Drawing

A letter from Vincent van Gogh to his younger brother Theo, dated 28 October 1883

'Lock him in a motel & he'd do something astonishing': Hockney on the genius of Van Gogh

23 February 2019 9:00 am

Being in the south of France obviously gave Vincent an enormous joy, which visibly comes out in the paintings. That’s…

The odd couple: Bill Viola / Michelangelo at the RA reviewed

2 February 2019 9:00 am

The joint exhibition of Michelangelo Buonarroti and Bill Viola at the Royal Academy is, at first glance, an extremely improbable…

‘March’, 1939, by Grant Wood

The joy of prints

19 January 2019 9:00 am

Artists’ prints have been around for almost as long as the printed book. Indeed, they have similar origins in Gutenberg’s…

The triumph of hope over experience: the Peanuts gang

Comparing Peanuts to existentialism is an insult – to Peanuts

5 January 2019 9:00 am

For the hundredth, possibly the thousandth, time, Lucy van Pelt offers to hold the football for Charlie Brown so he…

Queen Victoria’s ‘State Barge’, 1866–7, by James Henry Pullen

The ‘idiot’ artists whose surreal visions flourished in Victorian asylums

7 July 2018 9:00 am

Laura Gascoigne on the ‘idiot’ artists whose surreal visions flourished in Victorian asylums

Cover illustration for the magazine Garm 1944, by Tove Jansson

A chance to see the Moomins’ creator for the genius she really was: Tove Janssons reviewed

18 November 2017 9:00 am

Tove Jansson, according to her niece’s husband, was a squirt in size and could rarely be persuaded to eat, preferring…

The advantages of turning down the colour knob: Monochrome reviewed

4 November 2017 9:00 am

Leonardo da Vinci thought sculpting a messy business. The sculptor, he pointed out, has to bang away with a hammer,…

‘Study for Charity’, c.1519, by Raphael

Lucian Freud was wrong to think Raphael dull – he was a genius

17 June 2017 9:00 am

Late one afternoon, early in the year, I was walking through the Vatican Stanze with a small group of critics…

Doodles by Winnicott’s child patients, including one (Fig. 9) by a boy who transformed the psychoanalyst’s squiggle into a sculpture

Why Britain's greatest psychoanalyst, Donald Winnicott, loved doodles

20 May 2017 9:00 am

Robert Adès explains why Donald Winnicott, one of Britain’s greatest psychoanalysts, loved doodles

‘The Judgment of Solomon’, c.1506–9, by Sebastiano del Piombo. © National Trust Images/Derrick E. Witty

Was Sebastiano imitating Michelangelo or – a startling thought – vice versa?

18 March 2017 9:00 am

Martin Gayford is mystified by the mismatched working partnership between Michelangelo and the painter Sebastiano del Piombo

‘Ossie Wearing a Fairisle Sweater’, 1970, by David Hockney

Colour, heat and sex: David Hockney at Tate Britain reviewed

11 February 2017 9:00 am

No Californian could have painted Hockney’s pools. No La-La Land artist, raised on sun and orange juice, would have done…

‘Scenes of the Private and Public Life of the Animals’, 1842, by J.J. Grandville

An entertaining show at Marian Goodman Gallery – where the joke’s on us

26 November 2016 9:00 am

Ernest Hemingway loved going to the zoo, but not on Sundays. The reason, he explained, was that, ‘I don’t like…

The forgotten Dutch artist who was two centuries ahead of his time

29 October 2016 9:00 am

In debates about what should and should not be taught in art school, the subject of survival skills almost never…

Out of spirits: ‘Glory be to God’, c.1868, by Georgiana Houghton

A pioneering 19th-century abstract artist is brought back to life at the Courtauld

18 June 2016 9:00 am

Georgiana Houghton’s abstract ‘Spirit Drawings’ were way ahead of their time, says Simon Grant. No wonder the Victorians didn’t get her

What is it about Bill Viola’s films that reduce grown-ups to tears?

17 October 2015 8:00 am

What is it about Bill Viola's films that reduce grown-ups to tears? William Cook dries his eyes and talks to the video artist about Zen, loss and nearly drowning

How silverpoint revolutionised art

12 September 2015 9:00 am

Marshall McLuhan got it at least half right. The medium may not always be the entire message, but it certainly…

‘Wrestlers’, 1914, by Henri Gaudier-Brzeska

Henri Gaudier-Brzeska at Kettle's Yard reviewed: he's got rhythm

2 May 2015 9:00 am

One evening before the first world war, Henri Gaudier-Brzeska, fired by drink, tried out such then-fashionable dances as the cakewalk…

Left: ‘Dream of a good witch’, c.1819–23, by Goya Right: ‘Bajan niñendo (They descend quarrelling)’, c.1819–23, by Goya

Flying witches, mad old men, cannibals: what was going on in Goya’s head?

14 March 2015 9:00 am

It is not impossible to create good art that makes a political point, just highly unusual. Goya’s ‘Third of May’…

‘The Life Room’, 1977–80, by John Wonnacott

The death of the life class

6 December 2014 9:00 am

‘Love of the human form’, writes the painter John Lessore, ‘must be the origin of that peculiar concept, the Life…

David Hockney at work in his studio, c.1967

David Hockney interview: ‘The avant-garde have lost their authority’

22 November 2014 9:00 am

David Hockney talks to Martin Gayford about 60 years of ignoring art fashion

‘Before the Mirror’, 1913, by Egon Schiele

Egon Schiele at the Courtauld: a one-note samba of spindly limbs, nipples and pudenda

8 November 2014 9:00 am

One day, as a student — or so the story goes — Egon Schiele called on Gustav Klimt, a celebrated…

Andrew Marr's notebook: Rescued by Jonathan Ross

14 December 2013 9:00 am

We live by simple stories. X has a stroke. X recovers; or doesn’t. But we live inside more complicated stories.…

More real art, please

15 January 2011 12:00 am

Although I am an admirer of Dulwich Picture Gallery, and like to support its generally rewarding exhibition programme, I will not be making the pilgrimage to see its latest show, Norman Rockwell’s America.