Literature

Unpredicted Consequences of the eBook Number 371: more people are reading as they walk along. I say ‘more’. Actually I’ve seen two, in as many weeks. So this is a prediction rather than an observation. But it’s one I’m pretty confident about. It struck me as I watched the people in question — both 20-something women, both reading Kindles — that a single-page e-reader isn’t that much bigger than a large smartphone. It’s perfectly common as you walk along to check your emails and texts, or even surf the net — so why not read a book? In fact you can read books on your iPhone, making the transition from

When Vladimir Nabokov’s unfinished book (not quite a novel, not quite a novella) The Original of Laura was posthumously released in 2009, consternation over whether it was right to publish the work at all — Nabokov had instructed that it be destroyed after his death — swiftly gave way to consternation over what the work contained. And what the work contained was yet more evidence that Nabokov’s interest in very young girls was, well, something rather more than an interest.   Here was a figure who was not so much possessed of the ability to send planets spinning (Nabokov’s definition of the real writer) as he was the ability to

It is almost twelve months ago, following the below-par A Death in Summer, that I wondered aloud on these pages whether Benjamin Black (aka Booker-winner, John Banville) had what it took to write a crime series. A resounding yes comes in the form of the fifth instalment — sixth novel overall, after the 2008 stand-alone The Lemur — of the Quirke series, Vengeance. Black has finally rediscovered the formula that made his debut, Christine Falls, so memorable.   To be sure, crime fiction purists will still bemoan the absence of standard clue-laying. The novel begins with the suicide of businessman Victor Delahaye, witnessed by his business partner’s son, Davy Clancy,

Have you ever written to an author? It’s the norm these days, or at least emailing or Tweeting them is. But it’s not that long since contacting a writer meant applying pen to paper, then stamp to envelope, then feet to pavement until you reached the postbox. Real effort, and not that many people did it. Publishing in the old days, before writers all had ‘web presences’, could be a lonely business, the only real feeling for how your book had been received coming from newspaper reviews and sales figures. Yet when contact is made there can be moments of beauty. There can also be moments of terror, and indeed

With Martin Amis’ Lionel Asbo: State of England — the horrific account of a hard-living career criminal turned celebrity lottery winner — climbing the bestseller charts,  Li and his creator shouldn’t be confused. At least, that is according to Amis, who recently told the Spectator that he was never a rebel. Richard Bradford, author of last year’s universally panned Martin Amis: The Biography had planned on shining a light on Amis’ greener youth. At one point the vexed manuscript apparently included a fond Amis recollection of smoking joints in Picasso’s on the King’s Road, something that would have resulted in arrest in about ten minutes. On another occasion, Tina Brown’s

The most obvious — but far from the only — author to read when in Madrid must be Ernest Hemingway. For a man so fond of the laconic line, his rambling, enduring presence in the city is at once ironic and misplaced. It’s not only the guidebooks which are directing me to his erstwhile favourite watering-hole in the north, south, east or west of the city; it’s as if he left a tangible reminder of his presence — an extra shiny spot or cigarette burn burnished into the leather of an armchair — in each of the now rather shabby-chic establishments.   One such haunt is the Gran Café de

The promotional tour for Lionel Asbo: State of England has been suspiciously quiet. The fact that Martin Amis hasn’t sworn, bitched or nominated the queen as guinea pig for euthanasia booths stirred the press into feverish levels of anticipation. Had the OAP (Old Age Provocateur) finally lost his teeth? Or was he simply biding his time before biting back? A satire on Lionel Asbo – Wayne Rooney look-alike and dedicated chav –  and his lottery win, it seems written to offend … even without subplots involving teenage pregnancy (she &”was six months gone when she sat her Eleven Plus”), incest with a thirty-something year old granny, pit bulls and acid attacks.

One of the unanticipated benefits of British rule in India is the body of distinguished writing in the English language coming from the Indian diaspora — Naipaul, Seth, Rushdie, Mistry, Mishra and Pico Iyer. Iyer, however, is atypical in that he was born in Oxford, lived in California, and was educated at Eton and Oxford. Thus he is less an Indian than a global author. He is coy about having been to Eton, which he does not name: it is the ‘high school near London’, ‘somewhere between the grey towns of Slough and Windsor’, which was founded by a king, has the oldest classroom in the world, and has provided

Sam Leith is enthralled by the larger-than-life genius, August Strindberg — playwright, horticulturalist, painter, alchemist and father of modern literature When I’m reading a book for review, it’s my habit to jot an exclamation mark in the margin alongside anything that strikes me as particularly unexpected, funny or alarming. I embarked on Strindberg: A Life with — I’m ashamed to confess — the expectation of a weary plod through 400-odd pages of lowering Scandinavian neurosis, auguring a low exclamation-mark count and a high number of triple zeds. But by the end, there was an exclamation mark beside almost every paragraph. If it hadn’t been for the occasional ‘hahaha’ and ‘bonkers’,

The actor-biographer Simon Callow has played Dickens, and has created Dickensian characters, in monologues and in a solo bravura rendition of A Christmas Carol. Now he suggests that the theatricality of Dickens’s own life is a subject worthy of exploration in book form. So it is, and if Callow had done so, it might have made a useful addition to what he rightly identifies as the ‘tsuanami’ of books that are appearing for Dickens’ bicentennial. But in this cursory biography, he merely makes token gestures in that direction: we learn rather a lot about Charles Mathews’ one-man shows; and Callow describes the theatrical impulses behind some of the novels. But

In 1969 an author in his early thirties published his first book. The Rise and Fall of the Man of Letters won the Duff Cooper prize, delighted the reading public, introduced them to the name of John Gross, and marked the beginning of what would be an illustrious and fascinating literary career. It ended with his death on 10 January 2011, a great sorrow for the many people who loved and admired John. A year ago, copious tributes were paid to this remarkable man, as writer, editor, critic, friend, which I wished I had joined in. He was the best-read man in the country, said Victoria Glendinning, or for Craig

The acute emotional pain caused by his first wife’s infidelity was of priceless service to Evelyn Waugh as a novelist, says Paul Johnson Evelyn Waugh died, aged 62, in 1966, and his reputation has risen steadily ever since. His status as the finest English prose-writer of the 20th century is now being marked by an annotated complete edition of his works, sumptuously published by the Oxford University Press. As a prolegomenon, Penguin is issuing another complete edition in hardback, the first eight volumes of which are now available, priced £20 each. They include his life of Rossetti, three travel books, Labels, Remote People and Ninety-two Days, and his first four

Very useful in modern conversation, Oscar Wilde. Not for the quotable quips — everyone knows those already. His real value comes when you’re trying to guess someone’s sexuality. ‘He can’t be gay,’ someone will say of whoever is under the microscope, ‘he’s married with two kids.’ You hit them with the reply: ‘So was Oscar Wilde.’ It’s hardly surprising that so many people are unaware of Mrs W’s existence, or that those who do tend to forget about her, given her husband’s status as poster boy for the Two Fingers to Convention party. You’d be forgiven for thinking that Oscar was a Victorian Alan Carr, standing in the middle of