Food

Ford’s Kumar Galhotra once remarked that carmaking is 100,000 rational decisions in search of one emotional decision. You spend five years and billions of dollars perfecting the drive train, the suspension and the onboard software only for people to choose a car based on the number of cupholders or the fact that the satnav is voiced by James Earl Jones. I’m hardly immune to this myself. I recently decided I wanted a Tesla because it offers an ingenious function called dog mode. This is faintly absurd to begin with: it’s even more ridiculous when you consider that I don’t own a dog. Consumer capitalism is the Galapagos Islands of human

Lockdown is hurting everyone except the chickens. I have bought them a conservatory because Philippa, a Light Sussex, looks like ancient pants in rain. It is really plastic sheeting to hang under the henhouse; they need it because the rain is horizontal. They stare out like chickens from film noir. I have exhausted local take-aways, and you cannot get fresh hampers here. Someone sent me stock cubes for beef stroganoff in the post, which feels joyless, but everyone is selling condiments — you can lick them, call it lickdown — or chocolates or alcohol, as if for a loveless Valentine’s Day. What do I seek? Thai food. I spent my

It’s a good day to stab something and tear out its heart. Elaine Lorys is the only female master fishmonger in Britain. She stands in an apron in the Stevenson fish shop in Newlyn amid the brightness of the autumn sun and signage offering mussels, oysters and clams; bass, bream and red mullet; crab and scallops; fish cakes and fish pies. Much of the fish is caught by Stevenson boats and landed at Newlyn, and is available for delivery across the UK during lockdown. The harbour is across the road, looking fine and functional, apart from the mossy medieval pier that the Mayflower may have sailed from: a local tale

Pity the gilded restaurants of Mayfair, if you can: they are dying. Some have reopened; they ache on like men with no legs but a glut of polenta. Occasionally, a brave one will open for customers who simply do not exist and so hangs about like a character in a Vladimir Nabokov novel: interesting but superfluous. Where are the rich? In Tuscany? On MS The World, the floating block of luxe flats? In the vault? Because they are nowhere to be seen: they are like plushly appointed Borrowers. A journalist wrote his report of the reopening of the Savoy Hotel in the Strand last month. They had six guests in

London is gasping — so where to go but Soho, which is so good at despair? It is often necrotic but now, of the central London districts, it feels the most alive. Mayfair is a pretty corpse — I pity the luxury services industry, for its clients are in hiding — but Soho’s restaurants have spread themselves on to the streets and it feels as interesting as it used to, a place that has found its purpose again. It has been over–gentrified — the renovation of Raymond’s Revue Bar is horrifying, because they closed the revue bar and kept the signage — but now it feels giddy and important: a

A ghost review, now, of a ghost restaurant: the Connaught Grill, which is yet to reopen after pandemic shuttered its renovated self, which opened only in January this year. Cut off at the knees then; or strangled at birth. It feels apt to review something thwarted. I heard it may reopen for Halloween. I hope it does. We need variety in restaurants: to save the art. I never went to the Grill’s previous incarnation of 1955 to 2000, when it was famous for hosting Michael Caine and Princess Diana (I pull these out at random, but I could have pulled out Lulu and Nicolae Ceausescu) and for resisting nouvelle cuisine

I suspect, though this may be romanticising, that if a French lorry driver with hitherto suppressed culinary tastes won France’s national lottery, and booked a table at the local much-rosetted restaurant, he would know what to expect. A great chain of culinary being would connect him to the heights of gourmandisme. In the UK, we lack a gastronomic tradition. As a result, when it comes to assessing food, inspissated snobbery often takes the place of inspired gluttony. There are superb chefs: Gordon Ramsay, Marco Pierre White, the Roux family. But there are also instances of pretentiousness: no names, no pack drill. These characters forget that the glory of a good

Pandemic has brought many truths, the most minor of which is: I can’t cook steak. I thought I could. I burnt butter and seared meat and — lo! — perfect steak. Then I asked Matt Brown, the executive chef at Hawksmoor, the best steak restaurant in London excepting Beast (and Beast is a charnel house and a metaphor, and it is weird) to help me improve my steak in a Zoom lesson and — lo! — I cannot cook steak. I was kindly disposed to Hawksmoor because of its name. Names are important. I have fallen in love with people because of their names. Hawksmoor is the real hero of

We have beans, peas, potatoes, tomatoes, butternut squash, plums and strawberries growing in our garden. I dug up and replanted half the flower beds with food when lockdown started, during a moment of panic about where all this was going. We also began a store of tinned goods in the cellar. Don’t all shout at once. I didn’t panic buy, and I didn’t waste a morsel. I shopped very frugally at first and only bought what we needed. But once the shelves started stocking up I began a modest doomsday store consisting of tins of sweetcorn, soup, ravioli, ham and sardines, along with jars of passata, frankfurters and gherkins. Why

Sexy Fish is an Asian fusion barn in Berkeley Square, near the car dealerships and the nightingales, if they are still alive. It used to be a bank — NatWest! — and it still feels like it cares for nothing but money, even as it deals in sticky chicken, which means a good deal more than money to chickens. I wonder whether the blazing vulgarity of such restaurants — it has a large mirrored crocodile crawling up the wall, and that is the subtle part — will survive the terror of Covid-19, or whether it will go the way of the Russian Tea Room in New York City, which is

Brasserie Zédel is a grand salon under Piccadilly Circus and the only place I desired when lockdown (or lock-in) ceased and I was allowed to visit London. It is, for me — and everyone is different in their yearnings — everything a restaurant should be: very beautiful; well run (by Corbin & King of the Wolseley and the Delaunay); not insultingly priced; and, as it is windowless, pleasingly unreal: an enchanted basement, if you will — a depository for dreams. I arrive early on the first night, walking through silent London, resisting the urge to lie down in the road. This used to be the Regent Palace Hotel, the grand

We cannot bear more drive-through or take-out or near-fatal snack. I am convinced of the boredom of my female ancestors, which is another truth pandemic threw out, and eventually all gags run out to dust. I am happy to leave my review of Penzance McDonald’s where it belongs, which is unwritten. Food is love after all; or it should be. So I email Ollie Dabbous, formerly of Dabbous, now of Michelin-starred Hide and the most gifted chef working in Britain today. His food looks exquisite but — and this is unusual — it tastes better than it looks. He says he will give me a cooking lesson on Zoom from