landscapes

‘The Orange Chair’, 1944, by Cedric Morris

The artist more fond of flowers and vegetables than people – and who can blame him

28 April 2018 9:00 am

I have occasionally mused that there is plenty of scope for a Tate East Anglia — a pendant on the…

The Church at Vétheuil, 1878

The public are quite right to love Monet

14 April 2018 9:00 am

Think of the work of Claude Monet and water lilies come to mind, so do reflections in rippling rivers, and…

‘Untitled (Poor Richard)’, 1971, by Philip Guston

A pilloried president, PC portraits and paintings good enough to eat

1 July 2017 9:00 am

Politics and art can make for an awkward mix. Much more than with religious subjects it seems to matter whether…

‘Iguazu’, 2010, by Wolfgang Tillmans

Coolly contemporary – especially in its muddle: Wolfgang Tillmans at the Tate reviewed

4 March 2017 9:00 am

These days the world is experiencing an unprecedented overload of photographs, a global glut of pictures. More and more are…

Visionary: ‘Battle of Germany’, 1944, by Paul Nash

Wonderfully mellow, rich and strange: Paul Nash at Tate Britain reviewed

29 October 2016 9:00 am

In 1932 Paul Nash posed the question, is it possible to ‘go modern’ and still ‘be British?’ — a conundrum…

About strange lands and people: ‘Midsummer Eve Bonfire’, after c.1917, by Nikolai Astrup

Nikolai Astrup - Norway’s other great painter

30 January 2016 9:00 am

The Norwegian artist Nikolai Astrup has been unjustly overshadowed by Edvard Munch. But that is about to change, says Claudia Massie

‘The Wilderness, Hartwell House, Buckinghamshire’ by Balthasar Nebot

Why is the garden absent in English painting?

8 August 2015 9:00 am

One of the default settings of garden journalists is the adjective ‘painterly’ — applied to careful colour harmonies within a…

‘The Census at Bethlehem’, 1566, by Pieter Bruegel the Elder

Climate change, Bruegel-style

13 December 2014 9:00 am

The world depicted by the Flemish master is not so different from our own, says Martin Gayford