Laura Gascoigne

Figurative painting is back – but how good is any of it?

From wit and whimsy to the weak and shouty: Whitechapel Gallery’s Radical Figures reviewed

Sanya Kantarovsky’s ‘Feeder’ (2016). © Sanya Kantarovsky; Courtesy of the artist, Modern Art, London, and Luhring Augustine, New York

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in