From first to last
As the dreaded season of goodwill approaches, the Royal Opera has mounted two revivals of pieces that are interestingly contrasted: Puccini, in the first characteristic and successful opera of his career, though with a lot still to learn, and Offenbach, with the incomplete last work of his career, but a radical departure from all the successes he had had before, and a work that is ultimately a noble flop. Les Contes d’Hoffmann is one of the Royal Opera’s most venerable productions, dating from 1980 and having its eighth revival, with William Dudley’s elaborate sets. One might even call them cluttered, and their major disadvantage is that they necessitate not only