Film

For the past week Hollywood’s film and television actors have been on strike, plunging Los Angeles’s most famous industry into chaos. Performers joined screenwriters (who have been striking since May) on the picket line after talks broke down in what has become the first simultaneous strike in more than 60 years. The strikes have attracted plenty of headlines, not least when the cast of Oppenheimer walked out of its UK premiere last week. But do we really care if studios have to shelve Fast and Furious 15, or if the latest superhero movie fails to take flight – or indeed if the entire cocaine-encrusted edifice crumbles into the Pacific Ocean? Hollywood

It is an unusual compliment to say of what will undoubtedly be the year’s best action film that the experience of watching it is rather like being punched in the face for the better part of three hours. But Mission: Impossible – Dead Reckoning Part One, which arrived in UK cinemas on Monday, is a bruising, visceral and wholly exciting ride that’s about as close as you can imagine to being put in a boxing ring with its star Tom Cruise. If the viewer is pummelled and bludgeoned into an ecstatic state of submission, then that’s the price you pay for this exceptional slice of filmmaking: a thriller that doesn’t just

After a few years in which she has been largely absent from cinemas – her appearance in Netflix’s climate-change black comedy Don’t Look Up aside – Jennifer Lawrence is returning with, of all things, a raunchy sex comedy, with the punning title No Hard Feelings. It has earned an R-rating in the US and 15 in the UK, and judging by its marketing materials, it is a 21st-century spin on Tom Cruise’s star-making role in Risky Business, focusing on an older woman (yes, Lawrence, at 32, is now classed as such by Hollywood) who is hired by a family via Craigslist to ‘date’ their socially awkward 19-year-old son Percy, ‘date him hard’, and thus introduce him

With Wimbledon fortnight upon us, what better time to explore tennis on the silver screen? Even more fortuitous is that Aidan Turner’s raunchy Amazon Prime series Fifteen Love will debut this summer, in which the Poldark star plays a tennis coach with a chequered past. Turner also features as moustachioed TV presenter Declan O’Hara (shades of Des Lynam as was) in Disney+’s upcoming adaptation of Jilly Cooper’s Rivals, a show apparently so steamy it needed two intimacy coaches. As an aspirational, largely middle-class game, tennis when depicted in the movies is largely free of the pile-ons, punch-ups and bad language of films about football, rugby and other contact sports. But,

The summer solstice (which falls today) has been a time of celebration and religious rituals since the dawn of mankind. Some associate the event with neo-druidic gatherings at Stonehenge and the like, others with ghastly human sacrifices to placate the Old Gods – while many see the solstice as simply a time to celebrate the longest day of the year with (relatively) innocent folkloric revels. But if you’d rather stay home and watch a film to mark the occasion, here are 15 worth your time. Midsommar (2019) – Netflix, Amazon Rent/Buy Ari Aster’s (Hereditary and upcoming Beau is Afraid) folk horror picture is very much in the vein of The Wicker

It is disappointing to learn that, after critics and cynical audiences everywhere had sharpened their fish knives in the expectation of the new live-action Little Mermaid film being a catastrophic disaster, early reviews have suggested that it is… fine. It attracted a great deal of attention, and some criticism, for the casting of the black singer-actress Halle Bailey in the lead role of Ariel, on the grounds that sea-dwelling mermaids must, after all, be white-skinned redheads, as she was in the seminal 1989 animated film. Yet Bailey’s performance has been universally acclaimed, with her delivery of ‘Part of Your World’ being singled out for particular praise. The reason why so many

There are a few things in this world that you can truly count on: death, taxes and Taylor Swift’s love life attracting headlines. To their number can be added the certain knowledge that, when Martin Scorsese collaborates with either of his two muses, Robert De Niro and Leonardo DiCaprio, the results are somewhere between fascinating (Gangs of New York; New York, New York) and stone-cold cinema classics (Goodfellas; The Wolf of Wall Street). Yet apart from a droll promotional film for a Macau casino (The Audition), the three men had never worked together. This has, finally, changed, as the trio unite for what looks like another Scorsese crime classic in the form of the

The late director Anthony Minghella made three films with actor Jude Law: The Talented Mr Ripley, Cold Mountain and Breaking and Entering. They would undoubtedly have made more if Minghella hadn’t died at the cruelly young age of 54 in 2008. He referred to the actor as ‘my muse’, but had a more perceptive comment about him too. ‘Jude is a beautiful boy with the mind of a man. A true character actor struggling to get out of a beautiful body.’ For years, Law seemed to struggle with the weight of his good looks, taking on mediocre roles that talent agencies and producers had shoehorned him into. Now, at the age of 50, he