Culture

When I wrote my last Daily Telegraph column critical of Btecs, an exam now taken by about a quarter of English university entrants, a friend of mine in the world of university admissions told me to wait for the reaction of Pearson Plc, which owns Btec. While A-levels and GCSEs are rigorously examined and discussed, Pearson get away with releasing very little data about Btec and plough a lot of money into marketing their exam. And they don’t very much like it being criticised. Rod Bristow, the president of Pearson UK, has written to today’s Daily Telegraph suggesting that I was wrong to suggest that Btecs have gone through serious inflation – and, ergo,

Is it a crime now to tell rubbish jokes? The bizarre and frankly cruel treatment of Paul Gascoigne suggests it might be. Yesterday, at Dudley Magistrates Court, Gazza was found guilty of using ‘threatening or abusive words’ and fined £2,000. His crime was to say the following about a black security guard who had been assigned to look after him during his show An Evening With Gazza at Wolverhampton Civic Hall last year: ‘Can you smile please, because I can’t see you?’ Some people might find that funny; I, personally, don’t. But a court case? A criminal record? A fine? For cracking a joke? The precedent set by this case

There are two articles in yesterday’s Guardian that are critical of something called ‘liberalism’. Giles Fraser vents his irritation at an advertisement for a hotel chain, aimed the global business elite. It celebrates the idea of the individual’s freedom from boundaries, constraints – be a ‘beautiful nomad’ it urges. This epitomises the worst sort of ‘liberalism’, he says. And Martin Kettle suggests that we are seeing the demise, or at least the failure, of the two versions of liberalism that have dominated national life for decades: the social liberalism of the 60s and economic liberalism of the 80s. Brexit was in part a protest against both, he says. He namechecks the

Here is one of those stories that matters even though it preoccupies the Guardian.  Last week the celebrated novelist Lionel Shriver gave an address at the Brisbane book festival.  It was heralded as being about ‘community and belonging’ but ended up being about ‘fiction and identity politics’.  In particular Shriver (the author, most famously, of We Need to Talk About Kevin) addressed the issue of ‘cultural appropriation’.  As well as being a condemnatory term for wearing a sombrero or eating Thai food, this is also the current term for ‘making things up’ and ‘using your imagination’.  Surely this is something novelists ought to do, you ask? Apparently not.  Fiction – as well

Can you imagine, in the wake of a terror attack in London, a tabloid, or any other kind of media outlet, publishing a photograph of a naked and distressed child caught up in the melee? It isn’t hard to answer the question. Of course they wouldn’t publish it. It would break every rule in the book. It is bizarre, then, to see Facebook accused of censorship for coming to exactly the same conclusion: that it wasn’t right to carry an image of naked and distressed child. It is even weirder to see Facebook attacked from a corner – the Guardian – which would normally be among the first to damn

You know you’re getting old not when the policemen start looking young, but when a public figure dies and you say ‘O, I thought they were dead already!’ So it was for me when I heard that the Australian writer Richard Neville had died of dementia at the age of seventy four last week. Neville was never any sort of hero of mine – I was too busy promising my soul to Satan for a quick lick of Marc Bolan. But when I was thirteen and at the peak of my shoplifting prowess, I nicked his book Play Power on exactly the same robbing rampage that saw me take proud possession of The Female Eunuch,

‘You’ve got to stop eating those croissants,’ my parents tell me. I know they’re right, but have they seen the croissants? As crisp as a Hilton bed sheet and golden like the sun. They caution that they’re a waste of money, and I get it. In the early stages of my addiction I forked out £1.50 apiece; then the coffee shop grew hungry for more. £1.75 they demanded. That’s £8.75 a working week. Think of a month’s worth. (You do the maths – because I can’t). I try not to think about the cost. I stuff the pastry into my mouth and close my eyes, the pain crumbling away. Just like all the

London’s nightlife is under attack. That became obvious this morning with the news that the popular club Fabric has closed for good. After a series of drug-related deaths at the venue, Islington Borough Council has decided the risk of keeping it open is too great. It’s come as a shock to many that Fabric is finished. Indeed, a petition to keep it alive reached over 148,000 signatures – and many celebrity backers, such as Annie Mac and the Chemical Brothers pleaded with the public: save the rave. But it was too little, too late. Another London nightclub has been forced to close. Fabric is just a small part of a much bigger problem; our party

For about a year now, James Delingpole and I have been doing a regular podcast for Ricochet, the American website dedicated to conservative news and commentary. It’s called ‘London Calling’ and you can hear the latest one here. Among the many topics covered on this episode are the French burkini ban, Robert Tombs’s ‘The English and Their History’, my appearance on Any Questions last week and James’s appearance this week (alongside Diane Abbott). We also talk about the West London Free School and what we did on our holidays.

For football fans, today is a special day: it’s Transfer Deadline Day – a branded, almost to Hallmark levels, moniker. It’s a day of bathos and unfulfilment. Your club will miss out on a top target, sign some underwhelming alternative, and clog up social media with pictures of them holding a shirt in a car park. Transfer Deadline Day is the great dance of performative capitalism for the working classes. We call it a ‘window’ because it is supposed to be a ‘window of opportunity’ for clubs and fans, but there is also a voyeuristic element. We spend the summer hidden in the bushes, watching the attractive Athletico Madrid winger