Cleopatra

From Cleopatra to Elizabeth Taylor, women have found jewels irresistible

When workmen demolished an ancient building in Cheapside in 1912 they saw something glinting out of a broken wooden box. They had stumbled on what became known as the Cheapside Hoard – a collection of jewels dating from around 1600, its star, the Cheapside Emerald, a wonderful stone holding a miniature watch. It came from Colombia, still the source of the world’s finest emeralds, probably the world’s most ancient gems. The first recorded instance of them is on an Egyptian papyrus around 2400 BC. Their beauty and rarity made them the favourite of the élite, with Cleopatra probably their most famous fan. The Rockefeller Emerald fetched $5.5 million in 2017.

‘We are stuck like chicken feathers to tar’: Elizabeth Taylor’s description of the fabled romance

‘To begin at the beginning,’ intones Richard Burton with a voice like warm treacle at the start of the 1971 film Under Milk Wood. It’s hard to imagine an actor more obviously influenced by his own beginnings. The epigraph to this double biography is ‘The damp, dark prison of eternal love’, a line borrowed from Quentin Crisp. And if that’s an accurate assessment of Burton’s on-off-on-again relationship with the actress Elizabeth Taylor, it’s an even better summary of his childhood in Wales. Born Richard Walter Jenkins to a barmaid mother and a coal miner father (a ‘12-pints-a-day man’ who sometimes disappeared for weeks on end to drink and gamble), as

Watching Queen Cleopatra felt like witnessing the death of scholarship

The most controversial aspect of Netflix’s new drama-documentary Queen Cleopatra – not least in Egypt – was the casting of a black actress, Adele James, in the title role. After all, one of the few things that seems certain about Cleopatra’s early life is that she was a Macedonian Greek. Luckily, though, the show had a powerful counterargument to this awkward and Eurocentric fact. As the African-American professor Shelley P. Haley put it with a QED-style flourish, back when she was girl, her beloved (if uneducated) grandmother once said to her: ‘I don’t care what they tell you in school, Cleopatra was black.’ Watching Queen Cleopatra felt alarmingly like witnessing

Reflections on water in the Middle East

These Bodies of Water begins dramatically (as befits a book derived from Sabrina Mahfouz’s Royal Court show A History of Water in the Middle East) in a stuffy little room in Whitehall where the author is being interrogated by a man in a beige mac who is vetting her for top security clearance. It all sounds a bit James Bond, except that Mahfouz is more like an ‘Egyptian Guyanese Nancy Drew’, as a boyfriend joked – extremely unusual in the civil service fast stream as a woman, working-class and Middle Eastern (her father is Egyptian, her mother is Guyanese-British). While her peers laugh off questions like ‘Have you ever had