Michelangelo

Extension of credit: the vaults, part of David Chipperfield’s redevelopment of the Royal Academy

How lucky we are to have the Royal Academy

26 May 2018 9:00 am

What is the Royal Academy? This question set me thinking as I wandered through the crowds that celebrated the opening…

Adam Gopnik: 30 years of New Yorker life

21 October 2017 9:00 am

When Adam Gopnik arrived in Manhattan in late 1980 he was an art history postgrad so poor that he and…

‘Study for Charity’, c.1519, by Raphael

Lucian Freud was wrong to think Raphael dull – he was a genius

17 June 2017 9:00 am

Late one afternoon, early in the year, I was walking through the Vatican Stanze with a small group of critics…

‘The Judgment of Solomon’, c.1506–9, by Sebastiano del Piombo. © National Trust Images/Derrick E. Witty

Was Sebastiano imitating Michelangelo or – a startling thought – vice versa?

18 March 2017 9:00 am

Martin Gayford is mystified by the mismatched working partnership between Michelangelo and the painter Sebastiano del Piombo

‘Bolshevik’, 1920, by Boris Mikhailovich Kustodiev

The USSR, USA, David Hockney and plywood: Martin Gayford on the visual treats of 2017

31 December 2016 9:00 am

Martin Gayford looks forward to two big Russian shows coming to London next year – and to other visual treats on offer in 2017

The most significant invention of the 20th century? The Haber-Bosch process

19 November 2016 9:00 am

Barbed wire, concrete, razor blades, passports, Bakelite and the sewage system are all crucial to the way we live now…

‘Street in Auvers-sur-Oise’ by Vincent van Gogh

Why we love unfinished art

30 April 2016 9:00 am

An unfinished painting can provide a startling glimpse of the artist at work. But the common tendency to prefer it to a finished work is being taken to extremes, says Philip Hensher

Monumental change: the overthrow of the statue of Napoleon I, which was on top of the Vendôme Column. The painter Gustave Courbet is ninth from the right

A short history of statue-toppling

9 January 2016 9:00 am

Sculptural topplings provide an index of changing times, says Martin Gayford

‘Turning Road (Route Tournante)’, c.1905, by Paul Cézanne

I can’t stop thinking about the Courtauld’s Unfinished exhibition

15 August 2015 9:00 am

A while ago, David Hockney mused on a proposal to tax the works of art stored in artists’ studios. ‘You’d…

Reimaging the lost masterpieces of antiquity

28 March 2015 9:00 am

Martin Gayford visits two new surveys of Greek and Roman sculpture at the British Museum and Palazzo Strozzi. Reimagining what’s lost is as much of an inspiration as what remains

‘Two Figures in a Room’, 1959, by Francis Bacon

The dos and don’ts of the Russian art scene

28 February 2015 9:00 am

They’re doing fantastic deals on five-star hotels in St Petersburg the weekend the Francis Bacon exhibition opens at the Hermitage.…

Portrait of the week

7 February 2015 9:00 am

Home MPs voted by 382 to 128 to make Britain the only country to allow genetic modification of embryos to…

‘Gian Girolamo Albani’, c.1570, by Giovanni Battista Moroni

Without a model, Moroni could be stunningly dull. With one, he was peerless...

15 November 2014 9:00 am

Giovanni Battista Moroni, wrote Bernard Berenson, was ‘the only mere portrait painter that Italy has ever produced’. Indeed, Berenson continued,…

Things to do: read this book

1 November 2014 9:00 am

It would be perverse not to succumb to the temptation to write this review as a list. So, the first…

Michelangelo’s vision was greater even than Shakespeare’s

13 September 2014 9:00 am

Alasdair Palmer reveals the monstrous egomaniac behind Michelangelo’s artistic genius

Clarissa Tan's Notebook: Why I stopped drinking petrol

25 January 2014 9:00 am

Florence was in fog the day I arrived. Its buildings were bathed in white cloud, its people moved as though…