Non-fiction

Saturday

James Walton

Heroics and mock-heroics

‘Poets don’t count well,’ says Ian Duhig in his contribution to Jubilee Lines — an assertion unexpectedly confirmed by Carol Ann Duffy’s preface. Admittedly, if the book did contain one poem for every year since 1952, there’d be an annoyingly untidy 61. Even so, Duffy’s declaration that the Queen was crowned ‘on 2 June 1953, 60 years ago this year of 2012’ may come as a surprise. No less puzzlingly, we’re also told that in 1977 ‘the Queen had been on the throne for nearly a quarter of a century’, which makes the Silver Jubilee seem a bit ill-timed.     Luckily, the Poet Laureate proves far better at putting together

Lewis Jones

Bookends: Disarming but disingenuous

At first glance, Be the Worst You Can Be (Booth-Clibborn Editions, £9.99) by Charles Saatchi (pictured above with his wife, Nigella Lawson) seems a rather distinguished book, with its gilt pages bound in what feels like genuine Gnomitex, and this impression persists until one begins to read it. The title page explains the format — ‘Charles Saatchi answers questions from journalists and readers’ — and the first page sets the tone: ‘If you had a bumper- sticker on your car,’ asks a journalist or reader, ‘what would it be?’ And our modern Maecenas replies: ‘Jesus loves you. But I’m his favourite.’ (Boom boom!) So it’s not a distinguished book. It’s

Saturday

Blair Worden

Death comes for the archbishop

Posterity has always embellished Thomas Becket. After his death in Canterbury Cathedral in December 1170 the Church idealised and canonised him; his tomb inspired miracles and became the most famous shrine in Christendom; the local monks grew rich and fat on the tourist trade that would attract Chaucer’s pilgrims. The 18th century invented Henry II’s hint, ‘Who will rid me of this turbulent priest?’ Playwrights spice the dish. Tennyson’s drama about Becket was staged by Irving; everyone remembers Eliot’s chorus, living and partly living; and Anouilh’s play, which turned the Norman immigrant into a Saxon, gave him, in the screened version, a wide and charismatic appeal. Not that theatricality or

James Stourton

Scotland’s phoenix

The late squarson, Henry Thorold, was fond of pointing out that his Shell Guide to Lincolnshire was the bestselling of the series, not because of any intrinsic merit but because no guide to the county had been produced since the early 19th century. The same might turn out to be true of the latest volume of the Pevsner Architectural Guides, Dundee and Angus. The county, which changed its name in the 19th century, has not been described since Forfarshire Illustrated (1843) and the five volumes of Alexander J. Warden’s Angus or Forfarshire (1880-85). The book under review cannot quite claim to be the last ‘Pevsner’. Whilst most English counties are

Marcus Berkmann

Living the music

I used to read NME when I was young. Of course I did. I was obsessed by pop music in its every colour and my youth happened to coincide with the old inky’s heyday, or certainly one of them. In the late 1970s and early 1980s, the New Musical Express was one of four weekly music magazines. Record Mirror was for kids (people a year or two younger than us). Melody Maker was worthy and a bit dull. Sounds was brash and lively, but too keen on heavy rock for my taste. NME was broader in range and more ambitious in tone, and it had the writers: strung-out drug zombie

Nicolas Barker

Figures in a landscape

As you cross the Trent, you are very much aware that you have moved from the south to the north country. The next great divide is the Tyne, with the dramatic straggle of Newcastle stretching east and west. Beyond lies mile upon mile of Northumberland, all the way to the Scottish border, arable land for grazing (punctuated with coal mines) by the coast, giving way to heathery moors and countless sheep. The centre of this often wild and always beautiful land is Alnwick, with roads stretching out, to north and south the Great North Road, east to the fishing port of Alnmouth, westward to the Roman Wall and the Cheviots.

Thomas W. Hodgkinson

On the way to the forum

In 150 BC, Cato the Elder arrived in the Senate House in Rome with an eye-catching basket of figs. This redoubtable statesman — often referred to as ‘censorius’, an epithet I have coveted since my childhood — was famous, apart from his censoriousness, for his conviction that the most important thing for Rome at any given moment was the military destruction of its enemy, Carthage. Yet here he was, instead of making another swingeing speech on that topic, apparently about to eat his lunch. Cato picked out an especially juicy looking fig. He took a bite. And then he asked, in his most censorious of tones, ‘Do you know where

Andrew Gimson

A safe pair of hands | 7 April 2012

Michael Spicer is too honourable to be a brilliant diarist. As he himself says, ‘I eschew tittle-tattle or small talk.’ These diaries cannot be read, as Chips Channon’s or Alan Clark’s can be, because they offer a joyful cascade of indiscretions. When Clark dies in September 1999, Spicer writes of his fellow Tory MP: ‘We never really hit it off. I thought he was untrustworthy.’ Spicer’s father was a soldier, and these diaries read like the history of a regiment written by one of its most loyal officers. A few pages are devoted to Spicer’s hotheaded youth, in which he sets up Pest (‘Pressure for Economic and Social Toryism’) and

Andro Linklater

Not quite cricket

To the French, Albion’s expertise in perfidy will come as no surprise. But centuries of warfare have given them time to learn. With their experience only dating back to 1914, the Germans clearly found it difficult to grasp during the second world war that nowhere is the truth more expertly and instinctively spun than in the land of the gentleman. While a schoolchild soon masters the lie simple, and the lie financial merely requires a degree of brazenness easily developed by proximity to other people’s money, the lie belligerent demands an instinct for dis-simulation that must be bred in the bone of its practitioners to be carried off convincingly.Thus, alongside

Ariane Bankes

Where dreams take shape

The question of what artists actually get up to in their studios has always intrigued the rest of us — that mysterious alchemical process of transforming base materials into gold, or at least into something marketable in the present volatile art world. Today’s studio might as likely be a laptop as laboratory, factory, hangar or garden shed, but is nevertheless an apt prism through which to explore the notion of creativity, and this boldly ambitious volume does just that, interviewing 120 British artists in a freewheeling way about their practice and process, inspiration and ideas. Sanctuary pays tribute to Private View, that inimitable portrait by John Russell, Bryan Robertson and

Saturday

Philip Hensher

Prophetic times

The subject here is colossal, covering a substantial stretch of the later Roman empire, the last years of the Persian empire, the conversion of the Arabs, the spread of Christianity and what happened to Judaism. The time span runs, effectively, from the death of Jesus to the moment in the eighth century when the Abbasids acquired through violence the vast empire of the Umayyads, stretching from the Loire to the Hindu Kush, and founded Baghdad. The title of Tom Holland’s book is rather studiously general, but his central topic is unmistakable: the founding and establishment of Islam and its political and martial setting. If Holland didn’t want to make a

Dalibor Rohac

Going ethnic

Tyler Cowen, a professor of economics at George Mason University, has been keenly interested in food for years. Besides being a blogger, scholar and the youngest chess champion in the history of New Jersey, he is also the author of an online dining guide to the Washington DC area and an opinionated foodie. This is a delightful book that will broaden horizons to people uninitiated to the economic way of thinking. Cowen’s fans will enjoy it too — although some of the arguments will be second nature to followers of his blog, MarginalRevolution.com. It answers the question of why American food got so bad over the course of the 20th

Andrew Lambirth

A fine and private painter

Prunella Clough was a modest and self-effacing artist who nevertheless produced some of the most consistently original and innovative British art of the second half of the 20th century. She was by no means reclusive, enjoying an extensive social and teaching life, but she deliberately kept a low profile, being famously guarded with biographical details. So much so, that a couple of young artists I knew in the mid-1980s were convinced that Clough was already dead, though she continued to paint and exhibit sporadically until her death in 1999. How refreshing this is in an age of seemingly unbounded artistic egos, when relentless self-obsession has to make up for lack

Molly Guinness

The attraction of repulsion

Take some boiled maize, chew it, spit it out, put the mixture into an urn, bury it, dig it up several days later, and Bob’s your uncle: the Ecuadoran delicacy chicha. It turns out that ‘controlled rot tastes good’; the particular rot you favour will depend on where you come from. In Sardinia casu marzu is highly prized: it’s sheep’s cheese crawling with maggots. Reading Rachel Herz’s book, it’s astonishing what people enjoy, even before you get to the section on Japanese pornography. Herz knows whereof she speaks: she has acted as nose judge in the annual National Rotten Sneakers Contest, where finalists aged six to 16 vie for the

Robert Chandler

Searching for a saviour

The central themes of Russian history have remained constant for over a millennium.  Russia’s vast spaces and lack of any natural borders have always made her inhabitants terrified of invasion. And to protect the country against invaders, and to preserve its unity, Russia’s rulers seem always to have felt it necessary to assert their authority with great brutality. All this is at least hinted at in the very first introduction to Russian history. The Primary Chronicle, compiled in Kiev around 1113, tells us that there was no law among [the Slavs], but tribe rose against tribe…  Accordingly they …  said to the people of Rus [who were probably Scandinavians]: ‘Our

Graham Stewart

Special providence …

When Ed Smith became a full-time professional cricketer for Kent in 1999 the county side was preparing for the new millennium by shedding anything that smacked of old-fashioned amateurism. Professionalism was to be a state of mind. Players were henceforth required to sign up to a new code of conduct. This Core Covenant consisted mainly of a succession of abstract nouns, though it also proclaimed its faith in the transformative power of setting targets by requiring a ‘pledge’ from all players that they would take at least 50 extra catches during every practice session. What was more, it took personal responsibility to a higher level by abolishing bad luck as

Jonathan Mirsky

Pawns in the game

The authors of this book have attempted a difficult thing: to ‘write about something that could never be known’. Here is a terrific and scary story about a group of American, British and European trekkers kidnapped by jihadists in Kashmir in July 1995 and slaughtered in December. Their wives were allowed to go free, and one of the men escaped. Another was decapitated. Four were reportedly, but only reportedly, shot dead. At the book’s core, the authors remark, ‘is an event that only one person survived’. The original purpose of the kidnap was to force the Indian government to free a number of prisoners, principally Masood Azhara, a key crony

William Leith

A gruesome sort

Everybody knows that the heart pumps blood around the body, and that a man called William Harvey somehow discovered this fact. Before Harvey, people thought that blood moved around the body in a sluggish fashion. But then Harvey — who was born 14 years after Shakespeare — noticed that, actually, blood shoots out of the heart with great force, travels through the arteries, and then makes its way back to the heart through the veins. To find this out, in an age before X-rays, sonograms or heart monitors, you would, if you think about it, have had to be a pretty gruesome sort of person. As soon as I started

Saturday

Paul Johnson

Who are the losers now?

Keith Lowe’s horrifying book is a survey of the physical and moral breakdown of Europe in the closing months of the second world war and its immediate aftermath. It is a complex story and he tells it, on the whole, very well. Though the first world war took the lives of more uniformed young men, in the useless slaughter of the Flanders trenches, many more people, chiefly civilians, died in 1939-45. Soviet casualties were the greatest: 23 million killed, of whom two million came from Belarus and seven million from Ukraine. Next came the Poles, with losses of 6,028,000, the largest percentage of the population in any country. The Germans

Bevis Hillier

Architectural bonsai

In the summer of 1961 I was in my second year at Magdalen College, Oxford with rooms in the 18th-century New Buildings. One of my neighbours there was a quiet man called Jonathan Green-Armytage. Sitting out on the steps of the building’s colonnade, in the sun, we became friends. He was already a distinguished photographer. He showed me photographs he had taken of Edith Sitwell, with her medieval face and gnarled, beringed fingers. They were at least as good as Cecil Beaton’s portraits of the old poet. One day, Jonathan said to me: ‘I think you’d enjoy to meet my god-mother, Vivien Greene; and I think she’d like to meet