Sam Leith is enthralled by the larger-than-life genius, August Strindberg — playwright, horticulturalist, painter, alchemist and father of modern literature
When I’m reading a book for review, it’s my habit to jot an exclamation mark in the margin alongside anything that strikes me as particularly unexpected, funny or alarming. I embarked on Strindberg: A Life with — I’m ashamed to confess — the expectation of a weary plod through 400-odd pages of lowering Scandinavian neurosis, auguring a low exclamation-mark count and a high number of triple zeds.
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