History

Saturday

Alexander Starritt

An affable tour guide

In mentioning Heinrich the Fowler, 10th-century King of the Germans and one of the many obscure figures who appears in his book, Simon Winder describes a painting in the Hall of Electors in Frankfurt. A product of the historicising 19th century, it is part of a series of German monarchs stretching from Charlemagne to 1806, the first seven centuries of which are ‘simply fantasy’. Winder writes: I just feel happy not to be a professional historian who really has to stare hard at the reign of Heinrich the Fowler, say, and must ignore his notionally flowing locks and chartreuse cloak, must banish fantasies of mead-halls, damsels and winged helmets, must

Saturday

Philip Hensher

No example to follow

Ahundred years ago, a character in a novel who was keen on music would, like E.M. Forster’s Lucy Honeychurch or Leo- nard Bast, be as apt to stumble through a piece at the piano as listen to it at a concert. Ahundred years ago, a character in a novel who was keen on music would, like E. M. Forster’s Lucy Honeychurch or Leo- nard Bast, be as apt to stumble through a piece at the piano as listen to it at a concert. Given the relative- ly rare opportunities to hear a Brahms or Beethoven symphony before the invention of the LP, the easiest way to enjoy one was probably

Saturday

Raymond Carr

Double vision | 30 January 2010

Thomas Babington Macaulay’s early essays in the Edinburgh Review were an immediate success, and soon made him a respected figure in Whig society. Thomas Babington Macaulay’s early essays in the Edinburgh Review were an immediate success, and soon made him a respected figure in Whig society. In 1830 Lord Lansdowne offered him a seat in parliament for the rotten borough of Calne. In 1848 he published the first volume of his History of England from the Accession of James II. It was an instant bestseller. He gave his readers a flattering image of themselves. The Whig Revolution of 1688 had made the English ‘the greatest and most highly civilised people

Hugh Brogan

Adventure with a difference

Probably my opinion of this bold book is worthless. Peter Carey, having decided to write a novel about Alexis de Tocqueville’s visit to the United States in 1831-2, read, among many other works, my biography of Tocqueville, which was published two years ago in, he says, ‘the nick of time’. He is kind enough to call it ‘delightful’, and has plundered it assiduously. What I myself find delightful is the way in which Carey has picked up the signals. I never expected such a close, intelligent reader, and I’m glad to think my work has been of use to him. But this does not make me a dispassionate reviewer. And

Dan Jones

A society celebrating itself

The years between the middle of the 18th century and the middle of the 19th century, argues Holger Hoock, ‘saw Britain evolve from a substantial international power yet relative artistic backwater into a global naval, commercial and imperial superpower as well as a leading cultural power in Europe. The years between the middle of the 18th century and the middle of the 19th century, argues Holger Hoock, ‘saw Britain evolve from a substantial international power yet relative artistic backwater into a global naval, commercial and imperial superpower as well as a leading cultural power in Europe. These developments … were not unrelated.’ Wowsers. That’s one heck of an assertion, and

M R-D-Foot

The grandest of old men

Mr Gladstone’s career in politics was titanic. Mr Gladstone’s career in politics was titanic. He sat for over 60 years in the Commons, was in the cabinet before he was 35, was four times prime minister, almost solved the Irish question, set new standards for the conduct of public business and of foreign policy, and took a leading part in the disruptions both of the Conservative and of the Liberal Party. The post office did get round to issuing a commemorative stamp for his bicentenary, which fell on 29 December; but the press, which used to publish every day in the 1880s a note of his doings, close to the

Ian Thomson

Paris of the gutter

Port-au-Prince, the Haitian capital, lies on a marshy bay encircled by mountains. It was founded in 1749 by the colonial French and named after a vessel, Le Prince, which anchored there about 1680 (and not, as the dictator ‘Papa Doc’ Duvalier apparently liked to believe, after The Prince by Machiavelli). Thousands subsist in shanties built on landfill at the harbour’s edge; even a light rainfall can put their homes under flood. Uptown, an illusion of space prevails. The presidential palace, a vast lair of power, stands at one end of a palm-fringed plaza. On Tuesday, 12 January, Port-au-Prince teemed as usual with cigarette vendors, bootblacks and marchandes. On the Rue

Marcus Berkmann

Array of luminaries

In November 1660, on a damp night at Gresham College in London, a young shaver named Christopher Wren gave a lecture on astronomy. In the clearly appreciative audience were 12 ‘prominent gentlemen’, who in discussions afterwards, possibly over a drink or two, decided they would meet every week to talk about science and perform experiments. In a flash, this informal gathering coalesced into a society, which they called ‘a Colledge for the Promoting of Physico-Mathematicall Experimentall Learning’. As Bill Bryson writes in his introduction, ‘nobody had ever done anything quite like this before, or would ever do it half as well again.’ In 1662 Charles II granted them a charter,

Saturday

Jane Ridley

Elder, but no better

William Pitt the Elder, Earl of Chatham was hailed by Victorian schoolboys as the man who made England great. He was the patriot leader, the minister who steered the country through the Seven Years War, climaxing in the Year of Victories of 1759. General Wolfe heroically captured Quebec, British troops helped Frederick the Great of Prussia smash the French at the battle of Minden, and the British navy decisively defeated the French at Quiberon Bay. England emerged as the greatest power not just in Europe but in the world, and Pitt was the hero. In fact, Pitt’s reputation was wildly inflated. The war was fought by soldiers making decisions on

James Walton

Not cowardly enough

Nobody who reads Nigel Farndale’s The Blasphemer is likely to complain about being short-changed. Nobody who reads Nigel Farndale’s The Blasphemer is likely to complain about being short-changed. It tackles five generations of the same family, three wars, Mahler’s ninth symphony and contemporary Islamic terrorism. Along the way, it ponders the nature of male courage, the theological implications of Darwinism and, rather more surprisingly, the existence of angels. As a journalist himself, Farndale also seems to have noted the career path of Sebastian Faulks — that great exemplar for all British journos dreaming of literary glory. Like Birdsong, The Blasphemer depicts a soldier’s affair with an older French woman who

Tom Holland

Fighting spirit

The metaphors that come to us when we are sick, trapped in the no-man’s land bet- ween consciousness and oblivion, are often the most vivid of which our minds are capable. The metaphors that come to us when we are sick, trapped in the no-man’s land bet- ween consciousness and oblivion, are often the most vivid of which our minds are capable. No wonder, then, once we are recovered, that the memory of them may prove impossible to banish. It is the measure of those that came to Peter Stothard when he was receiving treatement for what at the time appeared terminal cancer that they should have inspired this haunting,

M R-D-Foot

Macabre success story

Any bright schoolchild could tell, from a glance at his or her atlas, where the Allies were going to land next, after they had conquered Tunis in 1943: it would have to be Sicily. The deception service persuaded the German highest command that Sicily was only the cover for an attack on southern Greece, after which the Balkans could be rolled up. Hitler was always nervous about the Balkans, from which his armaments industry got the bulk of its chrome and, more importantly, his armed forces half their oil; the trick worked. Its main plank lay in the floating ashore on the coast of south-west Spain of a body dressed

Patrick Skene-Catling

The Knights of Glin

In this splendid, monumental slab of a book, Desmond Fitzgerald, the 29th Knight of Glin, has made the chronicle of his family epitomise the whole turbulent history of Ireland since the arrival of the Normans. The survey includes chapters by academic genealogists and other historians, with less formal contributions from the Knight himself and his wife, Madam Olda Fitzgerald. The illustrations are comprehensive: ancient maps and land- scapes and portraits ancient and modern. There are a characteristically misty watercolour by Louis le Brocquy and photographs of architectural embellishments, fine furniture and paradisal gardens. The Knights of Glin, like some other Irish aristocrats, have had to do some fancy footwork to

Saturday

Philip Hensher

Addle-pated modernist

In 1564 a book was published calculating that there were 7,409,127 demons at work in the world, under the administrative control of 79 demon-princes. Eight years later, Michel Eyquem de Montaigne began to write his Essays, a book which still seems to speak to us directly with all the force of rational understanding and an identifiable human personality. If Montaigne marks the beginning of modernity, it is because he tells us exactly what he is like; how he sees the world, fallibly and yet honestly; and because there was no book in the world like it before, and we are still writing books rather like it today. Montaigne, in common

Pj Kavanagh

Continuity under threat

This handsome and encouraging book is perhaps unfortunate in its title. The suggestion is that the author has been forced to rummage among the wreckage that is England in order to find something, anything, that is still intact. Its origins and intentions are quite the opposite. As Richard Ingrams explains in his short introduction, when he was editor of Private Eye he published a regular feature called ‘Nooks and Corners of the New Barbarism’, written by John Betjeman — a suitable kind of investigation for a satirical magazine. When, in 1992, he founded The Oldie, a feature called ‘Unwrecked England’ written by this author, Betjeman’s daughter, was precisely intended to

Roy Foster

Strong family feelings

Mary Kenny’s survey of Ireland’s relations with the British monarchy is characteristically breezy, racy and insightful, with a salty strain of anecdote. Mary Kenny’s survey of Ireland’s relations with the British monarchy is characteristically breezy, racy and insightful, with a salty strain of anecdote. This reflects the secret affection of the Irish bourgeoisie for the royal soap opera, even when this addiction has to be concealed as carefully as a taste for alcohol in a fundamentalist Muslim state. Oddly, her account of secret suburban Catholic covens, communing with royal weddings and jubilees via television, rather trumps my memories of royalist interests among the Protestant (though emphatically not Anglo-Irish) circles of

Wednesday

Lewis Jones

Ignoble nobles

Badly behaved toffs have been a gift to writers since ancient times, and in English from Chaucer to Waugh. A quotation from the latter’s Put Out More Flags, about some shady manoeuvres by Basil Seal, supplies the epigraph to a chapter of Marcus Scriven’s Splendour & Squalor: ‘From time to time he disappeared … and returned with tales to which no one attached much credence…’ The chapter in question concerns ‘Victor’ — Victor Hervey (1915-85), 6th Marquess of Bristol, whose defining traits, by Scriven’s account, were his ‘tendency to criminality’ and ‘taste for wounding the vulnerable’ — which sounds like Basil Seal, as does Selina Hastings’ recollection that he ‘was

Jonathan Sumption

Poisonous relations

‘The Axis powers and France,’ declared Marshall Pétain and Hitler at Montoire in October 1940, ‘have a common interest in the defeat of England as soon as possible.’ Why this should have been so is one of the many interesting questions to which this book offers no satisfactory answer. ‘The Axis powers and France,’ declared Marshall Pétain and Hitler at Montoire in October 1940, ‘have a common interest in the defeat of England as soon as possible.’ Why this should have been so is one of the many interesting questions to which this book offers no satisfactory answer. France capitulated in June 1940 on terms which assumed that Britain would

Neil Clark

The face of a muffin

What was it about post-war British cinema? Our films were lit up by a collection of wonderfully idiosyncratic performers. Think Alistair Sim, Terry-Thomas and Robert Morley. Perhaps the most idiosyncratic of them all was Margaret Rutherford. The drama critic, J. C. Trewin once remarked, ‘When you have seen any performance by Margaret Rutherford you are certain to remember it.’ How right he was. She stole Blithe Spirit with her portrayal of the exuberant bicycling medium, Madame Arcati. She was wonderful as Miss Whitchurch, the domineering headmistress of a girls’ school mistakenly billeted at a boys’ school in The Happiest Days of Your Life. And she was a far more colourful

Philip Ziegler

Some sunny day!

In August 1945 Cyril Patmore of the Royal Scots Fusiliers returned on compassionate leave from India. A few weeks earlier his wife had written to confess that she was expecting a child by an Italian prisoner of war. ‘Why oh why darling did I have to let you down, me who loves you more than life itself?’ she wrote, pleading for forgiveness and a reconciliation. It was in vain. Patmore stabbed his wife to death. ‘I live for my children and my wife,’ he told the police. ‘I hope the children will be well looked after.’ This bleak anecdote introduces a catalogue of disasters. At the end of the war