Nicolas poussin

Why A Dance to the Music of Time has stood the test of time

Fifty years ago today, a literary masterwork of the 20th century reached its conclusion with the publication of Hearing Secret Harmonies, the final volume in Anthony Powell’s 12-novel sequence A Dance to the Music of Time. Inspired by the painting of the same name by the 17th-century French artist Nicolas Poussin (which you, like Powell, can see at the Wallace Collection), the series began with A Question of Upbringing, published a quarter of a century earlier in 1951. This introduced us to the English narrator of the whole endeavour, Nicholas Jenkins (uncoincidentally he shares the Christian name of the painter, albeit with an Anglicised aitch), who attends a boarding school

The frisky side of a classical master: National Gallery’s Poussin and the Dance reviewed

In the winter of 1861, visitors to the Louvre might have seen a young artist painstakingly copying one of the museum’s 39 paintings by Poussin. The subject was ‘The Abduction of the Sabine Women’ and the artist was the 27-year-old Edgar Degas, then at work on his own classical battle of the sexes, ‘Young Spartans’. Although lumped with the impressionists, Degas was a classicist at heart. ‘The masters must be copied over and over again,’ he believed, ‘and it is only after proving yourself a good copyist that you should reasonably be permitted to draw a radish from nature.’ A dedicated copyist himself, Poussin would have approved. The paintings in