Death

Tricycle’s Ben Hur is magnificent in its superficiality – a masterpiece of nothing

It’s the target that makes the satire as well as the satirist. Is the subject powerful, active, relevant and menacing? Patrick Barlow’s new spoof, Ben Hur, must answer ‘No’ on all four counts. The show takes aim at two principal irritants: vain actors and the Hollywood epics of the 1950s, whose titanic scale was offered as bait to audiences besotted with their cosy new TV sets. Old Hollywood is a spent ogre these days and the foibles of the acting trade are hardly a threat to civilised life, so the show can’t embrace our immediate concerns. But the execution is compellingly assured. The cast is led by John Hopkins, an

Why do we assume our western good life will last for ever?

The slaughter in Paris is a catastrophe for the victims and their families, but the usual hysterical response across the media reminds us, yet again, what an extraordinary achievement it is that we Westerners simply assume the world owes us a life lived to the full, in comfort and security. From the ancient world until relatively recently, there was little sense that the world owed us anything. About half of Romans would not make the age of five; probably a third would not make three months. War was commonplace, as deadly for civilians as soldiers, as were disease and famine. The destruction of Pompeii by Vesuvius was greeted with relative indifference. Ancients simply

Death watch | 19 November 2015

At the beginning of the summer of 1715 Louis XIV complained of a pain in the leg. In mid-August gangrene set in and by 1 September he was dead. He’d been on the throne for 72 of his 77 years. A new exhibition at Versailles looks at the elaborate rituals that followed. The Sun King died as he had lived — in public. Despite his illness, he carried on his daily routine until two days before his death, a decision made easier perhaps by the fact that he’d always conducted a good part of the affairs of France from his bedroom. It was no ordinary bedroom, and what went on

Diary – 5 November 2015

I had only experienced great loss when my mother died. It was desperately harrowing, but not as harrowing as the news that my sister Jackie had passed away. My mother had suffered a long lingering illness but Jackie only told me about her cancer two weeks before she died. It was a shattering, heart-breaking blow that I still haven’t assimilated and I don’t know if I ever will really get over it. I expect one learns to live with loss but she remains as vivid in my heart and my mind as if she were still alive. Jackie was a special woman, not because she was my sister but because

What is it about Bill Viola’s films that reduce grown-ups to tears?

Even the most down-to-earth people get emotional about Bill Viola’s videos. Clare Lilley of Yorkshire Sculpture Park (YSP) seems close to tears as she takes me round his new show. Lilley is the show’s curator. She’s usually so matter-of-fact, but when she talks about Viola her eyes light up. When she took her two teenage daughters to his studio in Los Angeles, she tells me, they both cried when they saw his films. I like to think I’m made of sterner stuff, but when she leaves me in the Sculpture Park’s Underground Gallery, where Viola is on show, after a few minutes in there on my own I’m blubbing like

Letters | 3 September 2015

Suicide and assisted dying Sir: As a mental health practitioner, I am grateful to Douglas Murray (‘Death watch’, 29 August) for his incisive commentary on the impact of legalised euthanasia on people with psychiatric conditions. Supporters of assisted dying argue that a permissive act would be tightly framed, but the scope would inevitably widen, as has occurred in Holland. Although Lord Falconer and fellow travellers would bar people of unsound mind from the intended provision, this would soon be challenged as discriminatory: because effectively, a person would be punished for losing decision-making capacity. If proponents of euthanasia are really so rational, while their opponents are blinded by emotion or faith, how

Dying for attention

Not content with Facebooking our every foible, Instagramming the births of our children and live-tweeting our daily lives, more and more of us are now making a public spectacle of dying. We’re inviting strangers not merely to ‘like’ expertly filtered photos of our breakfasts, but to admire the way we peg out. Nothing better captures the death of privacy than this publicisation of death. It began with the literary set. It’s a rare writer these days diagnosed with a terminal illness who doesn’t get a book out of it. Jenny Diski is the latest public dyer. She’s giving readers of the London Review of Books a blow-by-blow account of her death

Letters | 21 May 2015

Soldiering on Sir: Max Hastings’s article about demobbed army officers trying for a job after the war struck a chord (‘Demob unhappy’, 16 May). The problem prevailed. I left as a captain many years later in 1978. The local vicar asked what I was going to do with myself, adding scornfully, ‘Go into commerce, I suppose. Well, even that might be a struggle for someone who knows little else other than to play cowboys and shoot Indians!’ Somewhat bemused, I asked where his Sunday collections came from if — either directly or indirectly — it wasn’t commerce. He wasn’t pleased with this. Luckily, a few months later I was hired

Throw away the Valium and start bragging instead

This is not a book to be read in solitude. Not for the obvious reason that it’s frightening, but because every few lines some fascinating or unexpected fact forces you to exclaim: ‘Blimey! Listen to this …’ The three authors are American psychology professors. As young academics they were much influenced by the work of the anthropologist Ernest Becker, whose final book, The Denial of Death, won the 1974 Pulitzer Prize. This work struck them as a most important and potentially fruitful area for further investigation. Over the past 30 years, between them, they seem to have invented a new area of research with the unpromising name of Terror Management

Dying Without Dignity: a report on end-of-life care that shames the NHS

The name says it all. ‘Dying Without Dignity’ is the parliamentary health ombudsman’s report into over 300 complaints of the neglect of terminally ill patients by the NHS. The BBC this morning highlights two horrible examples. One mother had to call an A&E doctor to come and give her son more pain relief because staff on the palliative care ward he had been on had failed to respond to her requests. A 67-year-old man’s family learned of his terminal cancer diagnosis through a hospital note – before he knew himself. This ‘failed every principle of established good practice in breaking bad news’, says the report. Julie Mellor, the ombudsman, uses uncompromising language: ‘Our investigations have found

Dead expensive

They say that death and taxes are the only two certainties in life. But there seems to be a third, linked to death and as painful as taxes. It’s the astronomical cost of organising a funeral. My partner’s father died recently, and for the honour of a bog-standard cremation in a far from fashionable part of East Anglia she was charged just over £4,000. Jo felt no shame in asking for the cheapest option (it’s what her father would have wanted — he was never a man to waste money), and so the answer came as something of a shock. When a figure has you imagining the cheeky little jaunt to

Long life | 7 May 2015

It’s more than four months now since my 75th birthday, but I’m still waiting for a ‘cold call’ from the NHS to ask if I have ‘thought about resuscitation’. This is what the Daily Mail warned me last week that anyone over 75 might now receive. As it so happens, I do quite often think about resuscitation, though only in the sense that I would like to be somehow revived when I fall asleep at my desk. But the Mail was talking about something different: NHS guidelines by which doctors are required to ask their elderly patients if they would like to be resuscitated when they suffered a heart attack

All the pomp of family life

The Green Road is a novel in two parts about leaving and returning home. A big house called Ardeevin, walking distance from an unnamed town on the coastline of County Clare, is home to the Madigan family. At the centre of the family is Rosaleen Madigan, the matriarch: ‘A woman who did nothing and expected everything. She sat in this house, year after year, and she expected.’ The novel begins with the thwarting of one of Rosaleen’s expectations. She has taken to her bed in 1980 after Dan, the eldest of her four children, has announced that he is going to become a priest. Each of the first four chapters

Presence of mind

‘It’s hard to know how to tell this story,’ she said as she began. ‘Because it’s so loaded. It’s so heavy-duty.’ Lore Wolfson was talking about the death of her husband, Paul, or rather about the onset of the illness that led him a year later to take an overdose of heroin, aged 61. He had been diagnosed with early-onset dementia, in a peculiarly aggressive form, rapidly losing his words, his memory, his capacity to work or function independently. Lore began recording her conversations with Paul very soon after they knew for sure why he was having word-finding difficulties. ‘It was the natural thing to do,’ she said, because she’s

If British democracy worked, we would have had a referendum on the death penalty

Nice to know, isn’t it, that public attitudes are finally catching up with MPs’? It seems, from the Social Attitudes survey, that finally, half a century after parliament suspended the death penalty, 48 per cent of people no longer want the death penalty reintroduced. Opinion has been stubbornly in favour of it ever since 1965, and that was also true in 1998 when the Human Rights Act forbade capital punishment outright. In other words, until now, MPs have been wildly at odds with the opinion of most voters on an undeniably important issue. I’m unsure exactly where I stand on the issue myself, though I’ve always felt the guillotine would

Anne Tyler’s everyday passions

There was nothing remarkable about the Whitshanks. None of them was famous. None of them could claim exceptional intelligence, and in looks they were no more than average….Their family firm was well thought of. But then, so were many others. But like most families, they imagined they were special. So, you know what you will get in this novel, which Anne Tyler says will be her last, and that is the stories of three generations of the Whitshanks, a straightforward, unexceptional Baltimore family. We have been here before. Tyler takes the minute details of everyday life — food, furniture, work, outings — and makes them remarkable, makes them stand for

You realise how little you know of anybody when they die

Whether or not you believe in the afterlife, death remains an impenetrable mystery. One moment a person is making jokes and comments and observations about life; the next he is gone. What has happened to that store of wit and wisdom acquired over a lifetime, to that particular way of understanding and looking at things, to that unique muddle of thoughts and feelings that every individual has? Even if someone has gone to heaven, it is difficult to imagine that he has taken these things with him. If he did, they would hardly be compatible with eternal rest. By my brother John’s bedside when he died, aged 87, on New

Here I am on Twelfth Night with nothing but benevolence to look back on

For the past two and a half years my brother John has been living next door to me in the Northamptonshire countryside. We have both been most of the time alone in our separate houses, 25 yards apart, and, whenever I’ve been there, I have shared at least one meal a day with him. It was a very cosy and mutually supportive set-up. Then, on New Year’s Eve, he suddenly died. His death wasn’t exactly premature — he was 87 and increasingly debilitated by Parkinson’s disease — but it came as a shock nevertheless. On the two last evenings of his life he had come over to my house to

All you’ll ever need to know about the history of England in one volume

Here is a stupendous achievement: a narrative history of England which is both thorough and arresting. Very few writers could pull it off. Either they’d have an axe to grind, or they’d lose perspective, or they’d present a series of anecdotes, or they’d end up in a Casaubonish pursuit of other historians’ errors. In fact, to get it right, you’d ideally be a mature and accomplished author, steeped in the facts, who was nonetheless tackling English history for the first time. Which is more or less what Robert Tombs, a professor of French history at Cambridge, is. ‘A writer of history ought, in his writings, to be a foreigner, without

Life is full of little endings. We should pay them more attention

The end of the year seems a good time to think about lasts. Not many of us ever do. Firsts are always landmarks: the first time you taste alcohol, drive a car, have sex. Then the first time your child talks, walks, goes to school. All are noted at the time, stored away in the mental file marked ‘life events’. But when do we ever notice, much less remember, a last? We’re doing them a disservice — in many cases they’re even more poignant than the firsts. One problem, of course, is that we often don’t know it’s a last at the time. You’ll register your last day in a