation underway: ‘A source at the channel insisted broadcaster Jon Snow would remain the “main man” in terms of its overall news coverage, after fronting Channel 4 news for years.’ Mr S does wonder just who that source may have been. Anyway, we at The Spectator are big fans of Jon Snow –

The ‘no’ campaign’s problem was that it sounded like me

Journalistically speaking, it’s been a good year to be Scottish and Jewish. Had I been a Welsh Zoroastrian, say, I doubt I’d have had nearly so much to say. In recent months, obviously, it’s been the Scottish thing that has really taken off. I used to be marginally Scottish, irrelevantly Scottish; never realising that a period of being helpfully Scottish was just around the corner. I suppose it’s a bit like the presumptions that some bilingual people have, that other people must, must be able to speak other languages really. I think I just assumed that the rest of London’s media knew plenty about Scotland, but tended not to talk

Eye-gouging within the first half-hour: the edgy new rules of TV drama

Where is Jessica Hyde? If those words mean nothing to you then I have some excellent news. If not, then you’ll already be aware that I have failed you totally. And not for the first time, either. I was about a series (sorry, ‘season’) late to Game of Thrones; not much quicker into Breaking Bad; and now here I am again belatedly drawing your attention to something we all really should have seen last year if we were to consider ourselves even halfway in the loop… Anyway, for what it’s worth, the show is Utopia (Channel 4, Tuesdays) and I can’t remember when I last saw a British drama series

Jon Snow’s view of the Middle East is biased, inaccurate and dangerous

I suppose viewers of Jon Snow’s Channel 4 News don’t expect impartial journalism, any more than viewers of Fox in the States expect their political opponents to get a particularly fair hearing. This is, after all, a journalist whose first reaction when the Malaysian airline plane was shot down over Ukraine was to express concern that the deaths might distract attention from Israel’s war with Hamas. Awful danger that the shooting down of flight MH17 will provide cover for an intensification of Israel’s ground war in Gaza — Jon Snow (@jonsnowC4) July 18, 2014   But what an extraordinary way to present the situation in the Middle East: Hamas as

Burning foetuses to heat hospitals: a perfect metaphor for modern Britain

By way of a metaphor for the way the NHS and, come to that, the law regards foetuses, you can’t really better the reality, viz, that foetal remains from abortions and miscarriages are being incinerated in NHS hospitals and possibly used to heat that hospital. If a foetus lives less than 13 weeks, it could, in Addenbrooke’s Hospital, for instance, be used as fuel as part of the hospital’s waste-to-energy schemes. And 13 weeks is just over three months’ gestation – the point at which wanted foetuses register as recognisably human on the scans that prospective parents take home and show their friends. Meanwhile, the unwanted foetuses, or the ones

Was Liz Wahl’s on-air Russia Today resignation brave or self-serving?

It’s hard not be cynical about these TV presenters on Russia Today making such bold on-air declarations against their network. The eye-catching Liz Wahl sensationally quit RT yesterday saying she would no longer work for a channel that ‘whitewashes’ President Putin’s actions (see video above), and she is being widely lauded. ‘I’m proud to be an American and believe in disseminating the truth,’ she said. ‘And that is why after this news cast I’m resigning.’ Liz was going one step further than her colleague Abby Martin, who had said the day before that Russia’s invasion of Crimea was wrong. Lots of other journalists are saying that they are both very brave. Maybe

My experience of last night’s Benefits Street debate

I spent yesterday evening in Birmingham with the residents of ‘Benefits Street’, assorted pundits and politicians. It was a slightly rowdy debate for Channel 4, and can be seen here. Since a number of controversial things came up perhaps I can deal with them in order. ‘The programme shouldn’t have been made.’ I felt very uncomfortable at one point last night, watching both the opposition minister, Chris Bryant, government minister Mike Penning and various pundits including Mehdi Hasan of the Huffington Post and Owen Jones of The Independent saying that Channel 4 should not have made the series, should have made a different series, made a series about something else or

Bach is made for dancing

It appears that J.S. Bach’s music is to theatre-dance what whipped cream is to chocolate. Masterworks such as Trisha Brown’s MO, George Balanchine’s Concerto Barocco and a plethora of less-known, though equally acclaimed compositions owe a great deal to the giant of baroque music. Wayne McGregor is the most recent addition to this illustrious roster of successful Bach-inspired dance-makers with Tetractys —The Art of Fugue, which world-premièred last Friday. Set, as the title implies, to Michael Berkeley’s orchestration of The Art of Fugue, played on the piano by Kate Shipway, the new work stands out for the intensity of the dialogue between music and dance. Linear beauty dominates a majestic

White Dee’s diary: From Benefits Street to Downing Street?

There’s no reason why you should have heard of me. No reason why you would have watched a Channel 4 television series called Benefits Street — with a title like that, I’d have changed channel if it came on my telly. But they didn’t tell us the title when they wanted to spend 18 months filming on our street. For reasons I can’t pretend to understand, five million people tuned in. It’s supposed to be the biggest hit Channel 4 have had since The Snowman. A fairly normal bunch of people — myself, Fungi, Black Dee, Becky and Mark — have become reality TV stars. It’s like Big Brother, except

Jon Snow: sex expert

Jon Snow’s interview in the Standard today makes for perfect post-lunch reading: ‘Sex comes into every evaluation of a woman, there’s no doubt about it. It’s there. Once you’ve established a friendship or a working relationship with a woman, it’s parked. But it’s an interesting barrier. When you’ve gone through it and arrived at the other side, it’s never a problem again. Well I’m not saying it is a problem at all, it’s rather a delicious thing really, ‘what might have been?’ or ‘what could be’. It’s a natural animal element of sustaining life.’ Mr S has to wonder what Snow’s colleagues and female guests will make of this ‘delicious

Benefits Street exposes Britain’s dirty secret – how welfare imprisons the poor

[audioplayer src=’http://traffic.libsyn.com/spectator/TheViewFrom22_16_January_2014_v4.mp3′ title=’Fraser Nelson and Frank Field MP discuss Benefits Street’] Listen [/audioplayer]No scandal has been more successfully covered up than the appalling truth about what happens to Britain’s poorest people. We have, as a country, grown used to pretending they don’t exist; we shovel them off to edge-of-town housing estates and pay them to stay there in economic exile. We give them welfare for the foreseeable future, and wish them luck in their drug-addled welfare ghettos. This is our country’s dirty little secret, which has just been exposed by a devastating Channel 4 documentary. And the left are furious. The outrage over Benefits Street has been quite extraordinary, comparable only

In defence of Channel 4’s Benefits Street

Few subjects are more unfashionable than British poverty. And judging by the reaction to Channel 4’s brilliant documentary Benefits Street, it seems as if the left believe that it ought not to be discussed at all. This five-part series focuses on the inhabitants of James Turner Street in Birmingham, which has 99 houses, the majority of whose inhabitants are dependent on welfare. For two years, a TV crew let the camera roll and Ch4 now tells the story – giving a complex, uncomfortable view of what life is like at the bottom in Britain. The left’s charge is that the wicked media is ‘demonising’ those on benefits, portraying them as

Rod Liddle: Ever since I criticised a leftist icon, the Beeb hasn’t stopped calling me

Ring, ring goes the telephone every minute God sends. Sometimes I pick it up and say hello, sometimes I don’t. I know who is calling, anyway. It is one or another media representative from the bien-pensant absolutist liberal left, and they are all in a dither about a man called Ralph Miliband, of whom they had probably never heard until a few hours ago, and whom they have most certainly not read. Their sense of excitement, these youngish callers from a multiplicity of BBC news stations and, of course, Channel 4 News, is palpable; it fizzes and crackles down the line, their outrage and their delight at possibly finding someone