Jealousy

‘The first thing I did after waking up was grab his cock – stiff with sleep – and hold still, as if hanging on to a branch.’ The opening of Annie Ernaux’s essay might suggest that the ‘possession’ of the title is of a husband’s penis. But after our nameless protagonist leaves ‘W’, her husband of 18 years, it is with his new woman that she becomes obsessed – possessed with a ‘primordial savagery’. She is maraboutée, or bewitched. Ernaux writes not in the heat of desire but in retrospect. The translation by Anna Moschovakis is chicly austere. Like concrete poetry, small paragraphs sit adrift on the page; the text

‘Your muse or your wife’ is quite the ultimatum to throw at an artist. But that was the choice Henri Matisse faced in 1939 when his wife of 30 years (you might know her as ‘Woman with a Hat’, 1905) had had enough of Lydia Delectorskaya (‘The Pink Nude’, 1935). It’s a dilemma which forms the crux of Sophie Haydock’s deliciously immersive novel about these two extraordinary women. A former journalist, Haydock is making it her mission to breathe life into women whose faces we know from famous artworks. Her gripping 2022 debut, The Flames, animated the tangled tales of the women who stripped naked for the troubled German artist

In 1959, Edvard Munch’s ‘The Scream’ was hanging above the bed where Francis Bacon nursed a fractured skull after falling downstairs drunk at his framer Alfred Hecht’s house on the King’s Road. It was there to be re-framed – a circumstantial detail Mark Stevens and Annalyn Swan report neutrally, en passant, in their 2021 biography Francis Bacon: Revelations. An inadvertent cry, nay a scream, for attention? Or a frame-up? It was a decade after Bacon painted his first screaming pope, a palimpsest obviously based on Velázquez but equally in hock to Munch. Francis Bacon: A Self-Portrait in Words is an annotated compilation by Michael Peppiatt of statements, letters, studio notes

Elizabeth Day has found her niche as an astute, approachable social anthropologist, observing emotions and behaviour we are reluctant to discuss – such as failure – and draining them of their stigma. Her new book tackles the subject of friendship, which she points out has been far less analysed than romantic relationships. Her honesty and her ability to listen make her an endearing narrator and charming interviewer. She examines why friendship has always been so important to her. Admirers of her previous book, How to Fail, will recall that her childhood involved a stint at a Belfast boarding school where she was bullied, an experience she touches on again here.