Film

How James Ivory made Howards End

22 July 2017 9:00 am

As one of his greatest films returns to the cinema, James Ivory talks to William Cook about his 50-year career

However brave it is, Dunkirk lacks an emotional core

22 July 2017 9:00 am

Christopher Nolan’s Dunkirk has already been described as ‘a masterpiece’ and ‘a glorious, breathtakingly vivid triumph’, but we need to…

‘Tennis’, 1930, by Eric Ravilious

How artists from Ravilious to Rauschenberg fell for tennis

8 July 2017 9:00 am

Tennis is best played with a wooden racket on a shady lawn somewhere close to Dorking. There is no need…

If you go down to the woods: Kelvin Harrison Jnr as Travis in It Comes at Night

How can anyone can say It Comes at Night isn’t full of the usual horror clichés

8 July 2017 9:00 am

It Comes at Night is a horror film and I can’t say horror is my favourite genre. In fact, as…

Cut to the chase: Ansel Elgort as Baby in Baby Driver

The blaring pop music does not make Baby Driver good

1 July 2017 9:00 am

Edgar Wright’s Baby Driver is an action, heist, car-chase film that is said to reinvent the action, heist, car-chase film.…

And then there were three: Lanzmann in 1964 with Jean-Paul Sartre and Simone de Beauvoir, with whom he had a seven-year affair

Claude Lanzmann, legendary director of Shoah, finally turns the camera on himself

24 June 2017 9:00 am

Legendary French documentary maker Claude Lanzmann finally turns the camera on himself. He talks to Tobias Grey about a lusty, youthful adventure in North Korea

Diane Keaton as Emily and Brendon Gleeson as Donald in Hampstead

This ‘love letter’ to Hampstead should have been scrunched up and thrown in the bin

24 June 2017 9:00 am

Oh, Hampstead, what did you do to deserve Hampstead? Bet you wish the film-makers had pressed on down Fitzjohn’s Avenue…

Well-acted, badly written and poorly directed: Churchill reviewed

17 June 2017 9:00 am

The star of this film is the music, composed by Lorne Balfe. I really liked it, which was just as…

A ragbag of pointless subplots: Geoffrey Rush and Javier Bardem in Pirates of the Caribbean: Salazar’s Revenge

The new Pirates of the Caribbean is so insultingly lazy it’s a wonder anyone puts up with it

27 May 2017 9:00 am

Oh, Pirates of the Caribbean, I have given you every chance down the years. Every chance. I am always hopeful.…

Folly by Phyllida Barlow, British Pavilion, Venice, 2017

Huge, diverse and yet monotonous, the Venice Biennale is very like the EU

20 May 2017 9:00 am

‘Are you enjoying the Biennale?’ is a question one is often asked while patrolling the winding paths of the Giardini…

You will lose the will to live: Snatched reviewed

20 May 2017 9:00 am

We love Amy Schumer. Fact. And we love Goldie Hawn. Fact. But can we love Snatched? Not so much, if…

A damn fine cup of coffee: Sherilyn Fenn and Kyle MacLachlan in the original Twin Peaks

Twin Peaks: the ultimate study in nostalgia

13 May 2017 9:00 am

The return of Twin Peaks is part of a wave of Nineties nostalgia, says Peter Hoskin

The prodigal daughter: Ellie Kendrick as Clover in The Levelling

A painterly exercise in grim atmospherics: The Levelling reviewed

13 May 2017 9:00 am

There are bigger entities landing at your local multiplex this week. An ancient indestructible franchise is re-re-(re-)booted in Alien: Covenant.…

Sweet and sour: Michelle Holmes (Sue, centre) and Siobhan Finneran (Rita, centre right) in ‘Rita, Sue and Bob Too’

Thirty years on, Rita, Sue and Bob Too remains one of Britain's greatest films

6 May 2017 9:00 am

Hilary Mantel called the film ‘remorselessly indecent’, but William Cook fell head over heels in love with Rita, Sue and Bob Too

A Kentish girl: Gemma Arterton as Catrin in ‘Their Finest’

‘People would speak to me as if I was an idiot’: Gemma Arterton on the horrors of Hollywood

22 April 2017 9:00 am

As she moves into producing, Gemma Arterton tells Tanya Gold why she hated Hollywood and nearly gave up acting

Lily Collins as Marla in ‘Rules Don’t Apply’

All dressed up, nowhere to go: Warren Beatty’s Rules Don’t Apply reviewed

22 April 2017 9:00 am

Rules Don’t Apply is Warren Beatty’s first film appearance in 15 years and his first as writer, director, producer and…

We love, love, love her: Charlotte Rampling as Veronica in ‘The Sense of an Ending’

The ending of The Sense of an Ending makes no sense

15 April 2017 8:00 am

The Sense of an Ending is an adaptation of Julian Barnes’s 2011 Man Booker prize-winning novel starring Jim Broadbent (we…

Cynthia Nixon is terrific as Emily Dickinson: A Quiet Passion reviewed

8 April 2017 9:00 am

Films can be poetry — or like poetry; or poetic, at least — but can poetry ever be film? That…

The Lost City of Z is a very long way from a true story — and I should know

1 April 2017 9:00 am

A new Hollywood film portrays Percy Fawcett as our greatest explorer. It’s pernicious nonsense

Joint account: a scene from ‘The Great Wall’, China’s most expensive film to date

The new battleground between China and America: Hollywood

1 April 2017 9:00 am

Peter Hoskin reports on the uneasy alliance between the US and Chinese film industries

Dialogue so ham-fisted it makes you die inside: Ghost in the Shell reviewed

1 April 2017 9:00 am

Ghost in the Shell is the Hollywood live-action remake of the 1995 Japanese anime of the same name and it’s…

We all love a winner: T.E. Lawrence

Will the tide ever turn on Lawrence of Arabia?

18 March 2017 9:00 am

The centenary of General Allenby’s capture of Jerusalem falls later this year. On 11 December 1917, the commander-in-chief of Britain’s…

Basic instinct: Paul Verhoeven has long been fascinated by the idea of rape

Misogynist or feminist? The murky world of director Paul Verhoeven

18 March 2017 9:00 am

Misogynist or feminist? Tobias Grey enters the murky world of controversial director Paul Verhoeven

Funny, lively and preposterous: Beauty and the Beast reviewed

18 March 2017 9:00 am

To cut to the chase, my ten-year-old daughter really liked Beauty and the Beast. And given you’re probably going to…

Perhaps I’m not ‘post-feminist’ enough to comprehend this ‘rape revenge comedy’: Elle reviewed

11 March 2017 9:00 am

Elle has been described as ‘a rape revenge comedy’, which seems unlikely, and also as ‘post-feminist’, which is likely as,…