London

‘The food is not the point here’: Carbone reviewed

People say that Carbone is Jay Gatsby’s restaurant – Gatsby being the metaphor for moneyed doomed youth – but it is something more awful and, because people are asleep, no London restaurant has been this fashionable since the Chiltern Firehouse a decade ago. It lives in the basement of the former American embassy in Grosvenor Square, which is now the Chancery Rosewood Hotel. I thought this building would smell of fear, of why-can’t-I-have-a-visa-please? The truth is that it does, but that fear is now a commodity: you can be the person saying no-visa-for-you. (‘Uniquely yours,’ says the advertising copy. It means it.) And now, if you are rich enough, you

Britain’s cities are descending into a San Francisco-style nightmare

One morning a few months ago I was walking past St James’s Park station when a dishevelled man with his fists clenched stepped into my path without warning. He stared at me furiously and blocked my path, body almost shaking. For a few tense seconds he stood there before I crossed the road to get away from him. ‘Most rough sleepers are harmless and vulnerable, but a small minority are violent’ When I told friends who work in central London about this incident, I was shocked at how typical my experience was. For people who commute into Westminster, it is becoming commonplace to be spat at, lunged at and screamed

Bagels that even New York can’t beat: Panzer’s Delicatessen reviewed

That Panzer’s Delicatessen in St John’s Wood is called Panzer’s – for the instrument of Blitzkrieg – is mad, until you remember that Jews love to eat near catastrophe, and then it is merely funny. I love Panzer’s so much I am reluctant to share it, but we need all the friends we can get. I keep telling non-Jewish friends: when we burn, you will burn with us. Though I mean it as consolation, they tend to run. St John’s Wood has always existed on the edge of hysteria. Edwardian psychopaths put their mistresses here, and I once went to a children’s birthday party where Peppa Pig couldn’t park, and

Mary Wakefield

We have to stop looking away

I learnt not to intervene on a late summer’s afternoon nine years ago. My son was still a baby and I was pushing him in his pram across a busy road in a responsible way, only after the green ‘walk’ man had lit up. I was about halfway over when a boy of about 14 on a moped scorched through the lights and past us, nearly hitting the pram. I yelled at him, and as I yelled felt the spirit of civic duty rise within me. If we middle-aged mothers don’t set the kids straight, who will? The boy skidded to a stop and turned to face me. I can’t

Almost too interesting for Notting Hill: Speedboat Bar reviewed

When you are old enough, you can measure your life in restaurants. I remember, for instance, when the Electric Diner on Portobello Road (named for a long ago and far away war) was a place to eat brunch, a meal that shouldn’t exist and doesn’t really, though if it belongs anywhere it belongs here. It was fine but glib – Notting Hill is either a place with no imagination or too much of it, I’m still not sure. How it can tolerate the truth of Grenfell Tower across the way I don’t know either, but I don’t live here. The diner is gone, replaced by a Thai restaurant that is

The bliss of un-fame

In July, astronomers at the Asteroid Terrestrial-impact Last Alert System discovered an interstellar object racing through the solar system at a velocity never before seen in a purported comet. Only the third interstellar object ever observed, and now named 3I/ATLAS, it has become the subject of inevitably extravagant internet theories. This possibly ten-billion-year-old visitor has now ‘disappeared’ behind the sun, though not before the European Space Agency photographed it from Mars as it passed by. It looks like a luminous cylinder. Optical illusion, says Nasa. Interstellar objects enter our unconscious just as phases of the moon do. Who knows if they also, like the moon, exert mysterious influences on terrestrial

Let the Hard Rock Café die

‘Live fast, die old’ ran the strapline to the David Brent: Life On The Road film a decade ago. The movie itself was a textbook example of how unwise it is to attempt to cash in on the earlier (read: much funnier) successes of your career. Not that Ricky Gervais gives a damn while residing in his Hampstead mansion, of course. As increasingly pompous as his persona now is, I’ve finally reached a place where I know I’d rather have a night out with Brent than with his creator. There would be pathos. But there would at least be lager. Although I’m certain that a 2025 London ‘big’ night out

‘Lazarus pubs’ are a cause for celebration

The mood music around pubs lately has felt as if it were being played by the band on RMS Titanic while the industry goes down with the loss of all hands. Even before the body blow of the pandemic, people were generally drinking less, and more of what they did drink was from supermarkets. Then the spike in energy costs was particularly grave for publicans, who need to heat large rooms for 12 hours a day. Most recently, in the last Budget, they faced a hike in employer national insurance contributions, a parallel minimum wage rise and cuts in business rates discounts – with all of this offset by an insulting

So long, G-A-Y

The G-A-Y Bar in Soho’s Old Compton Street is to close for good this weekend. It opened in the mid-1990s, spinning off from the Saturday club night of the same name at the nearby Astoria (itself long gone, thanks to Crossrail). Entrepreneur Jeremy Joseph, who has run the ‘brand’ since its inception, posted the news on Instagram: ‘Old Compton Street has been my home and my work. When I opened G-A-Y Bar, it was to be one of the safest and most proudly LGBT streets – a place where you could be who you are and feel safe. For me, Old Compton Street has lost that LGBT identity. Old Compton

James Heale

Inside London’s embassy parties

Like the new school year, ambassadors to Britain usually change each September. Among those leaving this summer are the German, Swiss and Canadian representatives; their successors will shortly begin limbering up on the cocktail circuit, eager to make their social mark. The man they will have to beat is the US ambassador, Warren Stephens. His great advantage is Winfield House, his palatial private residence, which boasts the second-largest garden in the capital after Buckingham Palace. Every year, the London elite pile in here to toast the Fourth of July. At this year’s Independence bash, Stephens made his mark with spectacular fireworks and a star-spangled smorgasbord of food from across the

Crime and no punishment in Khan’s London

Those of us trapped in Mayor Sadiq Khan’s low traffic neighbourhood scheme are now obedient, resigned. We expect a car journey of under a mile to take 40 minutes. We don’t hope for anything more. On Sunday, around five o’clock, my son and I stuck fast in Dalston Lane, but as we settled down to wait in a mist of carbon monoxide, there was a commotion up ahead. Down the wrong side of the road, horn blaring, lights flashing, came a Mercedes G-wagon, matt black with that handy snorkel up the side, the favourite ride of north London’s gangsters. It was interesting how calm everyone was about it, how unsurprised.

Tanya Gold

A Mayfair brasserie for people who work, or at least pretend to: 74 Duke reviewed

There is an immaculate brasserie called 74 Duke at 74 Duke Street, Mayfair: this is postcode etymology. Duke Street runs from Selfridges to what used to be the American embassy in Grosvenor Square but is now (I assume) a paranoid hotel: the Chancery Rosewood, which has kept the monstrous eagle on the roof. If Duke Street was ever interesting – I like to imagine Mrs Dalloway having a panic attack in the road – it isn’t now. It sells the eternal detritus of the British rich – watches, capes, meat – who I suspect are into crypto these days. It is all a feint anyway: fake London for fake people,

I doubt there’s a better ravioli in London: The Lavery reviewed

The Lavery in South Kensington is named for Sir John Lavery, official artist of the Great War and designer of the currency of the Irish Free State, who lived here, though he died in Ireland and is buried in Putney. Lavery, of course, would no longer recognise South Kensington as his home, and his white, monumental mid-Victorian house – it’s too cold to be compared to a wedding cake, it’s a power cake – is now a fashionable restaurant and ‘event space’, which I put in quotation marks so you know I didn’t write the words ‘event space’, I just typed them out. In houses like The Lavery, I wonder

In defence of Notting Hill Carnival

This isn’t going to be a piece celebrating the rich cultural tapestry of London’s Afro-Caribbean community, sombrely expressing the importance of preserving its heritage and history. I just like going to Carnival. I see it as an opportunity to make the most of the last dregs of the summer. I’ll meet my friends, dance to a grizzled Rasta’s tunes with a Magnum or two (a syrupy, 16.5 per cent alcohol, Jamaican tonic wine), watch the steel drums and befeathered dancers, before decamping with a box of jerk chicken and fried plantain. There’s no £499 VIP Platinum wristband you can buy to have the premium Carnie experience I spent the first

Tanya Gold

A fictional Edwardian waif’s hungry fantasy: Fortnum & Mason’s food hall reviewed

I like a picnic weighted with history and class terror, which means Fortnum & Mason on Piccadilly, which is historical re-enactment with dreaming. I have written about this for years or tried to: food is never just food, only fools say that. You can learn almost everything about people from the food they want. And here is St Narcissus in the form of a department store that works more powerfully as an idea than a mere shop, though it is a very effective shop. Fortnum’s sells a Great Britain that never was, designed for people who no longer exist, if they ever did. It has much to say to Brexiteers

Patrick Kidd, Madeline Grant, Simon Heffer, Lloyd Evans & Toby Young

28 min listen

On this week’s Spectator Out Loud: Patrick Kidd asks why is sport so obsessed with Goats; Madeline Grant wonders why the government doesn’t show J.D. Vance the real Britain; Simon Heffer reviews Progress: A History of Humanity’s Worst Idea; Lloyd Evans provides a round-up of Edinburgh Fringe; and, Toby Young writes in praise of Wormwood Scrubs – the common, not the prison. Produced and presented by Patrick Gibbons.

Wormwood Scrubs, my deserted little bit of paradise 

On the face of it, Wormwood Scrubs is not particularly appealing. I don’t mean the prison, but the common in the north-eastern corner of Hammersmith and Fulham. It is 170 acres of unsupervised scrubland with enough wooded areas to attract a smattering of predatory homosexuals – a poor man’s Hampstead Heath. Often, as I walk the dog around the perimeter, the only people I encounter are single men in tight T-shirts who eye me enquiringly as we pass. I respond by looking pointedly at Mali, as if to say: ‘Can’t you see I’m walking my dog, not cruising for action?’ Then again, Mali is a Cavapoochon, so perhaps they don’t

Tanya Gold

‘Italian that just works’: Broadwick Soho reviewed

This column sometimes shrieks the death of central London, and this is unfair. (I think this because others are now doing it.) It is not the city we mourn but our younger selves. Even so, the current aesthetic in restaurants is awful and needs to be suppressed: beiges and leathers, fish tanks and stupid lighting, all are nauseating. But I hated Dubai. You say Atlantis, The Palm, I say enslaved maid crying for her dreams. But there is refuge, at least from the aesthetic, and it is as ever the child of imagination and nostalgia. Broadwick Soho, the newish hotel in the street where typhus was chased down to a

The decline and fall of TfL

Don’t get me wrong: London’s transport system is still one of the best in the world. I’d sooner have a backstreet dentist with jittery hands pry my right molar out with a rusty wrench than wait for a bus in Naples or attempt to understand the New York subway map. But that doesn’t mean Transport for London is without fault. The mere thought of the Central line during rush hour is enough to turn the sanest of commuters into a babbling, dribbling, catatonic mess.  TfL customers are dissatisfied: staff are nowhere to be seen; criminals use the Tube network like a labyrinthian tunnel system, evading prosecution at every turn; and

‘I’ve taken to sleeping in my teeth’ – the wartime admissions of T.S. Eliot

In 1944, T.S. Eliot is 56 years old. He seems older: ‘I am getting to be a wambling old codger.’ He is war-worn: ‘I have taken, when in London, to sleeping in my teeth.’ As a fire-watcher sharing shifts, his sleep is hampered by understandable pudeur: ‘I haven’t got enough phlegm to undress completely, and I think it best to sleep in my truss, in case of sudden blasting, which is not very comfortable.’ He knows, too, that his letters are dull. To Anne Ridler, 19 June 1942, he confesses: ‘If I had any small gift for letter writing, it has been ruined years ago by the pressure of the