Christmas is coming, and the bookshelf is getting thin – so, any suggestions for Christmas reading? We are putting our Christmas Special to bed today, so your baristas at Coffee House would be grateful for any tips. I don’t need to say that we’re not after politics books. Coffee House is not simply a home for political wonks, and the brilliant suggestions last time I asked pointed me to all manner of treasures, old and new. So all suggestions welcome.
Philip Hensher finds Flaubert’s scorn for his characters relieved by hilarity Astonishingly, this is the 20th time Madame Bovary has been translated into English. I say ‘astonishing’ because, as everyone knows, great novels in foreign languages tend to get done once, if at all. Most of Theodore Fontane has never been translated, or Jean-Paul, or Stifter; only in the last few years have the antique H. T. Lowe-Porter translations of Thomas Mann been superseded, and if you want to read most of Balzac’s immense work you will have to resort to 19th-century collected editions. Couldn’t one of those translators or publishers have turned their attention instead to Balzac’s Louis Lambert,
There was a time when detailed case histories, including direct quotations from patients’ accounts of their own experiences, formed a significant part of the medical literature. There was a time when detailed case histories, including direct quotations from patients’ accounts of their own experiences, formed a significant part of the medical literature. French doctors of the 19th century were particularly adept at writing such case histories; the lucidity of their prose, as of their thought, was exemplary. Indeed, French medical prose of the 19th century was often as good as that of Flaubert. But the extended case history has gone out of medical fashion, as being too anecdotal and therefore
Lordy. It’s another book by Professor John Sutherland, and a fat one at that. What David Crystal is to linguistics and James Patterson to thrillers, John Sutherland is to literary criticism. I’ve more than once been critical about Sutherland in print, having detected — but who am I to talk? — a certain slapdashery in some of his scholarly productions. On the last occasion, I received a very gracious, if somewhat Eeyorish, email conceding the odd point and explaining his pace of output with a poignant allusion to alimony. So I don’t want the old brute to feel I’ve got it in for him. We all gotta eat. This book
Lord Palmerston poses severe quantitative problems to biographers. His public life covered a huge span. Born in 1784, the year Dr Johnson died, he was nine years younger than Jane Austen and four years Byron’s senior. He died in 1865, the year Kipling, Yeats and Northcliffe were born. To put it another way, when he was a baby Reynolds was painting Mrs Siddons; when he died Manet was showing his ‘Olympia’, and Tolstoy had just published War and Peace. His long life was crowded with incessant political activity. He was on the Board of Admiralty in 1807, aged 23, even before he had a seat in parliament. He was an
But of course this new book is by Peter Ackroyd, celebrated biographer, historian and chronicler, a bit of a polymath, a man who has written wonderfully informative and erudite books about Blake, the river Thames, Venice, and introductions to all the novels of Dickens, so naturally one expects a good deal more from The English Ghost than from any of those other popular titles on the same subject. One does not get it. Whether you believe in ghosts or not, one thing distinguishes the fictional ghost from the ‘real’ and that is Purpose. Read through the several dozen tales of English ghosts here and you will find not a single
The perception of war changes, remarked the poet Robert Graves, when ‘your Aunt Fanny, the firewatcher, is as likely to be killed as a soldier in battle’. The perception of war changes, remarked the poet Robert Graves, when ‘your Aunt Fanny, the firewatcher, is as likely to be killed as a soldier in battle’. Scrutinising the home front, checking for evidence of low morale, accounting for that of high, measuring the effect of wartime regulations and deprivations, calculating the long-term impact of continuous bombardment and destruction on civilians, in sum, accounting for the implications of the phrase ‘total war’ to describe the second world war, has been an occupation for
The craters are all filled in, the ruins replaced, and the last memories retold only in the whispery voices of the old. Apart from celebrating the resilience of our parents and grandparents 70 years ago, why remember the Blitz? It was triggered by the desire to retaliate, either Churchill’s to the random dropping of bombs on London in the summer of 1940 (heightened by the prior example of Nazi bombing of Guernica and Warsaw) or Hitler’s to the subsequent raid on Berlin. ‘This is a game at which two can play,’ he ranted on 4 September. ‘When they declare they will attack our cities in great measure, we will eradicate
The Potteries are one of the strangest regions in the British Isles, and Matthew Rice’s The Lost City of Stoke-on-Trent celebrates their extraordinary oddity. The Potteries are one of the strangest regions in the British Isles, and Matthew Rice’s The Lost City of Stoke-on-Trent celebrates their extraordinary oddity. Much of his text reads more like a diatribe than a celebration, for words like tawdry, grimy, unlovely, brutish and lumpen scatter his pages, and he sometimes soars to the height of invoking the term ‘tragic’. Yet for all that, this generously illustrated book makes you long to revisit this bizarre wonderland of post-industrial dereliction. His sketches and drawings of streets and
There came a moment, very early in my reading of the latest volume of Christopher Isherwood’s Diaries, when a spell was broken. The relevant entry, written at his beach home in Santa Monica, California, was dated 12 November 1960. And the single, throwaway notation which caused me to re-evaluate, I fear definitively, my admiration for Isherwood ran as follows: ‘Tonight I have to take the Mishimas out to supper.’ There came a moment, very early in my reading of the latest volume of Christopher Isherwood’s Diaries, when a spell was broken. The relevant entry, written at his beach home in Santa Monica, California, was dated 12 November 1960. And the
Ecce Homo Erectus. Saul Bellow, John Updike … at 77, Philip Roth is the last of three giants still standing; and he actually does stand to write, at a lectern-like desk — scriptern? This verticality is crucial to his ideas of self and spirit, and is fully evident in his fiction, which is nothing if not erect. Ecce Homo Erectus. Saul Bellow, John Updike … at 77, Philip Roth is the last of three giants still standing; and he actually does stand to write, at a lectern-like desk — scriptern? This verticality is crucial to his ideas of self and spirit, and is fully evident in his fiction, which is
The three knights of British cinema have taken disparate routes in their twilight years. Roger Moore jettisoned a hokum career for more worthwhile pursuits as a Unicef ambassador, while Sean Connery settled into his Bahamian golf-resort to champion Scotland’s independence. Michael Caine, however, has added a further veneer to a great body of work. The three knights of British cinema have taken disparate routes in their twilight years. Roger Moore jettisoned a hokum career for more worthwhile pursuits as a Unicef ambassador, while Sean Connery settled into his Bahamian golf-resort to champion Scotland’s independence. Michael Caine, however, has added a further veneer to a great body of work. In the
In 1948, Poland’s new communist government was badly in need of legitimacy and desperate for international recognition. So they did what any self-respecting left-wing government would do, back in those days, in order to win a bit of respect; they held a cultural Congress. In 1948, Poland’s new communist government was badly in need of legitimacy and desperate for international recognition. So they did what any self-respecting left-wing government would do, back in those days, in order to win a bit of respect; they held a cultural Congress. They invited Picasso, A. J. P. Taylor, Aldous Huxley, a host of prominent Soviet literary bureaucrats and whichever left-leaning writers they could
If we didn’t already know that Milan Kundera is one of Craig Raine’s literary heroes, then it wouldn’t be too hard to work it out from his first novel. If we didn’t already know that Milan Kundera is one of Craig Raine’s literary heroes, then it wouldn’t be too hard to work it out from his first novel. As in Kundera’s later fiction (Immortality, Slowness, Identity, Ignorance), there’s the stark one-word title laying out the theme to be interrogated. There’s the same relentless erudition — so that even Raine’s two-page thematic scene-setter finds room for Dickens, Beckett, Auden and Henry James. More obviously still, there’s the same mix of straight
Charlotte Moore’s family have lived at Hancox on the Sussex Weald for well over a century. Charlotte Moore’s family have lived at Hancox on the Sussex Weald for well over a century. Hancox is a large, rambling house, and the Moores are a family who throw nothing away. Charlotte Moore still cooks on a 1934 Aga. Every drawer and every cupboard bulges with letters, diaries, receipts, even cheque book stubs. Moore has pieced together this chaotic archive to construct the history of her family. It is a complex but riveting story. Hancox was bought in the 1891 by a 23-year old spinster named Milicent Ludlow. Both her parents had died,
The first game played by the Allahakbarries Cricket Club at Albury in Surrey in September 1887 did not bode well for the club’s future. The first game played by the Allahakbarries Cricket Club at Albury in Surrey in September 1887 did not bode well for the club’s future. One player turned up wearing pyjamas, another held the bat the wrong way round while a third — a Frenchman — thought the game had finished every time the umpire called ‘Over’. The Allahakbarries were skittled out for just 11 runs and under the circumstances it seemed entirely appropriate that the team’s name should have been derived from the Moorish phrase for
There are already three biographies of E. M. Forster: P. N. Furbank’s two- volume, authorised heavyweight; Nicola Beauman’s less compendious, more engaging middleweight; and my own bantamweight, little more than an extended essay. There are already three biographies of E. M. Forster: P. N. Furbank’s two- volume, authorised heavyweight; Nicola Beauman’s less compendious, more engaging middleweight; and my own bantamweight, little more than an extended essay. For readers who want a coherent, psychologically penetrating, well-written account of the life, with a minimum of critical analysis, this new biography is the one that I now recommend. Most people would regard the writing of his novels as the dominant preoccupation of Forster’s
Voltaire’s was a long and amazing life. Voltaire’s was a long and amazing life. He was tragedian, satirist, mathematician, courtier, exile, jailbird, swindler, gardener, plutocrat, watchmaking entrepreneur, penal reform campaigner, celebrity, provocateur, useless loan-shark, serial feuder, coward, astronaut, niece-shagger, spy . . . Except ‘astronaut’, obviously. I made that up to check you were still paying attention. But he did shack up with his niece, the filthy old goat. It seems a shame, then, that for most of us nowadays that long and amazing life is compressed into a couple of quotes from Candide and a few apocryphal stories about his table talk. Ian Davidson’s biography is the corrective: here’s
Torn with grief, Melvyn Bragg has produced a condolence book for the South Bank Show (born 1978, died of neglect, 2010). These 25 vignettes, based on the best of his interviews, are more than just the cosy clippety-cloppety sounds of an old cowboy trotting into the sunset. They offer intriguing comments on the film-making process and present valuable new insights into their subjects. Most have the shape and phrasing of short stories and his meetings with the gravest maestros read like mini-epics. We watch plucky little Melvyn as he approaches the armoured titan in his lair, tempts him forth and charms him into dropping his guard. He meets Francis Bacon
After an unremarkable year for fiction the Prix Goncourt was awarded to Marie Ndiaye for a novel — actually three novellas — which must have beguiled the judges by the sheer unfamiliarity of its contents. After an unremarkable year for fiction the Prix Goncourt was awarded to Marie Ndiaye for a novel — actually three novellas — which must have beguiled the judges by the sheer unfamiliarity of its contents. Trois femmes puissantes (Gallimard) was already established as a favourite with the reading public. One suspects that the majority of those readers are women, for we are in feminist territory here, and it feels a little old-fashioned. The three powerful