Furniture

War and peace, why restaurants are going halal & the great brown furniture transfer

45 min listen

This week: war and peace Despite initial concerns, the ‘Complete and Total CEASEFIRE’ – according to Donald Trump – appears to be holding. Tom Gross writes this week’s cover piece and argues that a weakened Iran offers hope for the whole Middle East. But how? He joined the podcast to discuss further, alongside Gregg Carlstrom, the Economist’s Middle East correspondent based in Dubai. (01:51) Next: why are so many restaurants offering halal meat? Angus Colwell writes about the growing popularity of halal meat in British restaurants. This isn’t confined to certain food groups or particular areas – halal is now being offered across restaurants serving all sorts of cuisine, from

Millennials don’t want brown furniture

For me, it was the sideboard that did it. Originally the centrepiece of my grandmother’s dining room, upon her death it was passed on to my mother, who kept it grudgingly in her cottage even though you couldn’t get to the kitchen without banging your hip against its bow front. At some stage it was passed on to my sister, who paid a considerable sum to store it because she had no room for it in her terraced house. Some years later, I was informed that I must house this precious mahogany albatross myself. After some handwringing and sadness, lack of space forced me to pass it on to someone

Wondrous treasure troves: the Jewish country houses of Europe

The words ‘country houses’ immediately make one think of England, yet only five of the 15 featured in this hefty, impressively illustrated book are in Britain. It is a compilation of essays: part histories of various Jewish families, part architectural descriptions and part stories of the chateaux, mansions, villas and, of course, country houses all over Europe, owned and sometimes built by these families. Each chapter is by a different author. The swimming pool was surrounded by such a profusion of lilies that the scent at night was overpowering  These homes had different functions. Some, like that of the German-born painter Max Liebermann, were built as traditional country retreats –

The craft renaissance

As long ago as the 1960s, the poet Edward James was worried that traditional crafts were dying out. Having frittered much of the family fortune he had inherited, aged five, on supporting struggling surrealists (he commissioned the Mae West lips sofa and lobster telephone from a scuffling Dali) and on backing shows starring his actress girlfriends (‘very wealth-consuming,’ he admitted, ‘because invariably they flopped’) then creating an 80-acre sculpture garden in the Sierra Gorda mountains of Mexico, the man described as ‘the last of the great eccentrics’ decided in his late fifties to invest his remaining money in something more sensible. So in 1964 he founded the Edward James Foundation

Sale of the century: the contents of the Sitwells’ mansion are going under the hammer

In my bedroom there is a small lidded laundry basket. It was designed by Geoffrey Lusty for Lloyd Loom, a company that has, since 1917, been producing surprisingly durable furniture made from lacquered woven paper fabric for the middle classes. The basket is globular and stands on three spindly legs. It is weatherbeaten, and slightly worn, because it was produced in 1957, at the dawn of the Space Era. Indeed, it is a Sputnik wicker linen basket, designed in the style of the famous satellite. Only 100 were ever produced. Why is this double design classic not in a museum? It may be that one is. As far as this