Tom Fleming

Why did David Bomberg disappear?

Young Bomberg and the Old Masters is a lively one-room show at the National Gallery that provides a rare chance to see the painter’s innovative early works

David Bomberg was only 23 when his first solo exhibition opened in July 1914 at the Chenil Gallery in Chelsea. ‘I am searching for an Intenser expression,’ the brash young painter wrote in the introduction to the catalogue. ‘I hate… the Fat Man of the Renaissance.’ As if to advertise his radical intentions, the first work in the exhibition, the strikingly geometric ‘The Mud Bath’, was hung outside the gallery, facing the street.

Already a subscriber? Log in

Keep reading with a free trial

Subscribe and get your first month of online and app access for free. After that it’s just £1 a week.

There’s no commitment, you can cancel any time.

Or

Unlock more articles

REGISTER

Comments

Don't miss out

Join the conversation with other Spectator readers. Subscribe to leave a comment.

Already a subscriber? Log in