Film

Thursday

Deborah Ross

Contains nothing you couldn’t get from Wikipedia or YouTube: Netflix’s Pelé reviewed

Pelé is a two-hour documentary about the great Brazilian footballer — the greatest footballer ever, some would say — who played in four World Cups (a record) and was one of the first global sporting superstars. But while there is plenty of footage showing his astonishing talent, if you’re interested in what made him tick, or what his life was like off the pitch, or how adulation might ultimately mess with your head, then move on, nothing to see here. Or, to put it another way, if, like me, you’re the sort of person who goes straight to ‘Personal life’ whenever you look someone up on Wikipedia, it’s as if

Wednesday

Stephen Arnell

Assassins on screen: from Phoebe Waller-Bridge to Samuel L. Jackson

After Killing Eve, Phoebe Waller-Bridge goes back again to the contract killer well with her upcoming TV re-boot of the 2005 Brad Pitt/Angelina actioner Mr & Mrs Smith. Waller-Bridge will write and co-star with Atlanta’s Donald Glover, who also featured with her in the underwhelming Star Wars prequel Solo (2018). Could this be third time lucky for a TV take on the uxorious assassins? We’ve already had a 1996 series that predated the movie (starring Scott Bakula and Maria Bello) and a 2007 show that never went beyond Doug Liman’s (who also directed the 2005 picture) pilot movie – with Martin Henderson and Jordana Brewster as the titular couple. Over

Friday

Robert Jackman

What to watch on Netflix this spring

With lockdown looking set to continue for weeks on end, more of us have become resigned to more time indoors – reluctantly or otherwise. Thankfully Netflix, as ever, is ready for the occasion, with a slew of new releases scheduled over the next two months. Here’s our guide to what’s coming up: Sky Rojo, 19 March ”  As tens of millions of addicts await the final instalment of his smash hit Money Heist (expected to land on Netflix later this year), Spaniard Alex Pina bridges the gap with the inaugural series of his latest show – a mile-a-minute glitzy thriller about three escaped prostitutes taking on pimps, patriarchy and everything in between. A

Thursday

Deborah Ross

Horrible – but in a very fun way: I Care a Lot reviewed

I Care a Lot is a deliciously dark comic thriller that You’ll Enjoy a Lot. It’s heartless. It’s vicious. It’s savage. It’ll make you dread old age even more than you already do, if that’s possible. It’s horrible in so many ways — cruel? Did I mention it’s also cruel? — yet it is also smart, stylish and such a fun watch. Written and directed by J. Blakeson (The Disappearance of Alice Creed), the film stars Rosamund Pike as Marla Grayson, who runs a business ripping off old people. Or, to put it more formally, she is a court-appointed legal guardian for elderly wards — or ‘marks’, as she calls

Dan Hitchens

Our love affair with the Anglo-Saxons

On 5 July 2009, an unemployed 54-year-old metal detectorist called Terry Herbert was walking through a Staffordshire field when his detector started to beep and didn’t stop. Herbert guessed almost immediately that he’d found gold. What he didn’t realise was that he had made Britain’s greatest archaeological discovery since the second world war. Three hundred sword-hilt fittings, many of them spectacular examples of Anglo-Saxon metalwork; a mysterious gold-and-garnet headdress, apparently for a priest; miniature sculptures of horses, fish, snakes, eagles and boars. The Staffordshire Hoard, as it became known, led to a sold-out exhibition, an Early Day Motion in parliament saluting ‘the UK’s largest haul of gold Anglo-Saxon treasure’, and,

Richard Bratby

The two composers who defined British cinema also wrote inspired operas

It’s my new lockdown ritual. Switch on the telly, cue up the menu and scroll down to where the vintage movies gather — Film 4, or the excellent Talking Pictures TV. Then search through their early-hours offerings, and press ‘record’ more or less at random. Gainsborough costume flicks; Rattigan adaptations; anything with John Mills in a submarine — it’s all good. Then, next day, trawl through the catch to see what’s surfaced, and who wrote the music. On a good night you might get Vaughan Williams in 49th Parallel, Richard Rodney Bennett in Billy Liar or — bewilderingly — the fire-breathing serialist Elisabeth Lutyens, keeping herself in cigarettes and brandy

Tuesday

Lloyd Evans

Bryan Fogel on turning Jamal Khashoggi’s murder into a film

Bryan Fogel seems to have done it all. It’s hard to think of a showbiz figure with a more varied career. He began as a stand-up and moved to play-writing and then to directing movies. In 2013, he reinvented himself as the producer of hard-hitting documentaries that focus on international scandals and cover-ups. He talks to me via Zoom from Los Angeles about his latest movie, The Dissident. ‘I was seeking what my next film was going to be – something that spoke to human rights and freedom of expression. It checked all those boxes’. The subject is the death of Jamal Khashoggi, the dissident journalist who was murdered in

Friday

Stephen Arnell

Valentine’s films: from the romantic to the surreal

The first Valentine’s Day under lockdown looks set to prove the truth of Shakespeare’s oft quoted proverb: ‘the course of true love never did run smooth’. New love is nigh on impossible when couples are forbidden to meet, making technology the next best thing – in terms of communication, that is. An unusual Valentine’s Day surely calls for an offbeat film choice. The oddball romance is an established staple in film. Here are some worth relishing on the 14th February: Film Stars Don’t Die in Liverpool (2017) – Amazon Prime & Amazon Prime Rent/Buy Annette Bening and Jamie Bell shine in this semi-fictionalised take on the fading years of idiosyncratic Hollywood star

Thursday

Geoff Dyer

This is cinema as car ad, says Geoff Dyer: News of the World reviewed

It’s a premise with plenty of previous. Children whose parents were murdered by Indians on the frontier of the American west are abducted and then adopted by the tribe. Their plight is appalling — female captives were raped as a matter of course — but sometimes the hostages forget their mother tongue and come to relish the nomadic life of the plains. Another round of trauma follows when the adopted guardians are in turn massacred and the orphans are returned to the alien captivity of civilisation. The famous abduction of Cynthia Ann Parker by Comanches in 1836 and the prolonged attempts to find her — followed by her attempts to

Deborah Ross

Predictable, repetitive and exploitative: Run Hide Fight reviewed

In this line of business you receive many emails from PRs ‘reaching out’ about their particular film, which I really must see, as it wowed a festival in Bulgaria. But the other day, a PR reached out to boast excitedly about a film because it had been savaged, which was a first. ‘The film has absolutely enraged Hollywood critics,’ this person wrote, with obvious pride, before quoting the following from reviews: ‘insanely poor taste’, ‘wildly misjudged’, ‘tone deaf’, ‘gross’. What’s more, this person continued, while critics hate it — it has a critics’ score of 25 per cent at Rotten Tomatoes, the review- aggregator site — audiences are loving it

Wednesday

Stephen Arnell

The Golden Globes: 8 of the best nominated films to watch

‘When it comes down to it, I’d rather have an action figure than a Golden Globe.’ – Chadwick Boseman The ongoing Covid-19 pandemic has delayed the annual Hollywood Press Association Awards by two months; for the first time the show will be a bi-coastal affair, broadcast from the usual venue of The Beverly Hills Hilton on the West Coast and from The Rainbow Room in New York City. In their fourth crack at the gig,  the Golden Globe hosts will be Tina Fey (East Coast) and Amy Poehler (West), taking over from Ricky Gervais, who took his fifth turn at presenting the awards last year, where his trademark snark was felt by some

Thursday

Deborah Ross

The Icelandic version was better – and had better knits: Rams reviewed

Rams is an average film with a better film trying to get out, and you may already have seen that better film. It’s the Icelandic one, of the same name, released in 2015, on which this Australian version is based. That was played as a spare, stark, bitterly dark comedy set amid ice and blizzards and featuring men with unkempt beards, whereas this is sunnier and more kempt and therefore significantly blander. You may even, at various points, feel as though you’ve been trapped in an overlong episode of All Creatures Great and Small (nothing against All Creatures Great and Small, but two hours of it?). The film stars the

Saturday

Flora Watkins

The art of the remake: 10 films that rival the original

It takes a certain amount of chutzpah to remake a film that is already considered a peerless masterpiece. Netflix was roundly trashed for attempting it with Rebecca. ‘Superficial and slapdash’ was the New Yorker’s verdict (one of the kinder ones): ‘somewhere between a lukewarm retread of Hitchcock’s original and a glossy Instagram feed’. As for the BBC’s Christmas three-part adaptation of Black Narcissus, not even Diana Rigg in her final role could save it from coruscating comparisons with the 1947 Powell and Pressburger film.  This year will see remakes, prequels and sequels of Top Gun, Cinderella and 101 Dalmations to name but three. But for a remake to be successful, it needs

Friday

Stephen Arnell

Money money money: 10 movies about the markets

The furore in the US over the rocketing shares of previously written off companies such as GameStop, Blackberry, AMC Entertainment and Macy’s (the ‘Reddit Revolt’) has introduced stock market trading terms to the general public, with some folks newly opining (with a patina of assumed knowledge) about ‘hedge funds’, ‘penny shares’, ‘junk bonds’ ‘short-selling’ and ‘pump and dump’. But this is hardly the first-time similar events have occurred. Way back in 1720 the ‘South Sea Bubble’ saw investors suckered when the South Sea Company collapsed as any hopes of generating income from its monopoly on selling slaves to South America (mostly controlled by Spain and Portugal) had come to nought, despite

Thursday

Deborah Ross

Remarkably moving: The Dig reviewed

Just before the outbreak of the second world war a discovery was made in a riverside field at Sutton Hoo in Suffolk. It was an immense buried boat, dating from the 7th century, and it yielded gilded treasure after gilded treasure, thereby wholly changing our understanding of the Dark Ages. ‘They weren’t dark… by Jupiter!’ as one archaeologist puts it here. It is a fascinating story that could have been told as a full-on thriller. But instead the film employs a delicious, graceful restraint, paying as much attention to deeply buried feeling as to what’s buried deeply in the earth. It’s remarkably moving. By Jupiter, I even cried by the

Alexandra Coghlan

Another cracking take on the opera film: Marquee TV’s Turn of the Screw reviewed

I’m still waiting for the Royal Opera to step up. Nearly a year into the Covid crisis and what do they have to show for it? One stonking concert staging of Ariodante, a couple of gala-ish performances and some operatic scraps. Where’s the creativity? Where’s digital ingenuity, the willingness to experiment, reinvent, adapt? Where, frankly, is opera? When companies with a far greater reliance on box office than the heavily subsidised Royal Opera can do their bit — look at Grange Park’s tireless stream of content, ENO and Scottish Opera’s various car-park Bohèmes, English Touring Opera’s monodramas and song cycles, Glyndebourne’s Offenbach-in-the-garden — it’s hard not to feel frustrated. We

Thursday

Deborah Ross

So good I watched it twice: Netflix’s The White Tiger reviewed

The White Tiger is adapted from the Booker-prize winning novel (2008) by Aravind Adiga. It is directed by Ramin Bahrani (Man Push Cart, 99 Homes) who also wrote the screenplay. It stars Adarsh Gourav, otherwise a songwriter and singer. It’s a rags-to-riches story set in India but it’s not at all a typical rags-to-riches story set in India. Those are some of the things you probably should know, but there is only one thing I want you to know: it is wonderful and, even though the subject matter is often chilling, and there’s simmering rage, and murder, it’s still two hours of boisterous, dazzling, swaggering fun. I watched it once

Wednesday

Stephen Daisley

The 20th century told in 10 films

Cinema came of age in the 20th century and documented that epoch in all its trials and tribulations. Movies are for the most part escapist confections but they can also reflect our world back to us. To learn about the major events of the last century, it is sometimes as useful to turn to a film as to pick up a book. The following are ten movies that tell key chapters of the 20th century. The Great War, 1917 (Sam Mendes, 2019)  World War I is the harder of the two world wars to make a movie about. It was not a good war, easily rendered into a Hollywood morality

Thursday

Rosie Millard

Most artistic careers end in failure. Why does no one talk about this?

It is a standard narrative in all showbiz reporting, and one that arts hacks seem to be duty-bound to abide by. It is the fairy tale of ‘Making It’; the story of a star whose career took time to get off the ground but, thanks to perseverance and self-belief, went stratospheric. It goes like this: ‘I was a nobody, and I was turned down from everything. And I nearly didn’t go to that final audition, but whaddya know? I turned up and… Shazam! Oscars raining down and a mini-series on Netflix.’ There is an encyclopaedia of stars who toughed it out before making it big. Type ‘stars who were failures’

Deborah Ross

The acting is very Scooby-Doo: Blithe Spirit reviewed

The comedy Blithe Spirit was written by Noël Coward in 1941. It is, essentially, about a séance going wrong and a deceased first wife coming back to haunt her husband and his second wife, causing mayhem. Better if she’d been left to rest in peace, and, after seeing this film adaption, you may well wish the play had been left to rest in peace too. Don’t dig it up! Leave well alone! I would even add that if Dame Judi Dench can’t save an adaptation — and I was previously of the mind that Judi Dench could save anything — then you know you are in real, real trouble. The